Send music via message. Private, downloadable files only - no dropbox links, no public streams without downloads please. I need to be able to play it not just listen to it!

Bookings:
UK / EU / ROTW: danny@earth-agency.com
USA: nicole@subdotmission.com

Chris Reed, also known as Plastician (formerly Plasticman), is a Producer / DJ from Thornton Heath in the London Borough of Croydon.

Plastician is unique in that he is respected as one of the true pioneers of both the Dubstep, Grime and most recently Wave genres. 

Always reputed for selecting from a broad range of bass heavy styles and seeking out the genres that emerge from between established scenes.

He plays a monthly radio show on Rinse FM, where he has been credited for breaking many artists and collectives on his show, some artists who had their first plays on his shows include Joker, Om Unit, Klasey Jones, Mura Masa and countless more.

In 2006 he spent 18 months on BBC Radio 1, making him the world's first DJ to have a specialist dubstep and grime radio show on national radio.

Running @Terrorhythm record label - follow @rinsefmfor podcasts

IMPROVISED LIVE TECHNO
Psychedelic / Techno / Groove 
Berlin | Germany


If you love techno, you can't vote right. On a real techno floor, you can be free no matter who you are, if you respect the freedom of all others. Right politics stand for the opposite. if you want this culture to sustain, please get informed and stand up against this oppression.  
So FCK AFD! and be loud against all the populist, right-wing parties around the globe.  They promise you a better future, but history can teach you better. <3

🌎 Booking & Contact:
Kenji.Tanaka@loft.contact

View, Watch, Listen:
www.instagram.com/kenji_tanaka_official
www.youtube.com/@KenjiTanaka_LIVE
www.kenjitanaka.bandcamp.com

My Family: "BonkerSquad"
👉www.soundcloud.com/maldaneben
👉www.soundcloud.com/vaianamusic
👉www.instagram.com/bonkersquadberlin

Most recent:
14.03.26 Parachute Isanbul
29.05.26 Exit Festival  Germany
28.12.25 CCC Hamburg (additional workshop on my live set at 6pm)

All:
20.12.25 Reflected Radio
06.12.25 JAZ Rostock
21.11.25 Jonny Knüppel Berlin
02.11.25 Sisyphos Berlin
18.10.25 Südpol Hamburg
11.10.25 Monopol Basement
27.09.25 Exit Hamburg
22.08.25 Entropie Festival Germany
16.08.25 Compact Madnass Festival Germany
03.08.25 Garbicz Festival Poland
26.07.25 Coucool Festival France
27.06.25 Fusion Festival Tanzwüste
31.05.25 Accension Festival
24.05.25 Choose Jonny Knüppel Berlin
17.05.25 Secret Rave
16.05.25 Rosa Greifswald
06.04.25 Sisyphos Berlin
01.03.25 BonkerSquad Salöön Berlin




My approach to my music: 
I love loopy and trippy techno. When dancing, I like to let go of everything around me and enter a deeper dialogue with myself. At this stage, I am 100% in tune with myself. This works for me when the groove drives me and the elements I hear are interesting but not too intrusive. That’s exactly what I love to create on the dance floor.

To achieve this—and to create the necessary element of surprise—I combine different loops randomly and blindly. Since I never know exactly what will happen, I am constantly surprised and inspired by the result.

If you want to see how it works check out my youtube channel. www.youtube.com/@KenjiTanaka_Official




My instruments:
-Drums (TR8S)
-Bass (Modular)
-Rumble Bass (TR8S)
-Atmos (Fieldrecorder, Drumrack, Ableton)
-Synth 1 (MicroMonsta 2)
-Synth 2 (Polysix VST, Ableton)
-Vocal Samples (Ableton)
-Misc Samples (TR8S)


More nerdy Information:
For each of these instruments, I have prepared about 30 different loops, most of them 1 bar long.
Using the Streamdeck and a self-built ‘Max for Live Tool’, I can select a completely random loop for each instrument with the push of a button. The tonality can be set. To make sure it’s not completely random, I can choose between different categories, such as chords/arpeggiator.
I can control the complexity of the loop using controls.

All instruments run through Ableton (RME Fireface UCXii). With the help of ‘Launchcontrol’ and 2x ‘Midifighter Twister’, I can control all the parameters that are important to me. Filters, reverb, random delay and pitch effects glue everything together.

When playing, I rely on my intuition. I can sense what should happen 2-4 bars in advance. If I feel like I want to hear a new chord pattern, I press a button and let myself be surprised. If I like it, I develop it further. If I don’t like it, I move on.

Since the whole structure is improvised, I am correspondingly excited before the gigs. Because almost nothing can be planned in advance. My biggest clue is whether I dance. If I get myself to move and get lost, I am happy with what happens.

MUSIC PRODUCER
HEMMIBR@GMAIL.COM FOR MORE INFO OR SEND ME MESSEGES HERE ON SOUNDCLOUD

NA/SA ✧ nicole@subdotmission.com
MGMT ✧  twoswords@naymlis.com
tunes: twoswordsbeats@gmail.com

Kruzie is a producer and creative from Newcastle upon Tyne, building his sound across drum and bass, 140, garage and jungle since 2023. 

Daydream with Mr Traumatik landed to great response, and with a steadily growing catalogue, his music continues to build real traction across Spotify and SoundCloud.

