All the Great and the Good!
All recordings...
Do a random mix for lucky dip - !

SUPERSTUDIO

STAIRWELL

WORKSHOPS

Iceless

2018

Think Aloud Podcast

Recorded March 31, 1983 at 92nd Street Y.

Italo Calvino reading from Invisible Cities, Mr. Palomar and other collections | 92Y Readings

Enjoying the Single ? Please consider clicking the [Repost] ↻ button!
Hype Machine : http://hypem.com/track/212e6/Jumo.+-+Aperture

FR

La musique de JUMO se caractérise par une dualité propre. Comme un paysage du Nord où la chaleur colorée d’une aurore boréale ferait l’amour avec le froid polaire des neiges éternelles, JUMO marrie la danse et le spleen dans un tourbillon de notes ravageur. Au hasard d’un titre on découvre une basse groovante sur un beat chaloupé et des notes de synthés aux mélodies lo-fi et mélancolique. Flume rôde, Siriusmo guette, Hudson Mohawke acquiesce. La musique de JUMO s’inscrit dans cette mouvance électronique à la fois tendance et contemporaine. Elle mélange les genres, brouille les pistes et magnifie l’audace grâce à une production léchée. 
Solitaire schizophrène traversant les rues sombres d’un Gotham City à la recherche du sens de la vie, JUMO se projette dans le réel et dans ses rêves et nous y ouvre ses multiples portes.

EN

Throughout the EP, JUMO becomes a storyteller where each track acts as a chapter: the main character is hunted by a tortured personification of his unconscious, which results in an audio-visual experience, reflective of the intricate conflict of the two. Composed of 5 chapters, JUMO journeys through a fable exploring the duality of birth, temporality and consciousness. By depicting antagonistic voices for these themes, the producer transcends the apparent paradoxes to create a nuanced and imaginative world, where “Hylé” finds its purpose. The process for the EP’s music composition and narration began in October 2013 and lasted a year. Recorded in Paris, “Hylé” is the result of an introspective work using different medium such as music, videos and graphic designs. Consequently, the EP had the time to mature in JUMO’s mind and continues to do so with the interpretation of others.

Soundcloud : @jumoproject
Facebook : www.facebook.com/pages/Jumo/20559…41213119?fref=ts

Mixing : ATOM (C2C)
Mastering: Damien Bolo

www.yunizonrecords.com

© 2014 Yunizon Records

Aperture

Beat #136 "What a wonderful world"

A documentary on the 'Unravel' art project, where the UK public create a 16 hour-long, 16mm film using only hand-drawn marks - which create the images *and* the sound. 

What happens when sound is drawn with light by hand and moving images are created on the fly?

Drawing Sound With Light

Einsamer Astronaut

The soundtrack to the post apocalyptic world. Emotional piano's, strings, and drones.

DIVIDED WE FALL

Apollo 11: That's One Small Step for (a) Man

BUY BEATS : www.jessejamesbeats.com
LIVESTREAM : kick.com/kaolinslate
DONATE : ETH/TETHER (USDT) :
0x59E85628946aB4fba07A304f517B0b6b7D618864

If you would like to monetise a beat on YouTube or put it up on a music streaming platform like Spotify or Itunes then make sure to buy a license on here ➜ www.jessejamesbeats.com

BUY THIS BEAT HERE

Frankenstein

Guggenheim curator Daniel Robbins leads listeners through a traditional analysis of Cubism. He begins by drawing a comparison between "Woman with Bangs" (1902), a painting from Pablo Picasso’s Blue Period, and a later work by the artist, "Portrait of Gertrude Stein" (1905–06), in which many see evidence of the beginning of Cubism. In this lecture, he also reads from F. T. Marinetti’s first manifesto of Futurism (1909) and discusses works by Futurist artists including Umberto Boccioni and Carlo Carrà. Robbins then touches upon the work of Robert Delaunay. This event took place on December 7, 1961.

