5th track and remix taken from @norialilt 's debut EP 'The Insiders of the In-Between'.
-----
Swiss DJ and producer Noria Lilt completes the label’s catalogue for @strecke 's 14th issue. Heavily influenced by dance music and rave culture, Noria Lilt’s production process nevertheless tends towards acousmatic, experimental music and sound design. This EP presents the different corners of her artistic universe, in a 12’’ format as suitable for DJs as for home listening.
The duo @atricemiras and the producer & DJ @jockey_jay are also delivering two massive dubstep and stepper-influenced remixes!

The Insiders of the In-Between

ATATM (MSJY Remix)

vinyl order

Noria Lilt - ATATM (MSJY Remix) [STR014]

Maroki launches the Spitskool Records imprint with 3 cuts of absolutely devastating club orientated sounds. 

Spitskool is a platform for Maroki and Coralie AKA ‘MXC’ and friends to release their music that perhaps wouldn’t fit elsewhere. Although it seems there is now a home at last.

The opening track; No - turned heads and shredded ears when first played at Haai & Daniel Avery’s renowned Junction 2 set back during Covid club closures - sparking a frantic online ID search. It has laid dormant since but cropped up in a handful of mixes and clubs around the world played by such selectors as GigiFM, Mad Miran and MSJY. It has since been re-mixed and mastered and is now coming out as the opening title of this EP. ‘No’ is a no-bullshit, straight up minimal broken techno affair. An arpeggiated bass rips through the track with surgical percussion lending support when needed. A crispy amen break keeps the piece rattling along with reese basses searing throughout.

‘AC4XT’ is a sleeping giant, again using the powerful rips and an earth shattering break and a sub that is oh so reminiscent of the old DMZ days but wholly different. The synth lines are tactile - loud, almost overpowering at times but once they disperse the space that is left is wide and compelling.

Finally Tremor - the clattering foray into Maroki’s chaotic mind. Techno in its simplest form but not. Sonically comparable to scaffolders losing their minds and dropping the structure in time to a 4 to the floor beat. Injections of pure noise and reprocessed breaks bring this track to fruition as a peak time destructive force.

On remix duties we have Coralie - known for his incredible release ‘Barney’s Maze’ on Quoth, which was subsequently picked up by editors at both Phonica Records & NinjaTune last year as being one of the most slept on releases of the year. We also have Tectonic regular & early mentor to Maroki ‘Elmono’ who has awoken from a slumber while mastering the dark arts of modular sound design in Lisbon for the last 5 years. Both throwing their hats into the ring for this series.

Coralie’s flip is as powerful as the original & showcases his textural and stylistic approach to forward thinking bass music. Elmono sticks true to his form and serves a cut that is beyond perfect. Walking the tight line between minimal and powerful simultaneously while sticking to his signature sound.

We also have Maroki & Coralie pitching in as MXC for not one but two remixes of Tremor - both evolved versions of the original that are standalone tracks in their own right. The minimal edit is an ode to their collaborative work together thus far. Racking bass and percussion into scorching sonic slop. The 2nd edit takes the original somewhere else entirely. Broken beats, confused sounds and hypnotic experimental grooves lead this down a very different path. An insight into what’s to come from the illusive duo later this year.

Keep you eyes and ears peeled for the physical release as there will only be a run of 30 limited edition pressings with limited edition artwork from the fabled dutch illustrator ’Sjondebaron’

SK001 - NO - MAROKI

Send request : info.seeksicksound@gmail.com or join our discord : discord.gg/suVDISCORDpRBStmu
www.instagram.com/seeksicksound/

Kid Kun - Gaslight EP
W133, 2024
Buy: https://w133records.bandcamp.com/album/gaslight

@kidkunmusic
@pinopena

[Premiere] Kid Kun - Send Your Stuff Into A Modular System And Smile (out on W133)

Expensive Sounds

DJ QGB - The Truth (ft. Rose1401) [ACEN057]

EtherwerkZ is back with "Ascension Vol. 2", the leftfield-infused second volume of their VA series,once again serving up high vibrational frequencies to create that magic transcendental dance floor experience.

