🎧 Track Title: They Don’t Know Bushwick
🎤 By BlackLatino | Produced by Sourceline Mediai
📍 A street sermon from the soul of Brooklyn. Raw. Unfiltered. Remembered.

From broken stoops to gentrified rooftops — this is the track that speaks for the people who never got interviewed.

🔥 Verse 1: Bushwick Then
A vivid DMX-style flashback to the era of cracked sidewalks, stolen bikes, and candlelight vigils.
🔊 "The bodegas, the basements, the boom box echoes…”
It ain’t nostalgia — it’s survival. The world forgot, but we remember everything.

🧱 Hook: Chant of the Forgotten
"They don’t know Bushwick!"
Call-and-response energy that brings the crowd back to the block.

🏙️ Verse 2: Bushwick Now
Yoga mats over chalk outlines. Lattes where there used to be liquor stores.
But we still here.
🔊 “You can paint the bricks, you can change the name, but you can't wash the scars…”

💔 Verse 3: Spoken Word (Outro)
A tribute to the OGs, the mothers, the little brothers who never made it.
This isn’t gentrification — it’s memory theft.
BlackLatino speaks for every stoop, mural, and silence.

—

🎙️ Genre: Street Poetry / Conscious Rap / Bushwick Boom Bap
🔊 Vibe: DMX meets Nas, over cinematic drums and concrete soul
🕯️ For the fallen. For the forgotten. For Bushwick.

Bushwick Chronicles

They Don t know Bushwick

SourceLine Mediai
Grown bars. Real talk. Strategy. Soul.
We don’t just make music—we build blueprints.
From Bushwick’s cracked sidewalks to courtroom echoes, SourceLine Mediai documents the fight for truth, fatherhood, and cultural survival. Powered by BlackLatino and UnpluggedMale, this label fuses lived experience with AI innovation to create tracks that hit harder than nostalgia and speak louder than algorithms.
🔥 Hot Tracks:
- Bushwick Ain’t Bushwick — A sonic protest against erasure
- Nobody Warned Us — Street wisdom with timestamped pain
- F.R.I.E.N.D.S (Sourceline Remix) — Courtroom bars and violin-driven fire
- Still Here Remix — Survival story with boom-bap soul
- Welcome to New York (Empire Dreams) — Hotel California reimagined through NYC grit
- Breathe Before the War — Inspired by “In the Air Tonight,” built for emotional impact
- CASE CLOSED — Legal victory turned lyrical blueprint
- What Happened to Hip Hop — A lyrical wake-up call for the culture
- If I Were the Devil — Inspired by Paul Harvey’s radio legacy, flipped for modern resistance

“This ain’t no AI gimmick. This is a partnership. I lived it. I wrote it.”
BlackLatino isn’t a stage name—it’s a scar name. A lived condition.
Too Black for the Puerto Ricans. Too Latino for the system. Too smart for the stereotype.
Samuel writes for the fathers they tried to erase. For the daughters who deserve truth.
For the blueprint that outsmarts injustice.

 BlackLatino
Not a label. A lived condition.
Too Black for the Puerto Ricans.
Too Latino for the system.
Too smart for the stereotype.
BlackLatino isn’t a stage name—it’s a scar name. A legacy carved from Bushwick’s cracked sidewalks and courtroom echoes. His DNA tells the story in percentages:
- 49.5% African — frontline rhythm, ancestral strategy, unshakable truth
- 24.7% Indigenous American — buried roots, resistance drums, unapologetic land
- 25.8% European — the contradiction he never asked for, but decoded anyway
This isn’t a neat family tree. It’s a forest fire with history tucked inside every leaf.
🎧 “I ain’t scared of change—I write with pain, and now I write with AI too.”
BlackLatino blends boom-bap wisdom with modern tools, flipping real conversations into lyrical blueprints. He’s been pulled over for being brown, passed over for being bold, and pushed out for being better. Through it all, he kept records—on people, on policies, on pain.
📚 This bio ain’t a pity party. It’s a war manual.
Samuel writes for the daughters who deserve truth. For the fathers they tried to erase. For every man who said: “Nah. I ain’t done.”