And now, presenting 90-minutes of fresh Electro and Breaks!

Recorded from the SF Bay Area during Hurricane Ian's destructive path through Florida, I decided to pay respects to my #breakbeat roots in Florida by including some classic tracks from back in the day, and some more recent @rabbitinthemoon. Respect, Florida! Stay safe out there!

Track list:

PheuZen - In My Dreams
Chungo - Shuka
Middath - The Shaman (Original Mix)
Fred Quest - Only On The Condition That You Call Me Esteban
Desert Sound Colony - Aunt Wendy's Wedding In Wales
Mani Festo - Close Proximity
brandroid - Forced Reality
Bartek - Track ID
Will Hofbauer & Sangre Voss - Pumice
brandroid - Upgrade (Original Mix)
Sister Zo - Don't Test Me
Justin Maxwell - Johnsarc
Breaka - Descending
Heritage - The Revelation
Bluetech - Underwater Cities (PheuZen Remix)
Anthony Rother, Keith Tucker, Dj Di'jital - Return Of The Hacker
Anthony Rother, Keith Tucker, Dj Di'jital - Psi Robotics (Original)
Rabbit In The Moon - Seven Loves Electro (Original Mix)
Theory of Noise - Traveller (Original Mix)
Limit B - Triaxial
Rabbit In The Moon - FLooRI.D.A (Dynamix II 's Non Stop Electro Bass)
Theory of Noise - Main Hall (Original Mix)
Limit B - Simplistic
Kessler - Lotus
Kessler - Foul Play
Maelstrom - Lost Axis
SAAH - Brainwave
Bakey - Jack Pot
James Shinra - Gritti
Anthony Rother, Keith Tucker, Dj Di'jital - Other Worlds
Nubian Mindz - Hacker Wacker
Bakey - Scope Out

Post-Playa Breaks/Electro September 2022

Brain Dance Vol. 1 assembles an exciting lineup for the Mhost Likely White's first various artist release. The four-track V/A features contributions from previously released artists, and new label members: Larserpistol, Morten Joe, Lysgaard and SGurvin.

Brain Dance Vol. 1 drops 28th October 2022 via Mhost Likely White.

Artwork by Ola Lysgaard

PRE-ORDER

Brain Dance Vol. 1

British born, Sinai Desert raised, Lisbon, London and Amsterdam frequenter, Jack Dolo takes us on an eventful journey through woozy, dubbed out tracks from across planet earth. Recent releases and some older bits at the outer reaches of downtempo club music and ambient soundcapery.
Dolo cut his teeth with a four year residency on Red Light Radio with his eclectic Uprock show and has since popped up at NTS, Brilliant Corners, Murmur and many other weird and wonderful places.

JACK DOLO [15.11.2022]

This track is available for download on Bandcamp @ https://spacespace.bandcamp.com/track/enbyous

Enbyous

Jennylee Kontrol

From Playing for the Man at the Door: Field Recordings from the Collection of Mack McCormick, 1968 - 1971, out August 4th on Smithsonian Folkways: https://folkways.si.edu/playing-for-the-man-at-the-door

In the 1950s and 60s, the blues was the dominant form of Black vernacular music throughout Texas and the surrounding areas. In segregated neighborhoods, community members gathered in saloons, dancehalls, and each other’s homes to hear their neighbors sing their stories of sorrow, heartbreak, jubilation, and triumph. Robert “Mack” McCormick, an academically untrained but fanatical devotee of the blues, stepped into this world and became one of its most devout advocates and documentarians. By photographing Black and Latino Texans and their neighborhoods, as well as recording and interviewing musicians—many of whom never stepped foot into a proper recording studio—McCormick endeared and eventually embedded himself into these communities. By the time he died in 2015, McCormick had amassed a collection of 590 reels of sound recordings and 165 boxes of manuscripts, original interviews and research notes, thousands of photographs and negatives, playbills, and posters. Because McCormick never published or released most of these materials, his collection became a thing of legend and intense speculation among scholars, blues aficionados, and musicians alike.

Playing for the Man at the Door: Field Recordings from the Collection of Mack McCormick, 1958–1971 is the first compilation of music drawn from this fabled collection, which indelibly documents a pivotal moment in African American history. It features never-before-heard performances not only from musicians who became icons in their own right—including Lightnin’ Hopkins and Mance Lipscomb—but also, crucially, performers whose names may be unfamiliar to even the most devoted blues fans and scholars. Newly mastered recordings and accompanying photographs bring to life many of these forgotten figures: offering insight into their lives and illuminating in new, enlightening ways their joys and anguish, deep social connections, distinctive voices, and cultural networks. The collection spans gospels, ragtime, country blues dirges, the unclassifiable music of George “Bongo Joe” Coleman, and more, showing that no community, no matter how tight knit, is monolithic.

Accompanying the music is a 128-page book, which contains breathtaking photographs by McCormick and his associates, as well as contextual essays by producers Jeff Place and John Troutman on McCormick’s life, and by musicians Mark Puryear and Dom Flemons on some of the marginalized communities throughout “Greater Texas” to which McCormick devoted his life’s work. This release is a partnership with the Smithsonian’s National Museum of American History.

Playing for the Man at the Door: Field Recordings from the Collection of Mack McCormick, 1958 - 1971

Leroy “Country” Johnson with Edwin “Buster” Pickens - Train Roll Up

Revitalized

Emergence 2023- Center Camp-Sunday Nght

Drumline

Vintage Time (Original Mix)

Shroom or Doom (free download)

3-05. Moogwai - Moogwai

S.P.A.C.E.(Some People Already Cried Enough) is an electronic artist from Minneapolis, MN, U.S.A. Their music is inspired by their perspective of the world and the people that inhabit it.

Their goal is to unite people through music and shared universal expressions of the human spirit, gentle reminders that we are all One, in this life and the next.

One Planet. One Species. One Destiny