Remix by @oblinof from @dj_ghepard & @lamb-kebab-blt's remix album "DREAM EATERS REBIRTH"

In the spirit of the previous release all the revenues for the first month after the release date will be donated in support of the following charities:

Berlin Center For LGBTI Refugees
schwulenberatungberlin.de/queer-refugees-en/

Transgender Legal Defense & Education Fund
transgenderlegal.org

Trans Women of Color Collective
www.twocc.us

Mastered by @dj_ghepard
Artwork by DON ELEKTRO

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DJ GHEPARD x Lamb Kebab - GENGAR (Oblinof Remix)

☆

Written by YOZY
Mixed by YOZY
Mastered by Imaabs
Cover art by Mago Hart

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ahora ya es tarde

¶ "How To Respond To Turmoil" [OMB001] is the name of the new 2-track EP by experimental and apocalyptic club DJ and producer @personalbrand. 

꙰ Currently based in London after 3 years in the Taiwan scene, his productions mix up grime, garage and hardcore sounds into twisted new forms, exuding feelings of anthropocenal anxiety and post-future optimism. 

꙰ The release will be out on April 1st via Taiwan-based label Over My Body 跨 我 身 體 (@overmybodytw).

¶ You can read more in the article >> https://swinedaily.com/swine-premiere-personalbrand/

[Swine Premiere] personalbrand - EMBRACE CHAOS (Over My Body)

@personalbrand - How To Respond To Turmoil EP [OMB001]

experimental and apocalyptic club DJ and producer Personalbrand. Currently based in London after 3 years in the Taiwan scene, his productions mix up grime, garage and hardcore sounds into twisted new forms, exuding feelings of anthropocenal anxiety and post-future optimism.

How To Respond To Turmoil is personalbrand's attempt to use hard dance as a framework to deal with individual and global turbulence. It was created during a time of deteriorating mental health and following a scattershot binge of app-based ancient wisdom, Youtube motivational speakers, contradictory Quora advice, and self-care blogs. Over two tracks, personalbrand contemplates whether hard times require hard music. Can accelerated tempos and relentless drums sooth a sense of disorder, or just add to it?

On EMBRACE CHAOS, hints of optimism creep out of anarchic competing melodies, frantic snares, and polyrhythmic percussion elements.

PURSUE PAIN delves further into the idea of accepting life's difficulties. A disembodied digitised voice repeats a mantra-like phrase about internalised pain over pounding kicks and a hypnotic morphing synth.

All tracks produced and mixed by @personalbrand
Mastering by B E N N @bedoublensound
Artwork by Ray/ Xtrux www.instagram.com/xtrux_official/

releases April 1, 2022

How To Respond To Turmoil

personalbrand - PURSUE PAIN

Sense

33 - 33-69

Format: Digital/Vinyl
Cat.No: CANVAS012
Release Date: 21st October 2022

Pre-order available at https://canvas-index.bandcamp.com/album/33-69

C.A.N.V.A.S. is proud to announce the release of 33-69, the debut album of 33. 33-69 laments and commemorates the interruption of the simplicities, beauties and charm of mortal life in full Baroque splendour, whilst also partaking in the final opportunities for carnal pleasure and orgiastic excesses in the earthly realm.

Through their collaborative project 33, Billy Bultheel and Alexander Iezzi further consolidate a partnership which has taken many forms within a visual, artistic spectrum. Their practice envelops performance art, music and installation, whilst pinpointing, developing and elaborating the most meaningful and poignant marriages of the disciplines. Their differing backgrounds have informed the way that their long collaboration works – Bultheel with his conservatory training, and Iezzi coming from DIY punk and experimental music scenes.

Their debut album 33-69 paints a tumultuous world within which the 33 collaboration is extended to a number of other presences that pierce the stormy skies to torment, delight and enchant. Amongst them are Ivan Cheng, Steve Katona and Dylan Kerr who appear in grace as the broody clouds part to let in some light. As the light recedes, NAKED haunts amongst the shadows on 'The Knife', with an avalanche of metallic noise.

'Thomas The Obscure', with Patrick Belaga's Cello performance, introduces an element of serene, meditative calm before 'Heaven's Blade' cuts through with the ultimate rapturous frenzy. The album ends with 'Speed and Beer’, a dizzying brass-led anthem which conveys a sense of nausea and confusion, surfacing from the shadows.

Bultheel and Iezzi carry with them a wealth of composition and performance experience and skill, boasting impressive trajectories which cross each other frequently. Now based in Berlin but hailing from Belgium and Arizona respectively, have worked together for the past three years, producing musical performances that explore relationships between movement, sculpture and electronic and classical music. This complex and intricate working relationship culminates in the creation of 33-69 as a defiant debut — a dense and finely crafted work which finds unlikely pathways through which to navigate Baroque, Lieder and exuberant club through humour, dread and exaltation.

33-69 was conceived during the first Covid-19 lockdowns and documents the duo’s experiences of pandemic life in Berlin. Recreating that dopamine shot and collaborating towards a sense of community that the pandemic had suddenly folded away. The record is a short but powerful rush of emotional states and bodily desires, translated into cerebral and carnal electronic compositions of EDM, noise and techno. 


Written, produced, recorded and mixed by 33 (Alexander Iezzi & Billy Bultheel)

Additional vocals on sirens by Dylan Kerr

Mastered by Ali Najafi

Design by Leïth Benkhedda & Stelios Ilchuk

www.c-a-n-v-a-s.com

33 - Fireworks

🅾️

10 SHUTTER [PRECISE MASTER] 44.1Khz 16bit

ESP: 

- “cr1s1s” es el punto de quiebre de nuestras inquietudes, una borradura de nuestros proyectos individuales (Practice-Loe, Tomás Urquieta e Imaabs) no hay un tú, un yo o alguna forma, es simplemente un punto singular en el cual nos propusimos inventar y jugar con el sonido hacia una perspectiva de lo que esperamos en cualquier club o rave.
 
Musicalmente, el estilo de “cr1s1s” es fácilmente identificable: Techno sin pretensiones en cuanto a complejidad rítmica o deambular en una suerte de abstracción ambient, pensamos que menos es más al respecto.

 - “El fin de un mundo en común” es el impasse actual del revival, que a nuestro criterio, es mantener momentos qué han sido cómodos para la industria y la cultura etnocentrista, donde se continúan perpetuando modos de entender y vivir la realidad, como una repetición infinita sin Balance, pero esto no implica el fin de lo posible, la tarea es crear y buscar fuera de las linealidades que nos enseñaron, la Génesis de mundos posibles, diferentes a este. 

ENG: 

- Musically, the style of cr1s1s is easily identifiable. In most of his works we can find a raw, dry and forceful techno. It's unpretentious techno in terms of complexity of rhythms, dreamlike or ambient abstraction, but sometimes less is more and in the case of cr1s1s it works perfectly. Rounds between House, Techno, Rave & Breakbeat, the only thing guaranteed: It will always burn the dancefloor.

- “El fin de un mundo en común” (The end of a common world) is the impasse about the revival, which is in our opinion shaped to maintain moments that have been comfortable for the industry and the ethnocentric culture, where the ways of understanding and living reality are perpetuated, as a repetition without Balance, but that does not imply the end of the possibilities... The task is to create and search for the Genesis of new realities, different from this.

Cr1s1s - Balance

Jump Around

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SS19

Aggromance - Someone Like Me

booking: allen@awesome-agency.com
production/remixes: estoc1312@gmail.com


ACAB

10 SHUTTER [PRECISE MASTER] 44.1Khz 16bit

estoc

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