Transcript: https://www.guggenheim.org/wp-content/uploads/2018/08/615212T33_01_Cubists-and-Futurists.pdf 

"Inaugural Selection" exhibition at the Solomon R. Guggenheim Museum, New York, 1959. Photo: Robert E. Mates © SRGF

Guggenheim Archives

“Cubists and Futurists” by Daniel Robbins, 1961

Audio Imperia - Legacy: "Dimension" /w  Solo Cello (dressed) by James Everingham

http://traktrain.com/ryoga

i have no idea how to get this on spotify lol sorry

lovely

Peter Adjaye soundtrack for David Adjaye's DIRTY HOUSE for  MUSICFORARCHITECTURE project 'Dialogues' released on VINYLFACTORY RECORDS on 1st July 2016

MUSICAL DUALITY
The building is of a dual nature, at once a forboding dark, rough looking exterior leading to playful internal spaces where work and play at once meet and are nearly intertwined. So the music shares this duality with the low cello strings continuously building to reveal and revel in the intersection between these distinct moods. Later, the synth arpeggios and piano, percussion and bass jumps in as a juxtaposition to the edgy and avant-garde cello lines.

'Dirty House Music REMIX' for 'Dialogues' a VINYLFACTORY / MUSICFORARCHITECTURE By Peter Adjaye

Have a nice day my friends ♥
Spotify :  https://open.spotify.com/album/4uZ9LjNXA8LVRy14B77UBD

Spotify

In Love Again

ここにある音ここからはじまる＿音のきろくちょう－001

Foot Step A 014

English original version
Lecture, May 18, 2017

How can we radically reconceptualize the Anthropocene, the geological epoch in which humanity has become a determining factor in the planet’s further evolution? In the framework of the Anthropocene Lectures, McKenzie Wark presents his critical theory of the relation between labor and nature.

Image: Arkady Astapovich, untitled, 1920s

McKenzie Wark | Anthropocene Lecture

From cars to aeroplanes, furniture to architecture and hand-making to digital manufacture, plywood is a frequently overlooked material that has helped shape the modern world. Join Christopher Wilk as he unearths the social, technological and design history of this remarkable material.

Christopher Wilk is Keeper of Furniture, Textiles and Fashion at the Victoria and Albert Museum, London.

This talk took place on Wednesday 27 September 2017.

www.vam.ac.uk/plywood

Plywood: Material of the Modern World exhibition

During their first visit to Mexico, in the winter of 1935–36, artists Josef and Anni Albers knew that they were in a “country for art like no other.” The couple returned to Mexico thirteen times by the late 1960s, developing a passion for pre-Columbian art and architecture that would influence Josef’s abstract painting and prints and fuel his innovative approach to photography. The exhibition “Josef Albers in Mexico,” on view at the Solomon R. Guggenheim Museum November 3, 2017–April 4, 2018, features six sites in Mexico that the artists most frequented.

This guide centers on readings from Albers’s poetry, lectures, texts, and personal correspondence, dating from the decades he traveled to Mexico. These writings underscore his connection to the country and its influence on his art. They also reveal the complex and often surprising roles that place, time, and spirituality play in the artist’s uniquely personal vision. For more information, visit guggenheim.org/josefalbers

Josef Albers, “Monte Albán,” 1937. Gelatin silver prints and postcards, mounted to paperboard, 20.3 x 30.5 cm overall. The Josef and Anni Albers Foundation. Photo: Courtesy The Josef and Anni Albers Foundation

Includes excerpts from (in order of appearance):
Josef Albers to Ludwig Grote, July 7, 1947, in "Anni and Josef Albers: Latin American Journeys," ed. Brenda Danilowitz and Heinz Liesbrock, exh. cat. (Ostfildern, Germany: Hatje Cantz, 2007), p. 215.

Josef Albers to Bobbie Dreier, July 10, 1936, Theodore and Barbara Dreier Correspondence 166, Josef and Anni Albers Foundation Archive, Bethany, Conn.

Anni Albers to Ted and Bobbie Dreier, Oaxaca, July 20, 1939, Dreier Correspondence 385, Josef and Anni Albers Foundation Archive, Bethany, Conn.

Josef Albers to Wassily Kandinsky, August 22, 1936. Bibliothèque Kandinsky; translated and reprinted in Nicholas Fox Weber and Jessica Boissel, "Josef Albers and Wassily Kandinsky: Friends in Exile; A Decade of Correspondence, 1929–1940" (Manchester, U.K.: Hudson Hills Press in association with The Josef and Anni Albers Foundation, Bethany, Conn., 2010), pp. 87–91.

