The Dread Planet

Also on Youtube:
https://youtu.be/4Kx77u5Sq2k

PERFORMED AND RECORDED BY:
Firenze Deoro (Voice, Argentina)
Lucas Diaz (Guitars, from Argentina)
Walter Pallares (Bass from Argentina)
Eemeli Miettinen (Guitarrists from  Findland)
German Makoev (keyboard player from Russia)
Richard Groce (Drummer from USA)
and GAZg (Mix and Master from Denmark)

PILGRIM
So you decided to take 
The path that led to the way ~inside~ 
To become the one - Who do you think you are?

-Not feeling your own self-
Who do you think you are on the ~outside~

In the search of finding yourself
Facing the truth,
Some will win
while others always lose~
 
To become the one - Who do you think you are?
-Not feeling your own self-
Who do you think you are on the ~outside~

In the search of finding yourself
Facing the truth,
Some will win
while others always lose~

So Walk on, don't be afraid
We're only getting stronger, 
Little by little - Step by step  
Won't you try to be the one 
Stop lying to the world
Who else will be on the place you ve been assigned?

In the search of finding yourself
Facing the truth,
Some will win
while others always lose~

GUITAR SOLO EEMELI

In the search of finding yourself
Facing the truth,
Some will win
while others always lose~

Here is our Facebook page, please give us a LIKE!
https://www.facebook.com/Nautilus-Worldwide-RockBand-322886491061428/

Pilgrim

Misdirection

The start of it

Your whole life and eternal existence has brought you to the point where you read this.
Got That Call?

THAT CALL

demo (Unfinished)
Networks:
Instagram: https://www.instagram.com/onefairsociety/

Stay Focused - demo v1

Neo Tokyo Showdown

Lyrics:

Look at me, you can see anything you want to
Because you're free
We try, we all cry when nothing seems to stay right
But we get by, we get by

When you feel alone I'll be by a phone
You're never on your own, you're never on your own
And you'll get by

When you're down, we can hang around
And have too much to drink while we're on the town

Cause you can be and you can see anything you want to
Because you're free

When you feel alone, I'll be by a phone
You're never on you own, I'll be by a phone

And when the feeling's gone, I'll be by a phone
You're never on your own, never on your own
And you'll get by

All Words & Music © Sean Parsons Music

Help In Hand

Written: 2019-20
Duration: ca. 21'
Instrumentation: string quartet
Commissioned by The Indianapolis String Quartet
Premiere: The Indianapolis String Quartet, Carnegie Hall, Weill Recital Hall, New York, NY, March 5, 2020.
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
For More Information: https://robertpaterson.com/string-quartet-no-3

PROGRAM NOTES
String Quartet No. 3 consists of five movements that explore “other voices,” either literally or figuratively. In a literal sense, this could mean speaking or singing in a way that is not considered normal or even out of one’s control. It could also mean speaking differently for a desired effect. Figuratively, “other voices” could mean a voice that is not one’s own. All five movements touch on these definitions in one way or another.

The first movement, Twist and Shout, uses musical patterns that sound like stuttering or someone who has a severe form of Tourette’s Syndrome. I use these sounds as a technical point of departure, incorporating jagged rhythms, erratic melodic patterns, and sudden volume shifts throughout the movement.

The second movement is entitled Poet Voice, and uses this style of reciting poems as a point of departure. In particular, this movement is based on a video of Louise Glück reading her poem “The Wild Iris,” which is included in a book of poems of the same name for which Glück won the Pulitzer Prize. Glück’s poem compares human suffering and finding a voice to the growth of a wild iris that makes a “passage from the other world” underground, despite the difficulty of breaking through. In the image of the wild iris, the explosion of color symbolizes new life. In this movement, I mimic Glück’s speech patterns and structure the movement around the sound of her voice and the content of her poem, essentially giving new life to her poetic reading. 

The third movement, Auction Chant, is inspired by North American auctioneering, which is a rapid-fire, rhythmic repetition of numbers and “filler words” spoken by auctioneers in the process of conducting an auction. This movement is also inspired by country fiddle music, which is a type of music often played in areas where auctioneering takes place.

In the fourth movement, Effects Pedal, I mimic sounds made by electronic effects pedals—and in particular, a vocal effects pedal, but without the use of actual electronic effects on the stringed instruments. I also use musical effects that sound somewhat like swallowing helium, which raises your voice when you inhale it, or sulfur hexafluoride, which lowers it.

The final movement is entitled Anthem. In this patriotic-sounding, yet slightly humorous movement, I weave together various sports themes and state songs from around the United States that are used to rile up fans at sports games.

String Quartet No. 3 was commissioned by The Indianapolis Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 3 - V. Anthem

This could have possibly been the first song I ever wrote and wanted to see what it would sound like again with different musicians and singers.

THAT CALL

Space Modem