"A bird flying across clouds and rainbows, we are one”

We are Pandilla.

booking@match-attack.com

London based boutique label, releasing electronic music and visual art on vinyl.

Nikolay Seizov is a Bulgarian born / London based electronic artist and a human being, best known under the pseudonym MICROMATTIC

Currently he is out of love with music and investing his energy in other areas of life... and until a fresh wave of inspiration strikes him back there won't be any gigs, releases or any of the usual related nonsense.

MICROMATTIC is also known for making some unorthodox use of the Nintendo Wii Controller bending sound and minds in his live appearances that have touched many club and festival stages across Europe appearing with artists such as ORBITAL, SPEEDY J, NATHAN FAKE, JUNO REACTOR and MATMOS. Here is what this looks like: http://vimeo.com/39773681

In 2009 MICROMATTIC completed a commission for LONDON CONTEMPORARY ORCHESTRA in collaboration with contemporary composer Howard Quinn. The avant-garde electro/acoustic, audio/visual performance challenged many minds, retinas and eardrums with fractal animations, surreal electronic textures and radical orchestration all swirling together in tight synchronicity. It was pretty random, dark and twisted but somehow loads of fun!

DISCOGRAPHY:

Micromattic - "Under Over The Clouds" EP / Absolutive Records 2009 http://snd.sc/a23v43

Crystal Fighters - Xtatic Truth (Micromattic Remix) Kitsune Records 2009 http://snd.sc/rrlz0q

Ryan Davis - Prior (Micromattic Remix) / Absolutive Records 2010 http://snd.sc/L2SrDU

Micromattic - "Uncanny" EP / Absolutive Records 2012 http://bit.ly/micromattic

Liveact / Producer / Musician based in Zürich
Curator of the music Platform Wondermachine

Active since the early 90s, Kenneth James Gibson has led several musical lives, becoming known for ambient, neo-psychedelia, americana, and dream pop as well as several styles of electronic and avant garde music.

https://kennethjamesgibson.bandcamp.com/follow_me

Florina Speth, born 1983 in the mountains near Salzburg, started playing the cello and piano at the age of 6 and began studying music at the “University Mozarteum Salzburg” when she was just 11. She won several prices playing solo and string quartett ensembles, was part of orchestras like Bayerisches Landesjugend Orchester and Salzburger Junge Philarmonie all over Europe. Always keenly interested in contemporary music, she was part of performing ensembles in lots of world premieres.

In her PhD she investigated the role of sound in robotic rehabilitation. She has been working as Postdoctoral researcher on Music, Machines and the Human hand. She has been working as a futurist, writing books on the 22nd century and future of health. These days she holds a professorship in Digital Health in which she tackles the humane tech-potentials for the silver society.

She loves bridging experimental arts with science to get inspiring output. In current live performances she works with cello and synths.

contact: florina.spethATgmail.com

SPEeqLESS is following