Songs to add to somewhere only I know

Through the Tides

Rule #7 - Angel Tango

I am
In trouble with myself again
I am
In trouble trouble trouble trouble
I am
In trouble with myself again
I am
In trouble trouble trouble

But I do believe
There's beauty within
That's why I can't stop
Picking my skin
Digging for a buried treasure
Digging for a way for me to

Say goodbye
To the stranger on the other side
Say hello
To the bliss of a
Disembodied mind

I am
In trouble with myself again
I am
In trouble trouble trouble trouble
I am
In trouble with myself again
I am
In trouble trouble trouble

But I do believe
There's a reason to live
That is why I'm gonna go
To sea in a sieve
Get me soaked and squeeze me through
Till there's nothing left to do but

Say goodbye
To the stranger on the other side
Say hello
To the bliss of a
Disembodied mind

I am
In trouble with myself again
I am
In trouble trouble trouble trouble
I am
In trouble with myself again
I am
In trouble trouble trouble

And I don’t believe
We could ever agree
That’s why I’ll do anything
To keep myself away from me
Maybe when I’m out of sight
I’ll see me in a better light

Eyes shut tight
Better get this right
Every word of the spell
To rip the soul from its shell

Say goodbye
To the stranger on the other side
Say hello
To the bliss of a
Disembodied mind

I am
in trouble with myself again
I am
in trouble trouble trouble trouble
I am
in trouble with myself again
I am
in trouble

Credits:

Music & lyrics by Stephan Nance
Produced by Stephan Nance
Co-produced by Mathias Kunzli
Arrangement by Stephan Nance & Mathias Kunzli
Strings arrangement by Anna Fritz & Stephan Nance
Percussion arrangement by Mathias Kunzli
Thanks to Gabriel Kahane and Nevada Jones

Piano/synths/lead vocals/backing vocals - Stephan Nance
Percussion - Mathias Kunzli
Strings - Bizarre Star Strings (Anna Fritz - cello, Kyleen King - viola, Mirabai Peart - violin)
Bass - Jeni Magana
Backing vocals - Mathias Kunzli

Disembodied Mind

Lyrics:

One small sound
One small word 
In tongues all over the world
I said it
I said it 
One small word
I said it
I didn't
I said it
I didn't
Tongues all over

Can't pick them out
Can't press them in 
I'll never hide my scars
Can't pick them out
Can't press them in
I'll never hide my scars 
I'll never hide my scars 

One small sound
One small sight 
One unsheathed knife must glint 
In an alternate timeline's light
One rust-ridden blade juts out 
Of a friendly moonstruck shape
To tear, tear terribly, terribly
Tear, tear terribly 
The delicate crepe of night

Familiarity breeds
Indifference
Familiarity breeds discontent
Familiarity breeds
Indifference
Familiarity breeds discontent

My other time machine
A pungent, putrid brownish-green 
November smile 
Blandishing my two-timing door

One small sound
One small bite
One tomial tooth
One Loggerhead Shrike must skewer 
My invertebrate doppelgänger 
On barbed wire in a parallel universe 

My tongue parallelly bleeds 
One small drop 
In a monthful of blood 
In tongues all over the world
I said it, I didn't
It doesn't matter
What I said or didn't
Admit it
You were never going to get it
I was always gonna get it

Can't pick them out
Can't press them in 
I'll never hide my scars
Can't pick them out
Can't press them in
I'll never hide my
Familiarity breeds
Familiarity breeds

Not only is it thicker
Blood is stickier than water
Maybe that's relevant somehow
Can I explode now?

Credits:
Music & lyrics by Stephan Nance
Produced by Josh Frigo
Co-produced by Stephan Nance
Keyboard, vocals, backing vocals - Stephan Nance
Drums & percussion - Mathias Kunzli
Bass - Jeni Magana
Strings arrangement - Stephan Nance and Michelle Packman
Strings - Bizarre Star Strings:
• Patti King - violin
• Kyleen King - viola
• Anna Fritz -  cello
Guitar, additional backing vocals - Josh Frigo
Vocal coaching - Nevada Jones and Adam Sweeney
Vocals recorded at The Map Room
Vocal session engineer - Adam Sweeney
Mixed by Josh Frigo
Mastered by Alex Dobbert
Artwork - Rebecca DeMoss
Graphic design - Chad Lowe

November

Envy

Disembodied Mind (Remix)

Lyrics:

If the double-row eighteen-cylinder
Air-cooled radial engine
Is not enough to tip you off
Before he slips you off the needle
Drops you into unstitched space
The wasteland which henceforth
Shall be referred to as “your place”

The captain lives by the sword
And the captain loves by the sword
When the captain dies by the sword
He'll leave you trapped in the cockpit
Crying out "Mayday!"

