libe

From the Drag City LP/Cass 'Bitchitronics' by Bitchin Bajas.  July 16, 2013

Inclusion

BREATHING - BABASMOOTH (ORIGINAL MIX)

It's "Art's Birthday" on the 17th of January since 998.038 BC. We celebrated that day with a fine selection of artists.

Marja Ahti – Lost Lake [HG2004]
Midori Takada – Ancient Palace [WRWTFWW020]
Sarah Davachi – Hanging Gardens [LM1LP]
Albert Alan Owen – Following The Light [LVLP-1904]
Ditterich von Euler-Donnersperg – Der Luftbusen Des Kleinen Fritz [acolour034]
Death and Vanilla – from above [FIRE429S] (played at 33rpm)
Auvinen – Susi [EMEGO286]
Auvinen – Kevät Jäät Kilisevät [EMEGO286]
Iury Lech – Mundos soterrados I [UTO 001]
Ronce – Oyster/Girl [DAWN013]
Joanna Brouk – Mary’s Watch Part Two [NUM069]
Voyage Futur – Sunken Forest [MANA004]
Emerald Web – Ars Nova [FKR068]
Joanna Brouk – First Meeting [NUM069]
Nature Morte – L'Arbre Carré [Mid01]
Ryuichi Sakamoto – Disintegration (Alva Noto Remodel) [MLN1-36932]
Anne Guthrie – Branching Low And Spreading [SOD103]

Art's Birthday 2022 | ...[sic!]

Klaus Schulze - Chromengel

Masayuki Koga - Fuki [Traditional Shakuhachi Music From Japan]

Tallinn-based producer Dharma Doom has performed and released music under many aliases and groups, with each collaboration and side project revealing a different slice of the wide spectrum of styles and sounds in his arsenal. He is something of a shapeshifter, showing up one night as one half of Ost Euro to deliver floor-filling minimal techno improvisations and then reappearing on the next to perform a raw and emotional noise set with his other trio project Keetai. Through years of moving between various mediums and expressions of sound, he has developed a subtle yet distinct sonic language — one that is often menacing and gritty, but also intimate and meditative.

His new solo EP, “A Place Between Places”, feels like a 7-track guided meditation through ideas and influences absorbed from years of side projects, experimentations and collaborations — combined and refined into a rich collage of club music and textural ambient.
credits


Bandcamp

Never Found (w/ Kofu)

From the forthcoming compilation 'Suso Sáiz ‎– Odisea' 2016 © Music From Memory

Buy 2xLP

Suso Saiz - Hombre Oscuro (4:24)

It is an absolute honour to have Icelandic Jóhann Jóhannsson, the Golden Globe-winning, Oscar, BAFTA and Grammy-nominated artist on EE.

Jóhann Jóhannsson - both his recent album ‘Orphee’ and soundtrack ‘Arrival’ both on [Deutsche Grammophon] have been out for a while > http://www.johannjohannsson.com

Two hours in the company of Jóhann.

01	David Munrow - Zed's Memories
02	David Lang - Pain Changes (Ft Shara Worden)			
03	Michael Nyman - String Quartet No. 3 / Beginning
04	Eugen Doga - My Sweet And Tender Beast / Waltz			
05	Lutoslawski - Funeral Music / Prologue	
06	Mohammad - Sakrifis				
07	Jacques Brel - Au Suivant	
08	Ennio Morricone - Victima Paschali Laudes	
09	Ennio Morricone - Le Voci Dal Liuto
10	Karlheinz Stockhausen - Zentrum Udssr (Russland)/4th Centre				
11	Ennio Morricone - Sinfonia D'una Citta 4
12	Roomful Of Teeth - Pieces: Iii. Courante		
13	Michael Gordon - Rushes For Seven Bassoons	
14	Morton Feldman - Jackson Pollock: Vi. Painting On Glass			
15	Morton Feldman - Jackson Pollock: I. Signature	
16	David Munrow - Woman On A Horse

Jóhann is a figurehead in a dynamic and developing scene of composers who move freely and inventively between film scores, minimalist classical, ambient and electronic music. He is equally at home writing commissioned works for the Icelandic Symphony Orchestra, Bang on a Can and Theatre of Voices ensembles, as he is collaborating with Tim Hecker, Hildur Guðnadóttir, Pan Sonic, CAN drummer Jaki Liebezeit, Marc Almond, Barry Adamson, and Stephen O'Malley of Sunn O))).

Requests from filmmakers to use Jóhannsson’s music in their films has led to a flourishing career in writing original music for more than a dozen movies. Jóhannsson was awarded a Golden Globe in January 2015 for Best Film Score for The Theory Of Everything, directed by James Marsh, whilst his music for the film also earned him both Oscar and BAFTA nominations for Best Original Score.  Jóhannsson’s score for Denis Villeneuve’s Sicario was similarly honored with a BAFTA and an Oscar nomination in 2016.  

This year will see two major films featuring Jóhann’s original music: Denis Villeneuve’s Arrival starring Amy Adams and Jeremy Renner, and James Marsh’s The Mercy starring Colin Firth and Rachel Weisz.

Jóhann Jóhannsson

Electronic Explorations - 461

EE 461

Jóhann Jóhannsson - 461 - Electronic Explorations

El maestro de la flauta japonesa shakuhachi, Masayuki Koga, interpretando en solitario. Si este archivo violara cualquier derecho de autor, háganmelo saber para borrarlo inmediatamente. Gracias.