The compilation kicks off with a heavy, raw halftime/bass-hole riddim from Bristol Amity collective's unstoppable Soundboy Elpac, who has delivered nothing but fire output in 2024

Xen Chron returns to the label with his Xenology-influenced style, sounding something like a 2-stepish take on Autechre remixing a track by Stinson's legendary Transllusion project, perfectly exemplifying his USA - UK relation and connection.

UK bass first team player Product Toss keeping game deep and rolling, but a bit more percussive and bassy, preparing the road perfect for the late night driving in Kid Kun-s German whip with his sub-loaded darkside stepper.

Mexico City's exciting underground club scene don Octoptic delivers an idm-ish technoid breakbeat weapon, ideal for late-night club workoutz.

Tokyo's Albino Sound continues the frequency invasion via his experimental street-style psychedelic techno, of course with key elements from the UK bass sound and scene (the foundation of this subterranean compilation).

Then, label top boy Iggy presents his new project "EssΞncƎ". A 2-step, warp-drive bass-powered journey to outer space, somehow dark and ethereal at the same time with an ambient Lee Gamble-style outro as well as a powerful message via TikTok!

On closing duty, Hungarian sound artist Audio Compression provides ambient bliss therapy for listeners' minds, slowly sinking into ethereal depths, taking us to new levels of this magic ascension.

Massive shouts to all the soundboys and the rest of the fam for making all this happen. The truth is  out once again.

Mastered by www.instagram.com/weightausend/
Artwork by www.instagram.com/annexmarrie/

FREE PALESTINE SAVE TikTok!!!

https://etherwerkz.bandcamp.com/album/va-ascension-vol-2https://soundcloud.com/etherwerkz
https://www.instagram.com/etherwerkz/

https://soundcloud.com/octoptic
https://www.instagram.com/octoptic

PREMIERE: Octoptic - Hoku [EtherwerkZ]

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Sunday Bath - Velata Trasparenza
Caninal, 2024
𝓑𝓾𝔂 👉🏾 https://caninal.bandcamp.com/album/sunday-bath-velata-trasparenza

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
https://soundcloud.com/sunday_bath 
https://www.instagram.com/sundaybathrm/

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://soundcloud.com/caninalrecs
https://www.instagram.com/caninal_recs/

YOUTUBE

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#220 📢 Sunday Bath - Da dentro [Caninal]

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Nuboid - Imago LP [OSD016]
Off-Switch Audio, 2024
𝓑𝓾𝔂 👉🏾 https://offswitchaudio.bandcamp.com/album/imago-lp

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
https://soundcloud.com/nuboidmusic

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://soundcloud.com/offswitchaudio
https://www.instagram.com/offswitch_audio/
https://www.facebook.com/offswitchaudio/
https://twitter.com/OffSwitchAudio

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#233 📢 Nuboid - Oppose The Force [Off-Switch Audio]

Faith

Faith (Luix Spectrum Remix)

The Bells · Jeff Mills T.A.M.F. remix

Schranz and Its Connection to Jeff Mills’ “The Bells”

Connection to Jeff Mills’ “The Bells”: Jeff Mills’ The Bells (1997, Purpose Maker, PM-002) isn’t pure Schranz but heavily influenced its development. Its raw, hypnotic loop and pounding 4/4 kick resonated with the harder, minimal techno sound that Schranz built upon. Here’s how it ties in:
* Influence on Schranz Producers: Mills’ use of repetitive, functional loops in The Bells inspired Schranz’s stripped-down aesthetic. Its 140 BPM tempo and relentless drive aligned with Schranz’s ethos, making it a proto-Schranz track for DJs like Liebing or Boris S.
* Club Play: The Bells was a staple in late ’90s hard techno sets, bridging Detroit techno’s soul with Schranz’s aggression. Its iconic bell riff added a melodic hook that Schranz often avoided but still absorbed as a reference for tension-building.
* Remixes and Legacy: Later Schranz DJs (e.g., Eric Sneo, DJ Amok) remixed or drew from The Bells’ energy. For example, the 2006 10th Anniversary The Bells 12” (PM-020) had a louder, Schranz-friendly master that fit harder sets.