Josef Albers in Mexico

Exhibition Website

Josef Albers on Mexico, “the promised land of abstract art”

Arthur Drexler, director of the Department of Architecture and Design at the Museum of Modern Art (MoMA), New York, discusses the architecture of the Guggenheim Museum and distinctive aspects of Frank Lloyd Wright’s design. This lecture, introduced by H. H. Arnason of the Guggenheim, was held in collaboration with both MoMA and the Municipal Art Society of New York on November 15, 1961. 

Transcript: https://www.guggenheim.org/wp-content/uploads/2018/08/9009669_01_edited-Architecture-of-the-Guggenheim-Museum.pdf 

Crowds on opening day at the Solomon R. Guggenheim Museum, New York, October 21, 1959. Photo: Robert E. Mates © SRGF

From the Archives

Arthur Drexler on the Architecture of the Guggenheim Museum, 1961

For national #AskACurator day, we poached the programmers at Southbank Centre to ask what goes on behind the scenes. 

Harriet Fitch Little is joined by; Bengi Unsal, Southbank Centre’s Senior Contemporary Music Programmer; Debo Amon, Literature Programmer;  Rupert Thomson,  Senior Programmer Performance & Dance and Jessica Cerasi, art curator and author of 'Who's Afraid of Contemporary Art?'

Ask the curators: the stresses and secrets of programming

Ahead of EFG London Jazz Festival, self-confessed jazz amateur Harriet interviews eminent musician Orphy Robinson and David Jones, a director and programmer of the festival. They talk about where jazz can be misunderstood, how it defies the limitations of the 'genre', the vibraphone, and which type of music you should be listening to on a date.
Finally, they answer the question 'is it the end of jazz?' 
(spoiler: no)

To find out more about EFG Jazz Festival at Southbank Centre, head to https://www.southbankcentre.co.uk/whats-on/festivals-series/efg-london-jazz-festival

Think Aloud: Jazz – gatekeepers, dates and dancing

In this episode, Harriet Fitch Little talks comedy and brings you the secrets and what do you do if nobody laughs.

She talks to comedian Dave Gorman about why comedians can't lie and what the qualities are of the genre 'Gormanesque'.

Her co-presenter is Ken Cheng, Chinese Comedian. She brings up his joke 'geek student' video and how it went down, they realise they went to uni together and Harriet finds out why Antigua and Barbuda have the funniest flag in the world.

Along with that, comedian Holly Walsh answers the question that all stand ups fear - what do you do if nobody laughs..?

You can hear more podcasts at: https://www.southbankcentre.co.uk/blog/podcasts

Think Aloud: Comedy – the truth and the lies

Inspired by the forthcoming Soundstate festival, Harriet Fitch Little is joined by Southbank Centre's Music Director, Gillian Moore; Susanna Eastburn, CEO of Sound & Music; and Dai Fujikura, composer of contemporary classical music. 

They discuss the trouble with genres, how writing music will never be the same and why they don't use the word 'classical'.

Think Aloud: Modern music – composing, curating and cl***ical

How do you make something not funny, funny?
How do you deal with nerves?
Who is your dream comedy sidekick?
Do people expect you to be funny all the time?
Which of your jokes goes down the best?

Harriet Fitch Little brings you a Christmas special that reveals the tricks of the trade of stand up comedy. Listen to the questions we put to our panel of comedians about the highs and lows of their career, their confessions and their secrets. And of course, they manage to make it funny...

You can hear more podcasts at: www.southbankcentre.co.uk/blog/podcasts

Think Aloud: The secrets behind the laughs

Invented in China over 2,500 years ago, the abstract strategy game Go is thought to be the oldest board game continuously played to the present day.

In March 2016, the Go world champion Lee Sedol accepted a challenge to play against a computer program called AlphaGo. In the second game of a five game challenge series, the computer made a move no human in the game’s vast history would have considered. This move, Move 37, was not only unique and creative, it was beyond the minds of the world’s greatest Go players.

In this latest episode of our Think Aloud podcast, presenter Harriet Fitch Little speaks with Southbank Centre's Performance and Dance Programmer, Rupert Thomson and actor and director Thomas Ryckewaert about their fascination with Move 37. They talk about what this moment meant for arts and society, and how ultimately it may shape our relationship with artificial intelligence.



