I love this. I had never listened to something like this before

listen on spotify:
https://open.spotify.com/album/4cyjC6h2YeKP4fzo2Eeq5L?si=jAAdcKHBQpGcnxkcV9DqEg&dl_branch=1

"Listening to Diamond Eater EP by Soup feels like waking up in a simulation of a simulation of a dystopian future which has been infected by malware. Each feeling carves its way into you like transistors laser etched into silicon wafer, trapping microsounds in some overarching calculation, too large to grasp. It's a deeply moody album drenched in technical mastery. To me, part of the goal of this series and putting forward the idea of hyperglitch in general, is to set forth a challenge: How far can we go? How far can we push the idea of glitch? What is beyond the boundaries set out by the "glitch" music of the past? Soup rises to the occasion and sets a new bar with this album.

Part of what makes this album feel distinctly "hyperglitch" to me is the way glitch is used as a structural, base element instead of as an embellishment or flourish. Soup plays the glitch as if it were an instrument, and stretches and compresses it into wonderfully expressive rhythmic and melodic phrases."
~Woulg

Memory Core

soup girl

contact:
talktosoupmusic@gmail.com

Comments

TOMOYU

klepst.

ToTa

ECLOG

Alexander Panos

GLORKGLUNK

Hudson Lee