Similar to R I.P.  A bit of fun with a Dylanesque type blues.

A Little While

juste un tour

La colère

La Colère  - STYC x MAZ

The Crumbling Of The Walls

Cast of characters:

Mistermark-- @user-432503709 -- Mark – backup organs (Wurlitzer and B3), VST steel drums, vocals, lyrics, composition, production, mix     
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 electric piano voice and lead organ
Llanpsych-- @llanpsych -- Tez – Epiphone Les Paul electric guitar
TexMex Shaman– @texmex-shaman –Stephen– Fender Custom Shop Telecaster electric guitar and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass

This song began with Mark, who fleshed out the entire thing, from the rhythm section, to the organ that you hear in there, to the lyrics and vocals, before he laid it on the rest of us. We all got a chuckle from the tongue in cheek humor of the lyrics, and were excited to work on a song about an anachronistic adventure of a soulful caveman. 
  Ken was first up with his version of the the beat, finding the soul in the rhythm. Josh was next up, of course, using his "normie" bass for the his version of the line. Once the rhythm section was in place, it was JJ's turn to shine, adding his slick, soulful e. piano to the mix. 
  Now that they had a solid foundation on which to play, Stephen and Tez added their guitar magic to the mix. Stephen with the rhythm and the fills, and Tez with the ripping solo at the end. Mark also added the festive VST steel drums that you hear throughout at this point, too. Now that the music was laid down, he perfected his awesome vocals to complete it.
  It was in the can at that point, and just needed Mark to throw a pro sounding mix on it. Then, Stephen mastered it in his always expert way to finish it off.
  Mark wanted to record an old skool classic Soul song (a la Al Green), which he did, all on his own. But then, once he unleashed it onto the EC gang for their interpretation, they ran with it in a whole new, almost tropical direction, and it was decided to release 2 versions of the song, both of which you can find on Mark's page. Stephen does double duty on guitar for both versions. 
  This was a real team effort, even though it's really Mark's baby. The Eclectic Collective has many different methods of creating music. This one was a great exercise in trying to bring about Mark's vision. We hope you enjoy listening to it as much as we enjoyed creating it.
Original lyrics by mistermark:

Walking through this concrete jungle
I’m just trying to stay out of the way 
just me and ol’ Rex, my furry companion 
we been fielding funky looks all day
then somebody saw me kicking rocks with my bare toes
he said buddy have you lost your way?
then I sat right down and I started to cry
and this is what I had to say…

I’m a caveman, I can’t catch a break
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say 

Sittin’ in my man cave watching the clock crawl
there's nothing good on my tv 
my big grubby hands can’t flip thru the channels
i cant even hold a cup of tea
I was chatting on the phone making plans with a lady
a little bit of company
but my date split QUICK when I opened the door
man I wonder what’s wrong with me

I’m a caveman, I can’t catch a break now
the ladies say I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say

The big city’s fine but something’s on my mind
I feel a little incomplete
I miss my old club, for rustling up some grub
and the touch of grass below my feet
I’ve been around longer than all your creation, 
like the rocks and trees and streams
I wanna get back home, where forever I’ll roam
even if it’s only in my dreams

I’m a caveman
I can’t catch a break 
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say

I’m a caveman, 
must be come kinda mistake
everybody says I’m so passé 
well I’m a - a caveman
It’s too much to take
but I’m gunna get back some day

Caveman - The Eclectic Collective

passing clearings

~Mark F-- @mark_f_2019 -- Ibanez EBH1005MS modified three string bass guitar, composition
Llanpsych -- @llanpsych -- Tez – Gibson Les Paul electric guitar end solo, production, and mix
TexMex Shaman–@texmex-shaman –Stephen– Fender Telecaster foundational rhythm electric guitar
J.J. Terrell–@j-j-terrell – organ and synth
Cgmaness – @user-419254289-15129531 – Chris – electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- PRS SE semi hollow body wah guitar, and ooh aah vocals at the end
This song began as a bass composition recorded as a stem by Mark. He named it after a hang out spot he and his friends used to go to as teenagers to drink beer and smoke bowls. He shared it with JJ, who turned it over to the Eclectic Collective so that we could have our way with it. However, Mark didn't use a click track to record it, so when he sent it to us, Ken had to come up with a drum beat based on Mark's structure, to which Mark then redid his bass part. That takes a lot of imagination on Ken's part when we do something that way.
The first one of us to lay down a part for it was Chris, who added some really freaky textural guitar. Ken was next up, completing the rhythm section with his mighty drums. Ken then redid his part to better match the bass, thus completing the rhythm section with his mighty drums. Then, Stephen laid down the gritty, underlying rhythm guitar that runs throughout. Josh was up next, adding his melodic wah guitar to the mix. JJ came along soon after and laid down the magical synth that runs throughout. Last, but not least. Tez dropped the fiery solo towards the end.
Once the music was all laid down, we thought it could use some oohs and aahs at the end, so Josh recorded them as a five part harmony. However, choosing to only use the highest thee parts in the song, our expert producer on this one, Tez, decided to make a coda out of all five. So, stick around for a treat at the end!
This is the third song the Eclectic Collective has done as a collab with Mark F. He's a very talented solo bassist, whose other music worth checking out on his page, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

Pryer Manor (Eclectic Collective)

Calm Eyes…

Goodnight.WAV

The Sad Fool * Instrumental

😆 we were young and cocky and swore we would never become our parents.
(At least......that was the plan anyway😕)

illustration by E.J. Barnes
https://www.ejbarnes.com/ 

the Old Punks' Home

Lenbé was born in Guadeloupe, French West Indies, in 2025 from two friends who have extensive experience in the punk, hardcore, rock and metal scenes through various projects and bands in Guadeloupe, Reunion island and mainland France.
Their goal is to focus on beautiful guitars and musical tension.

When i'm not playing video games....
...i listen to and create Music.
I get into everything: Abba to Zappa...Grindcore to Gershwin...Nine Inch Nails to Nina Simone...Mike Oldfield to My Bloody Valentine to Miles Davis
  I LIKE MUSIC....composing and listening   😎
For the record: I am a keyboardist and sometimes drummer. About 90% of  the keyboard work is me actually playing a Yamaha Midi keyboard. Now you know...

the Old Punks' Home

𝙎𝙥𝙖𝙧𝙠𝙮 𝘽𝙤𝙣𝙚𝙝𝙚𝙖𝙙