William Fields 'Chirality' takes us on a wild journey through mind-bending patterns, glitches and unconventional structures. Forthcoming on @greatcurverecords.

More: https://ins-rt.net/audio/william-fields-boltzmann

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Premiere: William Fields - Boltzmann

Korean artist Jaeho Hwang samples a master shaman over militant gabber kicks.

'Inner-self' is out June 1st on Chinabot.

Pre-order: bit.ly/3yYCMlR

@jaehohwang
@chinabot

Premiere: Jaeho Hwang - Yellow Eardrum [Chinabot]

Film Soundtrack for "Wunderkammer 10.0"

Digital Album
Book + CD + Digital Album

Director | Inwoo Jung, Yelim Ki, Soyun Park
Publication design | Entf Nun
Script written by | Yelim Ki
Translation | Yelim Ki
Translation Editor | Haider Mukhit, Zuleikha U.Ahmedani
Music Composed by | Inwoo Jung
Sound Edited and Mixed by | Inwoo Jung
Sound mastered by | Timm Roller
Album Cover by | Soyun Park
Publication production financially supported by | Arts Council Korea
Film production financially supported by | Stimuleringsfonds
Distributed by | Spa Recordings

Film Synopsis | 영화 시놉시스

In a virtual city of the future, the operating system 'Wunderkammer 10.0', created to provide a more stable and fast
autonomous driving service, crawls map data and learns by itself. Faced with the limitation of data accessibility within a specific
timeline, Wunderkammer finds a long-expired travel blog on the Internet.

<Wunderkammer 10.0> is a science-fiction film that depicts the inequality caused by map data access, glorified
economic growth, and conflicting political ideologies. All visual elements composing the visual were created by combining
artificial intelligence-based digital image creation technologies such as Google Map data crawling, VQ-GAN, and
photogrammetry (object image scanning technology). The film captures the fragility inherent in the contemporary technological
society and environment, and projects it into fragmentary events occurring in the possible world of the near future.


미래의 한 가상 도시, 보다 안정적이고 빠른 자율주행 서비스를 제공하기 위해 만들어진 운영 체제 '분더카머 10.0(Wunderkammer 10.0)'
는 지도 데이터를 크롤링해 스스로 학습한다. 특정 타임라인 내의 데이터에만 한정적으로 접근할 수밖에 없는 한계를 맞닥뜨린 분더카머는
인터넷에서 오래전 만료된 여행 블로그를 발견한다.

<분더카머 10.0(Wunderkammer 10.0)>은 지도 데이터 접근성, 미화된 경제성장, 서로 상충하는 정치적 이념들로 인해 발생하
는 불평등을 묘사하는 공상과학 영화이다. 화면을 구성하는 모든 시각적 요소는 구글 맵 데이터 크롤링, VQ-GAN, 포토그래마토리
(photogrammetry, 사물 이미지 스캐닝 기술) 등 인공지능 기반의 디지털 이미지 생성 기술을 접목해 만들었다. 영화는 동시대 기술 사회,
환경에 내재한 유약성을 포착하고 이를 근미래의 가능 세계에서 발생하는 파편적인 사건들에 투영한다.

Bandcamp

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@axine-m - 'Prehistoric-Groove-Slip' off of 29 Speedway: Channel Plus

Full compilation featuring trax by Xen Model, tofudj, Dekalb Works, AshTreJinkins, pent, K Wata, Ex Wiish, Special Guest DJ, LXV, Cajm, btw, J. Albert, Windowseeker, Opheliaxz, Axine M, Relaxer, and Ben Bondy

Mastered by @ex-wiish

tap in

Download

Axine M - Prehistoric-Groove-Slip

"Dribbling” is Tadleeh’s second Ep, which is now released on NKISI’s label INITIATION.
It’s a four tracks record that involves abstract concepts as well as material fields. The journey begins into a no-where-place in the Universe. Where far drum machine signals meet the sound of a classic guitar. Despite the sweetness of certain points of life, we have to move through different hurdles to generate new spirits. We have to pone our radicalisms into a new point of view. This record runs across sad synths and suffered chants touching familiar tribalism and techno dub beats, converting the initial fear into a club response.

Tracks written and composed by Hazina 
Mix by Hazina
Master by Amir Shoat
Artwork by Hazina
Additional Digital art by Hazina 
Lettering by NKISI
Releasing date: 16th March 2023 
Format: Digital

Tadleeh - Dew Point (INT002)

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

'Shaolin Affliction'
Electric guitar - Felix-Florian Tödtloff
Drums – Will Ballantyne
Bass & vocals – KIM KHAN

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.

"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.

"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Entrancing

TRANCE BAND - Shaolin Affliction

TG0016
HforSpirit - 'UnTyMe (OST)'

UnTyMe is an observational folk-anti-horror which challenges stereotypes around ancient pagan beliefs and their links to the occult - exploring their increasing relevance today.

Their pilgrimage to the post-industrial landmark and infamous “rave cave” of the ‘90s Skull Quarry, invites a ritual rebirth and a reunion with nature. It responds to the collective “crisis of meaning” amplified during lockdown in the UK, as observed by first time filmmakers, musician HforSpirit and photographer Nick Hadfield.

Existing in the grey area between documentary and fiction, UnTyMe emerges from a body of research instigated by the filmmakers and carried out by a group of multi-disciplinary artists featured in the film. An exploration of stories, symbols and devotional song & dance connected to Anglo-Celtic folklore lays the path for a participatory film where the line between performance and reality is blurred. Spurred on by the prospect of filming a road trip to escape the increasingly banal reality closing in, the group undergo an unhinged awakening amongst the relics of rural rave culture.

The music composed by HforSpirit (DAIS, Northern Electronics, Ecstatic) juxtaposes industrial sound design with shamanic drums and folk songs exploring collective identity in the time of Covid.  

Toothgrinder Press are excited to release the Original Soundtrack to the UnTyMe project, as well as an accompanying physical ensemble consisting of a Vinyl, Zine, Bag and Cast Hairpin, all artefacts embodying the different aspects of the project.

More info and 'Relic Edition' purchase here:
www.toothgrinder.co.uk/untyme  

Original Music: HforSpirit
Percussion: James Larter
Female vocals: Zoe Bedeaux
Recorded by Luke Gardner at The Studi/o, Manchester
Sound mix: HforSpirit, Bitter Gold, Alexander Green
Mastering: Tony Cousins at Metropolis Studios, London
Artwork:  HforSpirit & Nick Hadfield

UnTyMe (OST)

TG0016: HforSpirit - UnTyMe (OST)

Eyeroll

Pique

Ill probably come back to add more to this one.  Collaboration ideas are welcome

Dehydrated Membrane

Out now >> https://theyouthlabel.bandcamp.com/album/fumu-skinned-yov7c

A1 - Untitled
A2 - Untitled 
B1 - Untitled
B2 - Untitled

FUMU - Skinned - YOV7C - YOUTH (Clips)

I just dial up bro for a half and we ended up doing both


We're hitting two blocks and we're shooting up both

Igen & Onejgn - Both Re

Music label based in Cologne

_
SPA ON NTS.LIVE
TUESDAY / 12AM-1AM / MONTHLY
www.nts.live/shows/spa

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SPA

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