Also in this episode, we hear an interview with Patrick Tresset, an artist who has programmed robots to draw portraits for him. Working in Tresset’s own style of drawing, they act like an artist and has no idea how the drawings will turn out.

Move 37 by Thomas Ryckewaert comes to Southbank Centre on 14 March, 2019. Buy tickets here: http://bit.ly/2GGlvD0

Think Aloud: Artificial intelligence – creative robots and Move 37

PODCAST: Starr Chat With David Adjaye

Moira Dillon studies how “the physical world in which we live shapes the abstract world in which we think,” and in this episode we travel to her Lab for the Developing Mind at NYU to sit down and ask her a zillion questions about how the brain creates the reality we interact with, and how we attempt to communicate that reality to others through language, art, geometry, and mathematics.

169 - Art

Panel discussion: The sustainably use of timber in construction. Brought to you by the Forest Stewardship Council

Chair: Hattie Hartman, Sustainability Editor for the Architects’ Journal
Panel members:
Jeremy Harrison, Forest Stewardship Council
Misak Terzibasiyan, UAArchitects
Giacomo Garziano, GGLoop Amsterdam

This podcast episode is brought to you by the Forest Stewardship Council (FSC), the most trusted and rigorous standard for responsible forest management. FSC Project Certification assures your use of guilt-free materials, knowing they came from well-managed forests. Get your project certified, ensuring a lower carbon footprint, helping to fight climate change. 

For more information please visit: www.fsc.org/project-certification

The Sustainable Use of Timber in Construction (Brought to you by FSC)

We metTim Ingold, in his house the 2 march 2020 at 2pm.

1 Tim Ingold _We Don't Think Art as Artwork But as A Practice

Anthology Strings is a deep-sampled music software instrument from 8Dio Productions. 

More information: https://8dio.com/instrument/anthology-vst-au-aax-samples-kontakt-instrument/

- - - - - - - - - - - - -

Anthology Strings was crafted by Academy Award, TEC and G.A.N.G Award Winning Composer and Producer, Troels Folmann and Emmy-Nominated Composer and Orchestrator, Colin O’Malley. Anthology is the true reimagination of our original Adagio and Agitato String collections – hand-designed with our favorite 66.500 samples from both collections.

Anthology contains both Ensemble, Divisi and Solo String sections for both Violin(s), Viola(s), Cello(s) and Basse(s). All recorded exclusively with grand Neumann microphones – inside a rare church recording environment. The three sensible microphone positions (Close, Mixed, Far) offers you full mastery over the sound. We developed custom techniques for the close microphones – allowing them to record much closer and intimate than your common church scoring environments. No samples overwhelmed in reverb. Instead a touching and passionate collection of strings. All designed to capture your most beautiful thoughts.

The beating heart of Anthology Strings is its playability, emotion and ease-of-use. A compendium of all principal articulations needed for advanced orchestration – and equally built for fast and expressive string writing. The custom smart browser offers you access to everything. A single click gives access to all articulations. A few clicks and you’ve designed your personal matrix of articulations.

Anthology Strings is symmetry. All String Sections have identical articulations and that goes for all Ensemble, Divisi and Solo Strings in the library. But most importantly Anthology is for you. The composer. The producer. The orchestrator. The person that wants the most expressive virtual strings ever created within a fingers touch.

The person that want complete playability, effortless expression and true emotion in the sound. This library is for you and only you.

More information: https://8dio.com/instrument/anthology-vst-au-aax-samples-kontakt-instrument/

8Dio Anthology Strings "Skybreak" (feat. Laurie Ann Haus) by Troels Folmann

One for when the sun finally decides to show its face

iTunes - https://itunes.apple.com/gb/album/struck-ep/id1107884853
Spotify - https://open.spotify.com/album/1o0h2X4v1ugyZvsrjIoghr
Bandcamp - https://thinnen.bandcamp.com/album/struck-ep

Struck

Some of the biggest and most influential names in modern literature, art, music and performance share their stories, thoughts and ideas.

Listen to the people shaping arts and culture today in podcasts which reflect our richly diverse events, exhibitions and festivals programme from the Southbank Centre and Hayward Gallery.