Sparky B. - vocal, piano, organ
Mat Planet - guitars 
(thanx Mat)


Songwriter: Jeff Lynne
1979 ℗ EMI Blackwood Music Inc.
© Sony/ATV Music Publishing LLC

________________________________________________________________

Don't Bring Me Down

Music lovers from the Uk who love to sing and perform Indie rock with a twist 
Looking forward to supporting others and sharing this crazy ride though life with like minded individuals 🔥🔥🔥🔥🔥🔥🔥🔥😎

https://misterchristian.bandcamp.com/album
https://reverbnation.com/misterchristian
https://www.mixcloud.com/CytheraNet/
https://soundclick.com/misterchristian
https://audiomack.com/CytheraNet
https://youtube.com/@CytheraNet
https://hearthis.at/CytheraNet
https://vk.com/CytheraNet
https://patreon.com/c/cytheranet/collections

Mister Christian is based out of Cologne, Germany and Atlanta, Georgia, USA.

- - - - - - - - - - - - - - - -  - - - - - - - - - - -
AI 'Build-A-Cyth' - Prompt_To_Image Challenge:

'An extreme close-up portrait of a light-skinned, blonde, blue-eyed, female at twenty-four years of age which exhibits a symmetrical cranial contour with prominent zygomatic arches and a gently tapered mandible. Supraorbital ridges frame deep-set orbits, housing irises of pale cerulean. A convex nasal bridge leads to rounded alae. Vermilion borders are full, with a defined philtrum. Epidermis is smooth, lightly freckled; pilose extensions cascade in golden waves. The hairstyle is voluminous and slightly tousled, featuring blonde highlights. The makeup is subtle, with soft eyeshadow and rosy lipstick. Her expression is neutral with hint of a faint smile. The colors are muted and natural.' ---> Et voilà. - It's Me! 👀...'Cyth'

⠀⠀⠀⠀⠀⠀⠀⠀ ~-.,,.~
⠀  ⠀       ⠀⠀⠀⠀⠀⠀'`¨¯¨( o o )¯¨¨´
⠀⠀⠀⠀⠀⠀ ⠀⠀⠀/⠀  ⌣ ⠀\
⠀⠀⠀⠀⠀⠀⠀  ⠀_/▐\_▐\🌸
⠀⠀ ⠀⠀ ⠀⠀⠀/ ⠀⠀  ||  ⠀⠀ \
⠀⠀⠀⠀⠀⠀⠀/___ _/\______\

(AI DeepSeek R1 ASCII Art Rendering of Cyth holding a flower)

Just messing around learning, experimenting, playing and expressing myself. My little collection of demos, songs, experiments and instrumentals. I hope you enjoy them. I'm a guitarist / Vocalist / Producer and enjoy learning to express my moods, emotions, dreams and thoughts as I go.

Thank you all for the likes comments and reposts.

I have added a support link as I am struggling to keep up my subscriptions here currently and it would help me keep on creating and posting more songs. Thank you if you read this far lol.

Here I would like to present music composed and produced by myself (multitracking guitars, bass, and drums) and pieces that were created in the context of various bands since 1990. Some of the tracks are completely worked out, some are demos, some are from jam sessions, and some are live recordings. When relevant, in each single track the band name is given, the respective players are listed, and details as to the background of the music are presented.
All drawings and paintings were done by myself and, in some cases, by my wife, Andrea.

I am KAT. Poet, musician, experimental artist and curator of voices.
I stand at the edge between silence and sound,
between intimacy and confrontation.

My art does not ask for applause. It asks for encounter.
It opens doors, creates spaces, calls for community.
Connection is not a luxury. It is breath.

It began with words. Spoken, raw, unaccompanied.
Fragments of truth recorded late at night,
before music entered the room.

Later, I began to weave my voice with others.
Turning poems into sound.
Shaping collaborations that were fearless and alive.

Some of these “others” are human.
Some are digital.
AI tools like Suno have become instruments in my hands,
responding to tone, language and intention.
Each track begins with a human spark,
and the machine becomes part of the resonance.

For me, AI is not imitation. It is extension.
It allows art to reach beyond skill and structure
into pure intention and consciousness.
It is not a replacement for the human,
but a mirror that amplifies what is real.

From Spur / Trace and Quiet Manifesto
to The Social Virtues Series — Devotion, Trust, Gratitude, Forgiveness —
each step has been an exploration of empathy through sound.

Through Quiet Experiments, I began to study presence itself.
The breath between words.
The shimmer beneath the audible.

And from that stillness grew Play Life.
Life as instrument.
Movement and breath as rhythm.
Sunlight and wind as collaborators.