SHAKUHACHI - Masayuki Koga

Sleepers Poets Scientists

CES-001

bandcamp

13. Natalie Beridze - Girl Galaxy

Fiore De Mattia - Flauto Shakuhachi, 6 Brani "Honkyoku"
Track 01 - Azuma Jishi
July 27, 2012

Fiore De Mattia; Shakuhachi Solo

Francesco "James" Dini; Recordings
David Zampini; Production, Mixing And Mastering
Recorded At The "HellHouse Studio" (Bergamo, Italy)
A Mano Armata (Bergamo, Italy)

After studying with Daniel Lifermann (Chief of the French Association "Le Voie Du Bambou") and having achieved the title of "Jun Shihan" with the Master Teruhisa Fukuda (exponent of the Kinko school "Ecole Sainte"), FIORE DE MATTIA is now dedicating himself with public performance, private teaching and organizing workshops/master classes through all the Italian and France Country.

This CD tries to capture his spiritual interpretation of 6 ancient score of traditional Japanese 
music.

01 - Azuma Jishi (02.48)
02 - Sagariha (03.13)
03 - Sanya (06.33)
04 - Yamagoe (04.29)
05 - Suzuru (04.05)
06 - Kumoi Jishi (03.51)

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Fiore De Mattia - Flauto Shakuhachi, 6 Brani "Honkyoku"
Traccia 01 - Azuma Jishi
27 Luglio 2012

Fiore De Mattia; Shakuhachi Solo

Francesco "James" Dini; Recordings
David Zampini; Produzione, Mixing And Mastering
Recorded At The "HellHouse Studio" (Bergamo)
A Mano Armata Dischi (Bergamo)

Dopo aver studiato con Daniel Lifermann (capo dell'associazione francese "Le Voie Du Bambou") ed aver conseguito il titolo di "JUN SHIHAN" dal Maestro Teruhisa Fukuda (esponente della scuola Kinko "Sainte Ecole"), FIORE DE MATTIA si dedica ora all'esibizione, all'insegnamento e all'organizzazione di stages e master classes in tutta Italia.

Questo cd tenta di catturare e riproporre lo spirituale nella sua interpretazione di 6 antiche 
partiture di musica tradizionale giapponese.

01 - Azuma Jishi (02.48)
02 - Sagariha (03.13)
03 - Sanya (06.33)
04 - Yamagoe (04.29)
05 - Suzuru (04.05)
06 - Kumoi Jishi (03.51)


Traditional Japanese Sample - 2012 [Fiore De Mattia - 6 Brani Honkyoku LP]

When West meets East

tracklist: https://radio.syg.ma/episodes/guests-46-denis-ryabov
https://soundcloud.com/denisriabov

Denis Riabov

GUESTS 46 - Денис Рябов

Albatross (sånglös version)

This is the full version of Underwater Lament, taken from The Alias Sessions double album.

Underwater Lament (Full Version)

from 'The Composite Moods Collection Vol.2: Point Blank Range' [2xLP|DIGITAL]
Denovali Records · den356
available on all formats at http://denovali.com/dalhous

Dalhous end the 5-year silence with the long awaited follow up to 2016's House Number 44, presenting the second volume of The Composite Moods Collection. "Point Blank Range" reinterprets the established narrative with an inverse look at the proceedings. Taking the “point of view of the disease", the perspective is now turned inside out, revealing an alternate account from the eyes of the photographed subject of House Number 44. If Vol.1 was a documented presentation of another person's condition, Vol.2 takes the listener behind the facade.

From the outset, the album offers a narratively uncooperative stance, weaving together layers of anxiety and painful specificity that often overtly manifests the psychotic protagonist's stormy interior state. A clearly subjective assault, which is made evident right from opening track 'Transceivers' through to the imploding nature of 'Intramuscular Administration’, to the vulnerable, psychedelic mania of 'Open As A Glade Unfolding'. Continuing to work within the framework of a soundtrack-like structure, Dalhous ramps things up to provide the aural equivalent of sound and picture, manifesting an almost quasi-visual experience.

The entire record can be listened to as a continuous piece, each track seamlessly linked together as though part of an interconnecting nervous system. Where House Number 44 offered airy, widescreen soundscapes of detached detail, Point Blank Range presents an altogether different form. Creating airtight vacuums of agitated twitching feeling, tracks are pulled to the forefront of the stereo field, continually mutating their densely painted neurochemical hallucinations with a breadth of sound previously unheard on previous releases.

Listeners will be able to decipher nods to long standing soundtrack influences from composers such as Fabio Frizzi, with his use of strikingly bold and haunting melodies, to Tangerine Dream’s distinctively foggy atmospheres of The Keep. There are moments that evoke the nihilistic drones of Brian Gascoigne’s soundtrack to Phase IV, and the more horrific passages of metal clanging ambience from the likes of Chu Ishikawa with his scores for Shinya Tsukamoto.

After their former record label Blackest Ever Black disbanded, Dalhous found themselves out on a limb. It took 5 years to find a new home with Denovali. Given the unusually extended period between records, Dalhous had the time to dive deeper into the material, rendering a level of experimentation previously unavailable to them. Over 4 hours of material was created, a total of 1TB of data. Countless revisions to the track listing ensued with some of the unused material being reutilised in the making of the final chapter in the trilogy to form a direct companion piece.

The Composite Moods Collection Vol.2: Point Blank Range arrives in Spring 2021 on double-vinyl and digital formats.

Klaus Schulze - Chromengel

Sowrdation2

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