Alongside music, Kruzie runs graphic design studio CruzDesign, working with labels such as Exert Records, Nuform, Invicta Audio and DNBAllstars, and artists including Primate, Sub Zero, Profile, T-Lex, Premium and Original Sin.

He has released music on Kingdom Audio, DNBShack, Bruised Records, Lithuania HQ, Akimbo Audio and PureFilth Records, continuing to develop a catalogue of heavier drum and bass releases.

Raphael Hofman is a Dutch-German,  Melodic Techno producer & DJ based in Berlin. Further known as @Monamiberlin.

Born amidst the historical charm of Aachen but destined to make his mark in the vibrant streets of Berlin, Raphael Hofman emerged as a luminary in the city's eclectic music scene. With his innovative compositions and boundary-pushing performances, he has carved a niche for himself as an artist, blending genres and defying conventions with his mesmerizing soundscapes.

Early Life and Musical Journey

Raphael's journey into the world of music began at a young age. Growing up in the culturally rich surroundings of Aachen, he was exposed to a diverse array of musical influences, ranging from classical symphonies to underground techno beats. Fascinated by the power of sound to evoke emotion and transcend boundaries, he immersed himself in the world of music, honing his skills on various instruments and experimenting with different styles.

Exploration and Experimentation

 Raphael delved deeper into the realm of electronic music, captivated by its limitless possibilities for exploration. Drawing inspiration from the pulsating energy of Berlin's nightlife, he started experimenting with synthesizers, drum machines, and other electronic instruments, crafting his own unique sound palette that defied categorization.

As he honed his craft, Raphael began performing at underground clubs across Berlin, captivating audiences with his dynamic live sets and sounds. His reputation quickly spread beyond the city limits and opened the door to international gigs at worldwide festivals and clubs.

Musical Style and Influences

Raphael's music is a fusion of diverse influences, seamlessly blending elements of techno, ambient, experimental, and classical music into a mesmerizing tapestry of sound. His compositions are characterized by intricate rhythms, haunting melodies, and rich atmospheric textures, inviting listeners on a transcendent journey through soundscapes both familiar and otherworldly.

Collaborations and Projects

Throughout his career, Raphael has collaborated with a myriad of artists across different disciplines, from visual designers to choreographers, pushing the boundaries of creativity and expression. His collaborations, notably with artists like Florian Kruse, Daniel Jaeger or Phillipp Thimm have produced hits that further cement his reputation in the electronic music community. Hofman's work on the "Susurrus EP or "Baby's Dreamride," released on Jeudi Records and Wuza Records, highlight his penchant for creating tracks that are both emotive and capable of energizing dance floors​​.
His interdisciplinary approach to music has led to groundbreaking projects that blur the lines between music, art, and technology, earning him acclaim both within the music industry and the broader artistic community.

In the ever-evolving landscape of electronic music, Raphael Hofman stands as a beacon of creativity and experimentation, pushing the boundaries of what is possible and inspiring others to do the same. With his visionary approach to music and unwavering commitment to artistic integrity, he continues to shape his own vision of sound.

11th Hour - Seresta EP, Pre-order the 12" vinyl via the link below:
https://11thour.bandcamp.com/album/11th-hour-seresta
https://linktr.ee/11th_Hour
Booking inquiries: 11thhourdubstep@gmail.com

Well yeah, you know, that`s just your opinion man.

DJ Bookings & enquiries: deadmansdubs@gmail.com

Full biography:
Originally hailing from Glastonbury, UK and nurtured on a strict diet of mixtapes, raving in fields and doodling in school books, producer, DJ and visual artist, Alex Eveson aka Dead Man's Chest, has been making his journey through the deeper spectrums of drum & bass / jungle since the mid 2000's.

After initially breaking into the scene as a designer (with artwork for labels such as Metalheadz/Exit Records), Eveson’s music soon became the centre of attention after Fabio debuted a selection of early productions on his BBC Radio 1 show in the summer of 2006. In the ensuing months, Eveson went from a little known name to one of the most featured Drum & Bass artists on UK airwaves, whilst his signature 'soulful and groove driven’ sound found it’s way into boxes of DJs from all corners of the scene, gaining support from Goldie, LTJ Bukem, Bryan Gee, Grooverider, Marky, Shy FX, dBridge, Calibre, Marcus Intalex, Doc Scott, Total Science & more...

The next few years saw Eveson stacking up releases across a selection of the scene's most prominent labels from original pioneers Good Looking Records, 31 Records and Creative Source to new school taste makers Horizons, Critical and Shogun Ltd. In 2012, Eveson released his debut LP 'The Last Summer Of Love' on V Records, a genre bending album of influence and exploration.

After a brief hiatus DJing in the French Alps, 2014 saw Eveson re-emerge as Dead Man's Chest (as a means to explore his original influence of early 90s rave tapes), producing a series of EPs for Ingredients Records that culminated in the 2016 release of the Trilogy Mixtape; a 90 minute collage of tripped out jungle revivalism. 

2017 marked the latest chapter in Eveson/DMC's career; a slew of chart dominating records leading to 'Best Breakthrough Producer' nominations at both DJ Mag's 'Best Of British' & the 'We Love Jungle' awards, and the launch of Western Lore; a record label which serves as both channel for Eveson's musical and visual ideas, and a space for emerging artists to truly explore their unique style and individuality.

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