Original Pressing Context: As mentioned earlier, The Bells appeared on the Kat Moda EP (1997, Purpose Maker, PM-002, 12” vinyl). Its raw production—gritty kicks, unpolished mastering—mirrors Schranz’s unrefined edge. Schranz DJs likely gravitated to originals or early represses for their analog warmth, though the track’s quieter mix (compared to 2000s Schranz cuts) required DJs to crank the gain.

Where to Find Schranz-Inspired The Bells:
* Original 1997 Vinyl: Hunt on Discogs/Reverb for PM-002 ($20–$50). Check matrix: PM 002-A/B (RE I) NSC.
* Streaming: The 1997 version (on Spotify/Beatport) retains the raw vibe Schranz fans love.
* Modern Schranz Comps: Look for The Bells in hard techno mixes or CLR/Tresor compilations. Check X posts or SoundCloud for recent Schranz sets featuring it.

Schranz Today (Oct 2025): Schranz remains a niche but vibrant scene. Recent X posts highlight new releases on labels like Schranz Total or Hard Drive, with DJs like Fernanda Martins and Luciid pushing 150+ BPM bangers. The Bells still gets play in retro sets or as a remixed bootleg in Schranz raves.
Want me to dig into a specific Schranz artist, label, or a The Bells remix in this style? Or maybe check X for recent Schranz chatter? Let me know! 🔔

Deep Dive: Schranz – The Hard Techno Beast 🦖
Since you’re doubling down on Schranz, let’s go full throttle. This is the raw, pounding heart of German hard techno—no fluff, just facts, history, essentials, and where to score it today (Oct 16, 2025). The Bells connection? It’s the proto-Schranz blueprint—hypnotic loops + brutal kick = Schranz DNA. Ready? Gas it up!

Schranz 101: What the Hell Is It?
* Born: Late 1990s, Frankfurt/Germany. Evolved from Jeff Mills/Rene Pawlowitz-style minimal techno into a weaponized sound.
* Tempo: 140–160+ BPM (faster = harder life).
* Sound: Distorted 909 kicks that hurt, razor-sharp hi-hats, zero melody (unless it’s a stab), industrial noise loops. Think: a jackhammer in a warehouse.
* Name Origin: Chris Liebing (2001) called it “Schranz” to mock haters saying hard techno was just “schrammel” (grating noise). DJs flipped it into pride.
* Ethos: Anti-EDM, sweat-soaked, 6AM warehouse raves. No peaks—just relentless drive.

Schranz vs. Regular Techno:
Feature	Schranz	Standard Techno
BPM	145–160	120–140
Kick	Distorted, punchy AF	Clean, groovy
Melodies	Minimal/none	Hooks & synth

Vibe	Dark, aggressive	Hypnotic, soulful
Clubs	Berghain, Tresor	Fabric, Output
Timeline: Schranz Evolution
Year	Milestone	Key Track/Artist
1997	The Bells drops (Mills). Proto-Schranz loop energy.	Jeff Mills – The Bells
1999	Frankfurt explosion. Liebing coins term.	Chris Liebing – American Madness


SCHRANZ ON! 🦖🔔 Drop the needle—let’s destroy some speakers.

Recording 16-10-25, 11.19.55 am

The first single off the Turbo Sauce debut EP!

Parisian producer @firstepoque delivers his debut EP for Dill Dodos Recife and attempts to connect several music eras.

More: https://ins-rt.net/audio/first-epoque-epoque-no-7

Apocat Files

Article

Premiere: First Epoque - Epoque No. 7

Sound driven, sonically curious.

@letsgomaroki & @coraliescoob aka MXC

spitskoolrecords@gmail.com

SK001 - NO - MAROKI

MXC_Spitskool