Makes soundscapes from field recordings and instrumental pieces. Music is memory.

Martina Detjen experimentiert/improvisiert mit ihrer Stimme, diversen Instrumenten und Objekten, und kreiert damit sphärische, meditative, abstrakte Klanglandschaften.

Vesal Javaheri (b. 1998) began his musical career at the age of ten, playing classical guitar with Karina Kimiaei, and later with Pedram Falsafi, Babak Valipour, and Eileen Arjmand. He pursued his artistic interests in Electronic Composition and Music Programming with Kiawasch Saheb-Nassagh and Sohrab Motabar.
Some of his compositions have appeared on compilation albums in Iran, the United Kingdom, Poland, and Italy. And have been broadcast in countries such as the United States, Canada, Ireland, Australia, France, Portugal, the Netherlands, and Iran. "Chaos," his first personal album, was released in June 2022.
One of his compositions, suffering, was selected for the Sixth Reza Korourian Electro-Acoustic Composition Competition. The other piece, Requiem, was chosen for the first Golden LALA Electronic Composition Competition.
His musical activities include more than just composing and performing. He's also worked as a sound designer and composer for plays like DreamLand, Nasakh, Process, and There Will Be Blood.

Manger and head archivist of SOXSA.  See all tracks on soxsa.bandcamp.com

South Oxon Sound Archive is tasked with conserving and bringing to light experimental audio created in the district during the C20th

The area includes regions that may have been in Berkshire at the time of recording, but are now in Oxfordshire.

None of this is strictly true.

Into The Moss is broadcast Fridays at 17:15 (repeated Saturdays at 11:45) on Resonance FM 104.4 in the London area and online at www.resonancefm.com

South Oxon Sound Archive (SOXSA) is following