Please make this downloadable! Soo good :)

SPIRITUAL OBJECTS RADIO EPISODE 11 W/ PHILIP SHERBURNE

First guest mix of the new year with a goated lad from TX named @keptmale .. uak

Fifth World w/ Ian Kim Judd & Gi Gi on NTS Radio ~ 02.16.22

Khotin has been a key figure in the developing Electronic music scene emerging from Canada - for over ten years he has been producing and releasing music.

His sound has evolved exponentially, weaving between sounds and styles with cohesive ease of which others might only dream of. His records have found a home somewhere between the heady 90's ambient and trip hop era, deep house and has drawn upon abstract influences from balearic roots, trance and a whirlwind of other other cultural guises.

All of this makes his music remarkably interesting and hard to pin down.

His forthcoming album "Release Spirit" is forthcoming on acclaimed label Ghostly International. It features a collection of ambient soundscapes, tape recordings and off piste samples as Khotin draws inspiration from far reaching influences such as World of Warcraft, train journeys through Europe and Japan, family vacations and beyond.

We asked Khotin to record a mix which reflects a similar nature of the new album - the result is a delicate assortment of textures which lend themselves to a brooding optimism for the year ahead. At least we hope..

Khotin: The Ransom Note Mix

https://soundcloud.com/andrepahl is a freelance creative coder with graphic design background. After 10 years abroad –Amsterdam and Mexico City– he settled in Berlin. There, he began a mix series of pitched down cinematic journeys called 'Safari', often constructed in many sonic layers. He's a true Gemini, always up for some mischief and new adventures when travelling with friends and like-minded peeps. He hates waiting, certainly in queues. His only phobia is of spiders above a certain size, which will def occur in this mix at some point. Furthermore, it's again a fierce collage concept. A sultry, mad, flaming, desperate river of no return.....

» This sonic landscape is a musical odyssey into a distant realm and its hidden memories — a tribute to nature's relentless brutality as well as its beauty, to an everlasting cycle of of extreme conditions that shape an unforgiving landscape. Imagine gnarled, sun-bleached trees shrouded in mist while countless creatures crawl beneath their twisted roots, and with every overturned leaf, a new microcosm emerges, revealing the intricate beauty amidst the savagery. It becomes difficult to tell whether the sky or the abyss lies above or below. 

What you hear is a collage of ethereal voices and sounds, fusing echoes of the past with whispers of the future. It is also a metaphor for an inner journey. Joy and sorrow shake hands, love, decay and renewal intertwine — a tapestry woven from the strands of existence, representing the unbridled power of the subconscious. «

For Hannah ♥

NOSE JOB 39 — ANDRÉ PAHL

Enter the bliss with @la_ganzou and special guest @mill__dust from @12th.isle recs for two hours of ambient and groovy tunes 💫💫🪐🪐

Ganzou b2b Ru - 01/05/25 - [Voices Radio]

'Mani' #11 w/ Prins Emanuel 2025-05-15 @ Lyl Radio

www.thetrilogytapes.com

Mark Maxwell – JW_1 mrkmxwll.bandcamp.com/album/jungle-warfare 🤩
John Lely / Apartment House – Stopping At The Sheer Edge Will Never Abolish Space
Jack Sheen – On
Jürg Frey / Quatour Bozzini – Streichquartett 2
Laurence Crane / Apartment House – Come Back To The Old Specimen Cabinet John Vigani, John Vigani Part 1
Ana Roxanne – A Study In Vastness
Crys Cole – Making Conversation
Sil Electronics – V8
Tim Clark – Solid State
Roma Zuckerman – Juldish

TTT NTS 26.05.25

The Birth of Infinity

Back in early 2019, I released a single called Distant Visions. After hearing it, a fan commented:
“Almost sounds like something from a second interstellar suite.”

They were referring to my 2006 album The Maestoso Interstellar Suite—a project I re-released with extended material in 2016 for its 10-year anniversary. That comment stuck with me. Did it feel like a sequel? Could it be?

I toyed with the idea. But having just expanded the suite into a double-disc format in 2016, I wasn’t sure a sequel was the right move—especially given how the original was structured as a continuous, uninterrupted journey. I had also briefly considered a vinyl edition, but the flow of the piece and the 22-minute-per-side vinyl limit made it a poor fit for that format. The experience would have been compromised.

Around that time, I released a “radio edit” version of the suite called Singularities to provide an accessible entry point. But if I returned to the suite with new material, I feared I’d be stuck doing the same thing again: a full continuous version and a separate edited version. Frankly, I didn’t want to go through that process again—and since then, I’ve moved away from long single-track formats entirely.

Even then, I was already thinking about vinyl-friendly runtimes, aiming to keep my future projects under 44 minutes so they could fit comfortably on a single LP. I’ve also significantly upgraded my gear and virtual instrument libraries since that time, giving me access to orchestral and hybrid textures I could only dream of back then. Now I have the tools—but what should I do with them?

I thought: Maybe I don’t need a sequel at all. Maybe it’s not about making The Maestoso Interstellar Suite Part II, or Return to Maestoso, or anything like that. Maybe I just need to reimagine the entire idea as something ongoing—something open.

Looking back, I always felt I had to make compromises when producing the 10-year edition. Some sounds weren’t what I was hearing in my head. Hardware limitations forced me to bounce tracks just to finish mixing. I wanted that big, lush, hybrid orchestral sound—and I couldn’t quite get there.

Now I can.

And I’ve got older projects—like La Famille Du Solénoïde (The Family of Sol)—waiting for a modern update. Thematically, they fit perfectly.

So I’ve made a decision:
I’m not making a sequel to The Maestoso Interstellar Suite.

Instead, I’m creating something bigger.

Introducing Infinity

Infinity is an evolving series. A collection of volumes. A universe of sound that has no end—only pauses between stars. It’s not a sequel. It’s not a remix. It’s a living archive of exploration—part ambient, part orchestral, part space music, and completely me.

And to start, I’ll revisit the music that inspired it all.

I’ll go back and refine The Maestoso Interstellar Suite one final time—polish the edges, rework the structure to be vinyl-compatible, and finally bring it closer to what I always heard in my head.

But I won’t just re-release it.

I’ll rebrand it.

The Journey Begins

The Infinity series begins with:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

Each will stand on its own—but together, they form the beginning of something open-ended. Something I can return to any time inspiration calls.

Infinity has no final tracklist. No end. Only volumes.

And when I’m ready, I’ll add another.

Maybe it’s a crazy idea. But that’s okay—I’m doing this for me.
And I hope you’ll enjoy the journey too.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity1BC  

Intermission II

A track that was initially going nowhere (you could argue at over eight minutes long with about a single change it still does that...) but kept demanding to be made into something. So I did. Did not end up how I expected, which is part of the joy of this. Into double digits for tracks now, and almost double digits for run time. Maybe one day I'll write a sub-five minute long song again.

By Way Of Comfort

A Sunday after the Storm

Phubu, AKA RAMZi(@ramzihouti)has put together a spellbinding mix, exploring the depths of her new alter ego ( ͡° ͜ʖ ͡°)

SPIRITUAL OBJECTS RADIO EPISODE 11 W/ PHILIP SHERBURNE

SPIRITUAL OBJECTS

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