spiraled staircase

Doopees - Doopee Time

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Introducing Never Slept

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Machine Girl - Acid Punk Phantasy [Never Slept Volume 001]

You said, "There was fun time. There was a gentle time. There was happiness.
But, I never forget the anger and the enmity and even for a day. I wouldn't be forget eternity. ETERNITY".
Your mind is covered with the deep fog like noise from broken radio
Your mind is covered with the howling noise of shame. Till death do us part
You said, "There was fun time. There was a gentle time. There was happiness.
But, I never forget the anger and the enmity and even for a day. I wouldn't be forget eternity. ETERNITY".
Your mind is covered with the deep fog like noise from broken radio
Your mind is covered with the howling noise of shame. Till death do us part

shut yourself like shellfish. I Just there is like weed of roadside.
I can't even be snuggle into you properly.
I'm to burn into the eyes memory your figure that lamented by suffering.
I'm continue watching that figure of you. Till death do us part

君は言ったね。「楽しい時間があって、優しい時間があって、幸福さえもあった。でも怒りと敵意を忘れたことは一日もなかった。忘れられやしない。永久に。」
君の心は壊れたラジオのノイズみたいな霧に覆われてる
君の心は響き渡る恥のノイズに包まれてる。死が二人を別つまで。
貝のように君は自分を閉じていて 私は道端の雑草に過ぎず
上手く君に寄り添うことはできない
君が苦しみ嘆く姿を目に焼き付けよう
その姿を見続けよう。死が二人を別つまで。

Till Death Do Us Part

Machines Of Loving Grace

11 Dr. Domestic's Physical Effect#2 -Electronic Colored Tone And Strings

05 Chopin Opus 28 No.4 With Tone Cluster

04 Reprise(How Does It Feel)

03 How Does It Feel

02 Doopee Time

01 What's The Time (Some Day, In Time)

Belladonna

Andy Warhol

Release info:

Palto Flats & WRWTFWW Records are excited to announce the forthcoming highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan. 

The fully licensed reissue will be available in March as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA). 
It will be also availalble for the first time in CD format.

Midori will be touring Europe in April to support the album reissue, with plans for additional touring in other territories.

Dates:

4/4 Copenhagen DK Jazzhouse
http://www.jazzhouse.dk/jazzklub/midori-takada-jp

6/4 Glasgow UK Counterflows Festival
https://counterflows.com/midori-takada/

7/4 Amsterdam NL World Minimal Music Festival
https://www.muziekgebouw.nl/agenda/Concerten/5309/The_Master_Musicians_of_Jajouka_led_by_Bachir_Attar_Midori_Takada/World_Roots/

9/4 Gent BE Full Moon Healing Festival
http://www.vooruit.be

11/4 London UK Cafe Oto
https://www.cafeoto.co.uk/events/midori-takada/

Bio:

Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this spring.

Midori released two solo albums: "Through The Looking Glass" and "Tree Of Life," and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on marimba and other percussion instruments.

She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduation from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.

In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with saxophone player Kang Tae-Hwan and jazz pianist Masahiko Satoh.

In the past 20 years, Midori Takada spent more time in theaters than in concert halls – composing and performing for live music for theater. She has worked with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear."

Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.

Every live performance Midori Takada gives is unique and prepared especially for that occasion.

Through The Looking Glass

Own a copy

3 Midori Takada - Trompe - L'oeil (Reel-2-Reel to Digital conversion)

11 Dr. Domestic's Physical Effect#2 -Electronic Colored Tone And Strings

Souvlaki