Musique composée par O#D Composer 12 avril 2019 de 19h15 à 19h30 (N°108)
Arrangements par O#D Composer février 2022
Production O#D Composer
Tous droits réservés

A la sortie du cinéma, après avoir vu le dernier James Bond, il était clair pour moi, que James devait être immortalisé, après cette triste fin. D'où ce morceau, qui j'espère, évoquera l'atmosphère de 007.

Le Thème essentiel de ce morceau est donc James Bond : d'où le titre.
Pour les non francophones, "Thème et T'aime" se prononcent de la même façon.
"Thème" étant très commun et très souvent utilisé, "T'aime" s'imposait de soit.

Le titre "James Bond T'aime" basé, aussi, sur le thème de l'Amour, ne pouvait donc sortir que le jour de la Saint-Valentin. Et donc je dédie ce morceau à tous les oubliés de l'Amour.

J'espère que vous aimerez ce modeste morceau, et cette ambiance.

Bonne écoute.

O#D Composer

James Bond T'aime

Whatever you say 
say nothing

is a poem by Seamus Heaney 

'When I was a child' - 1 Corinthians 13:11, read by demonic mass murderer Anthony Blair

Whatever You Say

Finally working the Volca Drum back into the mix after not having used it for a little while. I like the lofi effect it gives the drum beat. With this track I leaned a little heavier into the Vital VST I've been experimenting with, also used the old minilogue and microfreak. Thanks for listening!

Homeostatic Imbalance

This came out of a piece I'd been developing over a couple of weeks, searching for variations around a central theme on felt piano. After a couple of less than successful attempts at developing the track with a fixed bpm I ended up freestyling it as an improv with some subtle drones from Spitfire labs Foghorn, a unique and free library of sounds derived from recordings of the Sumburgh head Foghorn on Shetland. 
One of the options in the labs library is a selection of engine room noises from the two diesel engines that power the foghorn, I wondered whether the engine room could stand in for percussion on the track and here is the result. Thanks for taking time out to check it out.

the engine room

in 2009 I moved into The Rat Palace, a studio in Hobart. Its been the epicentre of so many projects and I have shared the space with some amazing artists of all disciplines. I have hard drives full of jams from this time and will share a few over the next little while as a way of saying farewell to the space. This one is from August this year when myself ( Bass) and old band mates from an outfit called Hexfarm Dane Renshaw (Drums) and Phil Bywater ( Tenor Sax) found ourselves all in the same country for the first time in many years. So we dusted off some musical cobwebs one evening. The photo is of the last Ute load leaving the studio, Intonarumori strapped on the back - not quite sure where the next studio is yet !

Rat Palace Jams - Hexfarm 2022 #1

Did you make any?  Resolutions reached #11 in SoundCloud's Hot & New playlist in the Jazz & Blues category

Resolutions - Jamie Rhind

Giant Bones, Inscriptions In Stones

This song started with Terry sending Tez a really cool, unique beat. Tez then added some killer guitar to it and sent it to me. I added bass, organ, and synth to it. Tez produced it and mixed it, which was quite a task with this one, I believe. he always does such an amazing job of balancing everything, he's my go-to producer and engineer. Although, I have to say, there are many folks out there with great talent with whom I've worked, also. This is my first collaboration with Terry, but we have another in the works at the moment, too. I'm excited to keep making music with him, as well. He has a great sense of musical vision, and is fun and easy to work with, too. We hope you like our first collective psychedelic experiment.

Earth and Sky (with Tea R. Sea and Llanpsych)

Collaboration Jam with Roy Roy. Song base originated and written by Roy Roy. Great ambient background song for perhaps a pleasure drive or grilling in the back yard. Thank you for listening!

Artwork: A drawing by Roy Roy!

Roy Roy's Soundcloud page: https://on.soundcloud.com/1GuUM

When the Music Ends (collab - Roy Roy)

lyrics

Using up as little of the planet as possible seems to be a crooked path
full of obstacles that castigates and relevates non-participation by the individuals who practice such Anomalies.
Crucifiction is the thing that really worries me.

isolation is the circumstance elevated by  
behavior of the perpetrator 
in the matter of the worship of the plastic princess
who dances on the dashboard

Hidden in the middle of the muddled minds of many
dark magicians confidently creating and confusing
scenarios and narratives.

I don't wanna be the one who tells you all about the things you've done
I don't wanna think about it anymore. 
I don't wanna speculate articulate or commiserate
on the nature of the defugalty.

Thankfully your Absence is enough for me.

I can't say I'm sorry that your gone 
but i miss you just the same
my heart's wrung out, l'm done
the sun is behind a cloud
and I'm alone here in my Shroud.

The Nature of the Defugalty

Beyondway together with the Yeiskomp label are glad to present this progressive house release called ′3 Days In Seattle′.

Beyondway - 3 Days In Seattle

For the best audio experience listening in mono on a broken tweeter is recommended 

All tracks guaranteed to be:
4/4, 120bpm, do that filter thing with the drums and use that Halion Granular Piano preset

Selected tracks are available on Apple Music, Spotify, Bandcamp etc. 

info@spiralizer.com

Whatever You Say

Spiralizer

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