When a Scissor-tailed Flycatcher aerial courtship
Nosedives in a blitzkrieg from that Whiskey Delta
You can tell the backyard bomber
Never helmed a cargo crate
He croaks out undoing and doom
To the wishful safety net
You jeopardized your life to loom

The captain lives by the sword
And the captain loves by the sword
Once you elope with the captain
You'll leave on a sordid honeymoon
Trapped in the cockpit
Crying out "Mayday!"

Always the last and never the least
Always the fast and never the feast
Always the cult of domesticity
Always the jolts of electricity
Always surpassed and never decreased
Always amassed and never released
Always the past controls your mind
Never the peace you hoped to God you'd finally find

The captain lives by the sword
And the captain loves by the sword
And when he dies by the sword
He’ll reward you for your obedience
For your countenance has woven in at every turn

Even as the back, even as the back
Of the hand
Even as the back, even as the back
Of the hand still burns
Even as the back, even as the back
Of the hand still burns
From the last airstrike

Credits:
Music and lyrics - Stephan Nance
Piano/vocals/backing vocals - Stephan Nance
Programming/bass guitar/guitars/banjo/organ/keys - Josh Frigo
Violin/viola/cello - Yoed Nir
Double bass - Jeni Magana
Trumpet - John Lake
Trombone/bass trombone - Becca Patterson
French horn - Meredith Moore
Piccolo/flute/oboe/clarinet/bassoon - Josh Plotner
Percussion - Mathias Kunzli
Drums - Aksel Coe
Orchestral arrangement - Josh Plotner
Vocal recording engineer - Adam Sweeney
Mixing - Josh Frigo
Mastering - Alex Dobbert
Artwork - Rebecca DeMoss
Graphic design - Chad Lowe

Mayday!

NOT MY MUSIC

uploadin for me. this will be deleted once the officials come out

Predator -Crane Wives

Lyrics:

I know what you think of me
I know what you say
I know you’re only here
To poke and prod and analyze me

And you’re all wide-eyed and wondering
Why’d I leave, why’d I stay
Why’d I evolve beyond the point
Where you could recognize me

But I’m not so different
And so what if I am
Maybe I’ve changed
But I look at me and I don’t think I’m strange

I saw you from the pebble beach
With your spyglass in your hand
As you cursed into the spray
I am not ashamed to say
I prayed you’d never reach land

But I can’t say I’m astounded
You would track me down and come around
‘Cause it’s you and I always knew
It would never cross your mind
I might not want to be found

I’m not so different
And so what if I am
Maybe I’ve changed
But I look at me and I don’t think I’m strange

You know what I think of you
You know what I keep inside my walls
You know it all
And you know I’ve never been too good at standing tall

So call me inaccessible
And say that I left ‘cause I couldn’t deal
But I feel what I feel
And I had to leave it all behind so I could heal

I’m not so different
And so what if I am
Maybe I’ve changed
But I look at me and I don’t think I’m strange
I look at me and I don’t think I’m strange

credits:

Music and lyrics - Stephan Nance
Piano/vocals/backing vocals - Stephan Nance
Programming/bass guitar/cello/banjo/keys - Josh Frigo
Backing vocals - Annie Elise
Violin/viola - Collins McLaughlin
Drums - Jon Truman
Vocal recording engineer - Zhengxi Zhang
Vocal production - Annie Elise
Mixing - Josh Frigo
Mastering - Alex Dobbert
Artwork - Rebecca DeMoss
Graphic design - Chad Lowe

Atlantisia

This one is a high-energy dance anthem built to light up a club or festival.
	•	Theme: It’s about freedom through music—letting the beat take over, losing yourself in the rhythm, and finding connection on the dance floor.
	•	Mood: Euphoric, liberating, and unifying. The lyrics push listeners to stop thinking, start moving, and embrace the moment.
	•	Style: Classic EDM/club track vibe with vivid imagery—flashing lights, pounding bass, sunrise after a night of dancing. It blends physical energy with a touch of spirituality, like the dance floor becomes a place of self-discovery.
	•	Highlights:
	•	Verse 1: Break free, feel alive.
	•	Verse 2: Lights + heartbeat = pure adrenaline.
	•	Chorus: A crowd-chant hook designed to get people moving together.
	•	Bridge: Elevates dance into an art form, every move telling a story.