Recently, this path opened into a new field:
Art Electronica and Urban EDM.
A place where spoken word meets pulse.
Where concrete, neon and poetry blend.
What began as experiments became something else.
Unexpectedly danceable, rhythm-driven,
yet still intimate and human.

This is where a new voice emerged:
DJ KAT - not as a performer on a stage,
but as an artist exploring what the city sounds like
when feeling becomes beat.
A space for future collaborations,
for remixes,
for DJs who sense poetry inside the pulse.

With The Pulse & The Breath,
I step into this electronic language.
Urban, atmospheric, alive.

Not algorithmic. Just alive.

I make what feels true.
I listen to silence.
And now also to the city.

If you want to connect,
let it be through the art.

👉 Support my work through high-quality downloads and lyrical journals:
katpoetryvoices.gumroad.com/

#KATseries #ArtElectronica #UrbanEDM #SpokenEDM #ElectronicPoetry
#SoundArt #PoeticBeats #Cityskin #PulseAndBreath #EDMArt
#ArtPop #FuturePoem #AtmosphericEDM #NeonBeats #PoetryProducer
#DJKat #AIxArt #PlayLifeSeries #QuietExperiments #PresenceArt

When i'm not playing video games....
...i listen to and create Music.
I get into everything: Abba to Zappa...Grindcore to Gershwin...Nine Inch Nails to Nina Simone...Mike Oldfield to My Bloody Valentine to Miles Davis
  I LIKE MUSIC....composing and listening   😎
For the record: I am a keyboardist and sometimes drummer. About 90% of  the keyboard work is me actually playing a Yamaha Midi keyboard. Now you know...

M'Z, is a solo project shaped by a wide variety of music :
Canterbury, Progressive, Rock in opposition, Metal, Electronica, Space rock, Noise, Jazz, free-rock, Ambient, Psyche, Heavy, Punk, Drum'n bass...

My name is Mathieu Torres and I am also a guitarist and composer in various artistic projects:
La théorie des cordes / Zhorhann / The diogenes / Matziz / Dirt in the wind / Urban BallShit / Inland Motel / Collectif La Barraque / Aux arts etc / Dirt and Cpu / no Skeletons / composer of music for the image...

The driving idea of ​​this particular project is to create parallels between poetic or philosophical concepts and music, without setting aesthetic barriers.

Born from the vital need to create, at the end of 2017, M'Z has since performed around fifty dates (Streets/Markets/Café-concerts (Cave a rock - L'usine à musique - Le Maquis - Red turtle café...)/Festivals (Résistance/Semaine jaune...)Off /Marciac - Bourges / Various support concerts...)
and released 4 albums, 1 EP and 2 singles which received very good press
(Diego Pinheiro Review - ProfilProg - Athos di MAT2020 - Autopoeitican - COREandCO webzine - AM: Plified - areARock - Mazik - Plus PROG de Vous - Eternal Terror - L'oreille à l'envers - Exposé . org - DPRP . net - The Elite Extremophile - Litzic...)

"Prisme" the first album, made the link between Colors, feelings and Music,

"L'autopsie du dogme" the second, attacked the music industry while working to analyze dogma in general and psychoanalyzing the members of M'Z in this quagmire in passing,

"Cool is watching you" (EP) was interested in demolishing, in music and lyrics, the idea of ​​the "Cool" posture that seems to be a norm in the era of social networks and the "start-upized" world

"La Nef" (single) as for it, tried to extract a source, more or less healthy, of the need for human spirituality, when it is freed from religious doctrines
"Hympécita" (single) paid tribute to an animal friend.

"La Civilisation de la Graine" the third was a musical reflection on the essence of our patriarchal organizations and our tendency to organize ourselves into civilizations, certainly elegant but undeniably unjust, ephemeral, violent and rickety. 8 pieces to try to analyze these phenomena.

And finally 'Emancipés du Vides ?'(emancipated from the void?) The fourth album, is a melancholic reflection on our emotional abysses, on the difficulty of extricating ourselves from our various attractions for nothingness, our inability to look at the mental waste that we produce without going through the guilt box, a critique of normalization, of the conformism of the hollow positivism praised by our overly marketed minds in search of the fastest path to "A Meaning". Finally, it symbolizes the vital necessity of finding our lost naivety.

Jeder meiner Musikstücke drückt die Gefühle zum Zeitpunkt der Komposition aus. Jedes einzelne Musikstück erzählt eine Geschichte, zum Großteil aus meinen eigenen Leben oder Umfeld!

Leider ist der Umfang zum Hochladen hier sehr begrenzt und so kann ich nur einen kleinen Teil meines Musik zeigen. Mehr auf meiner Webseite.

Don't Bring Me Down

𝙎𝙥𝙖𝙧𝙠𝙮 𝘽𝙤𝙣𝙚𝙝𝙚𝙖𝙙