Dispatch477

COY003

Maya Bay

Polymer Pyramid

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Workshop 30

Squirrel City

Big Beat Manifesto Vol. V

Eden's Acid

Mauna Kea

Buy Direct:  https://square.link/u/LWf4fizv
Tech Underground is a Compilation written by Johnny Deep in the genres of Minimal Tech, Deep Tech, Progressive House and more.

JohnnyDeepMusic Label is committed to all forms of deep and underground electronica featuring hundreds of recent & new releases including tons of upcoming promos, some including collaborations with the finest deep artists.

This Label is Download only via Beatport, Traxsource and My Web Store. Streaming has almost wiped the income for pioneering artists while encouraging more commercial forms of dance music to flourish. My Download Label is a creative response to this tragedy in the hope that others will join my vision of keeping deep and underground music alive and thriving!

Individual Tracks can be purchased when released at:
Beatport & Traxsource

LINKS:
https://www.johnnydeepmusic.com
https://soundcloud.com/johnnydeep
https://www.youtube.com/@johnnydeepmusic
https://www.facebook.com/johnnydeepmusik
https://www.instagram.com/johnnydeepmusik

Song Info: 10 Club Length Tracks:
1, Space Tunnel (Original)
2, Mood Groove (Original)
3, Space Invader
4, Space Rave
5, Supernova
6, Life on Mars (Original)
7, Mood Groove (Rework)
8, Space Tunnel (Rework)
9, Life on Mars (Rework)
10, I Want it Bad (Rework)

Tech underground 2025 SAMPLER

November Man

‘Multiverse’ is a word used to describe an infinite group of disparate universes including the ones currently inhabited by humans. A myriad of realms that sit side by side, undetected by our senses, surround us at any given moment. The multiverse theory was first confirmed by tracking leakage of electromagnetic waves filtering from one dimension into the next. When these waves were transposed to fit into frequencies audible by the human ear, the recordings were studied by a team of scientists, who found that they contained rhythmic elements that resembled a speech pattern of an alien language.

After years of research and manipulation the audio was found to be a looping recording of an alien voice speaking the words: ‘IDWT005; coming soon to a universe near you.

Chaos In The CBD - Multiverse

3AM Spares is a new compilation of Australian Electronic Dance Music selected by Andras and Instant Peterson, encompassing the darker sounds and later nights of the 1990s and beyond. Following on from forerunner compilation Midnite Spares, this double LP draws from local 12” releases, CDRs and the archives of community radio station 3RRR FM to make a diverse and pumping scene audible once more. No longer confined to beer barns and back rooms, this generation of producers, DJs, clubbers and ravers spilled out into pavilions, warehouses and paddocks, embracing a new culture of machine-metaphor and chemical love.

Future Sound of Melbourne’s warehouse triptych Resist The Beat embodies a time when the country’s youth united with juggernaut stamina, partying beyond the long arm of the law. Restored from the ARIA award-winning trio’s original DATs, this debut 12” incited label offers from Jeff Mills, Frank De Wulf and Carl Cox.

Released by the likes of Clan Analogue, Creative Vibes, Volition, DanceNet, Juice and Psy-Harmonics, this era’s material has evaded sufficient digital documentation until now, some lost in the decommission of Angelfire, Tripod and Geocities websites. Often these bedroom experiments and one-off collaborations existed solely for compilation inclusions, a plausible scenario for the mysterious Inner Harmony. In the case of Tetrphnm, graphic artist Jeremy Dower’s glacial sub-bass was digitised from the only known CD-R copy, preserved by the 3RRR FM library.

Many key figures of this narrative have deep roots in the DIY/post-punk family tree. Third Eye, the impressive evolution of Whirlywirld founder and industrial legend Ollie Olsen, finds common ground with I Will Go, a hypnotic concoction by Adrenalentil and Poets of the Machine associate Jandy Rainbow, a transgender artist whose liberated electronics trace back to 1978.

The most unique take on this new wave of dance music comes from Turrbal-Gubbi Gubbi woman and Stolen Generations survivor Maroochy Barambah. Recorded in New York, Mongungi incorporates two lines of a traditional Gubbi Gubbi song Gurri Nina Nami with the sound palette of tribal house, highlighting the broadening ways that identity and culture were being negotiated and manifested within club music.

A lesson in intelligent appropriation, Artificial’s Sobriquet remix bends one of the most looped samples of all time to fit a wired new generation’s interrogation of that thing called disco. Artificial’s ingenuity was vital impact to the scene, releasing three influential albums as one half of B(if)tek and establishing the WINK Awards - a music prize that recognised and encouraged subversive electronics. Her playfulness is mirrored in Blimp’s frisky garage house, recalling Paul Johnson, while Ian Eccles-Smith’s borrowing is comparatively more discrete on the chillout sampledelic collage The Slaughtering Eye.

Andy Rantzen returns to Efficient Space in two incarnations - as one half of Itch-E + Scratch-E ambient alias Screensaver, and in collaboration with General Electrik on Leather Lover, a cocked and loaded glimpse at the bottom end of Oxford street, originally recorded for the Club Kooky compilation Gay In The Life: Adventures in the Queer Underground. Reinventing himself as Hypnoblob, fellow Sydney Oz Wave artist Ian Andrews also gives us his pneumatic-drill-step Deep Down.

3AM Spares: Compiled by Andras and Instant Peterson

B1 General Electrik Meets Andy Rantzen - Leather Lover 5:53 (ES009)

Roza Terenzi - Worldwide (Luca Lozano Intercontinental Remix)

On September 4th, Peckham-based DJ and producer duo ​Chaos In The CBD ​will announce their ​In Dust We Trust ​UK & Ireland tour, and share a stream of their new track ‘Come Together’, from their upcoming 12” ‘Come Together / Digital Sound’.

The ​In Dust We Trust ​label tour will see the duo playing extended sets on a six-stop tour across the UK & Ireland, with stops at Manchester’s ​Hidden,​ London’s ​Corsica Studios ​and Brighton’s Patterns, ​with support from IDWT label co-founder Jon Sable.

They have also shared their new track ‘Come Together’, a jacking, percussive heavy hitter which features searing synths and a fierce bassline, from their new EP to be released on their IDWT imprint this October.

Louis from ​Chaos In The CBD says: “​Beans, Sable and I had been spitballing the idea of running a label for several years prior to moving to London in 2012. The turning point was getting a tattoo of IDWT on my arm in Paris, which for me meant I had to follow through with the project. After a long period of back and forth and feelings of trepidation leading up to the first release, the label has since gone from strength to strength.

The purpose of IDWT has always been to serve as an outlet to release our own music without being at the mercy of external labels, whilst also retaining full control of the project both musically and aesthetically. Our goal has always been to release timeless music that we will be proud of for decades to come. It’s been a natural progression since conception, and running label nights feels like the next logical step and will allow us to highlight some of our exceptionally talented DJ friends.”

Chaos In The CBD look set to close out 2019 on a high with a jam-packed worldwide tour ahead, including their ​In Dust We Trust ​label UK & Ireland tour, and stops at Tokyo, Melbourne, Montreal, Paris and Amsterdam.

Chaos In The CBD - Come Together

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Space Dimension Controller

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