✨ Overall: A festival-ready anthem about dancing without limits, embracing the night, and finding your truest self through music and movement.

dance-to-the-beat

Tracked and Mixed by Ian Gorman at La Luna. Mastered by Glenn Brown.

The Crane Wives - The Garden

I thought I had been shot— 
Been shot a thousand times— 
It's not a shocking way to die 
In the fields this side of 
The enemy lines.

But I've fired my fair share of guns, 
And I know full well that bullets 
Don't just fall down from the sky— 
So I opened up my eyes.

I saw a flash of light— 
I saw it through the black—whoa! 
I saw the flooded track— 
I felt the hail upon my back—oh, 
I saw the start of the foggy maze— 
I couldn't see for several days— 
But then a sunbreak finally 
Burned away the haze.

(You know I'd kiss you if I could—ah, 
But my lips are made of wood, 
And it wouldn't do to splinter you 
In an unfamiliar neighborhood.)

I dodged a ball of flames 
Fueled by the dust the sun'd kicked up 
A stone's throw from the tonsil crypt 
I eschewed the beaten path 
On a SUP.

Tight-lipped and planing through 
The murky millrace surface— 
These flavescent leaves, 
Crispy teardrops shed from crying trees— 
Murmurations— 
"'Tis autumn?" 
"No, only fallout," 
Sighed beside 
A chemical breeze.

Oh, stratocumulus 
Oh, circumbendibus 
I saw and ceased to push 
I'd seen and heard too much 
My oar became a crutch 
I sculled into a reef 
It sawed the board in half 
I saw my former single fin 
I soldered lead and tin 
I sauntered out 
I saw interred my kith and kin

(You know I'd hold this post a while 
If I could only learn to smile 
But by the time I've earned the privilege 
Only grimaces will be in style.)

Surf Scoter on the pond 
Coyote on the fescue

Siroccos on the flesh 
Globe lightning to the rescue

An earthly comet rolling by 
A stoic guide toward a new clear era 
No shadows on the sterile mind 
No leks distract the prairie-chickens from their terror

I found a brand new clearing 
Next to the old new clearing 
A welcome change 
From the adjacent older new old clearing 
I didn't feel at peace but 
I didn't feel at war— 
A welcome change.

(You know, I went to your old home 
You know, the site of your new grave 
You know, I'd pay my last respects 
But the respects I have I'd better save.)

Stephan Nance - vocals, piano, synth
Milo Fultz - bass
Tim McLaughlin - trumpet
Merlin Showalter - drums, percussion
Arrangement - Adam Caswell, Milo Fultz, Stephan Nance, Merlin Showalter

Lead & Tin

The Crane Wives - Metaphor

The Crane Wives - Curses

Wake up and look out the window
Half the yard is burning and
The other half is covered in snow

Is it Arbor Day?
Is it Boxing Day?
I’m sure today must be a
Minor holiday

Season’s grievings to us, one and all
Once we get the hang of it
We’ll forget to get upset

Bearing each unsettling new pall
So adaptable
We’re so adaptable

So adaptable
We’re so adaptable
As the world is ending
We can keep pretending

That none of this will matter in an hour
First we lose the polar bears
Now we lose the flowers

Not a summer’s day
Not a winter’s day
Not a summer’s day
Not a winter’s day
Shall I compare thee to
The Judgment Day?

Is it All Saints’ Day?
Is it All Souls’ Day?
Is it All Fools’ Day?
Is it All Saints’ Day?
Is It All Souls’ Day?
Is it All Fools’ Day?

Is it Arbor Day?
Is it Boxing Day?
I’m sure today must be a
Minor holiday

And the world is ending
And we keep pretending
That none of this will matter in an hour

---

Music & lyrics by Stephan Nance
Arrangement by Stephan Nance

Piano/vocals - Stephan Nance
Percussion - Mathias Kunzli
Strings - Yoed Nir
Upright bass - Jeni Magana
Backing vocals - Greta Gertler
Clarinet - Lisa Parrott

Mixing & mastering by Thaddeus Moore, Liquid Mixing & Mastering

Recorded in Portland, Los Angeles, New York, and Sydney, Australia!

Minor Holiday

indie chamber pop (bardcore)
pronouns: they/them

Disembodied Mind (Remix)

Sparkbird

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