Skoglund is a techno DJ, producer and live performer from New York. Heavy, raw, and hypnotic, his sets are a journey with ebb and flow, moving through long-form transitions informed by his love for vinyl. Sandbag places the listening experience at the forefront, honoring the history of techno and bringing the ethos of the past into the present day.

label boss: @radiantrecords l resident: @la-noche-party @adonisadonisadonis @refugeworldwide @powerdanceclub
bookings: lisa@ekipa.agency l americas: nicole@muisca.la

NYXII | Ostgut Ton
Founder @nyxiirecords 
Bookings: maria@sourceartists.net

Owner @lostversesmusic

Lost Verses | Mord | Semantica | Axis | Soma | Arts

Booking: borja@lannaclub.es

Diego Amido, known as Oxygeno, was born in 1995 in northern Spain. Since 2019, he has established himself as a key figure in Spanish techno culture, extending his influence beyond national borders to international stages.

Inspired by the distinctive sound of Spanish techno, Oxygeno has developed a unique style that blends hypnotic textures, relentless rhythms, and introspective atmospheres. His sets take the audience on a sonic journey filled with emotions and rawness, an immersive experience that defines his artistic essence.

With unwavering dedication, he founded his record label, Lost Verses, where he curates his most personal productions. His work has been released by prestigious international labels such as Mord Records, Axis Records, and Soma Records, with standout releases that have positioned him as a reference in today’s scene.

Oxygeno has shared the stage with renowned artists like Jeff Mills, Óscar Mulero, and Ø [Phase], performing in iconic clubs such as Khidi (Tbilisi), Fabrik (Madrid), Melkweg (Amsterdam), Gare (Porto), or Spook (Valencia). His music and presence in these spaces cement his position as an essential artist in the global techno landscape.

1/2 of @a-delicate-balance
Resident / Bossa Nova Civic Club

Gigs 2025:

Feb 1 / Montreal 🇨🇦
March 7 / Bossa Nova Civic Club
March 13 / Good Room
May 18 / Bossa Nova Civic Club
July 25 / MERGE
August 10 / Amsterdam's Most Wanted 🇳🇱
October 26 / Bossa Nova Civic Club

Gigs 2024:

January 1 / The Lot Radio / Mechanical Records
January 20 / No Sleep / Boston 🇺🇸 – CANCELLED
February 2 / Bossa Nova Civic Club
February 16 / BASEMENT NY
February 19 / No Sleep / Boston 🇺🇸
March 6 / Bossa Nova Civic Club
March 15 / Hell Phone
March 16 / The Lot Radio
March 22 / Untitled Rhythms / Miami 🇺🇸
April 5 / Bossa Nova Civic Club
April 6 / Nowadays Nonstop
April 27 / Sektor Evolution / Dresden 🇩🇪
May 30 / XC.01 (Podcast Release) 🇵🇱
June 7 / Bossa Nova Civic Club
July 13 / Page11
July 20 / Conference Call
July 27 / Ypnotika x Disturbia / Amsterdam 🇳🇱
August 16 / Orbit Berlin / Berlin 🇩🇪
August 30 / Bossa Nova Civic Club
October 5 / Bossa Nova Civic Club
November 30 / Below Ground
December 14 / H0L0

The future:

08/11 Ormside, London (UK)
21/11 NE x Headframes, Kiruna (SE)
12/12 Tresor, Berlin (DE)
19/12 Under Bron, Stockholm (SE)
20/12 Astron, Athens (GR)
31/01 Industrial Copera, Granada (ES)
13/02 TBA Tblisi (GE)
06/03 Under Bron, Stockholm (SE)


Requests/Booking:

booking@northernelectronics.se

The cohesive array of depth charged devices that Anthony Linell has produced is formidable. From his opening statements as Abdulla Rashim on his early label of the same name, right through to his recent work that puts his aliases aside, there is a robust and rigorous intent that compounds the elemental strategies of techno's models to apprehend his singular vision.

Presiding over Stockholm's Northern Electronics label with Varg (Jonas Rönnberg), Linell dispenses with mechanisms of attention on all fronts. Marked by an indefatigable self-reliance, the label presents exactly what it means to display, and no more. Carving an idiosyncratic platform for his music is as great of a warning as there could be that Linell's leveraging little toward the benefit of the audience. By his measure, the familiarity and comfort of contemporary techno is stripped back to its rushing heart, the senses left tailgating the strobe in a fit of intuition over decision. The greater this is exposed the colder it gets, and its in these extremes that Linell's caustic rhythmic precision hits. Live, it comes off as a galvanizing strike from the outside; analysing the room as a DJ, it's a case of being pursued through the dark.

Just as the brevity of Linell's output in the eyes of techno is exalted as it is brought into focus, the background to this blurs as you start to decipher his other projects. Lundin Oil skirts the fringes of noise and experimental music, and in collaboration with Varg as Ulwhednar, this is perhaps even more pronounced.

Purposively ricocheting between the techno world and experimental electronic music, Linell forges a distinct passage that gathers the aesthetically uncompromising motifs and missions from across this spectrum. It's this combination and resolve that's brought Linell to the world's attention, however little that attention has been solicited.

When the veil of perception thins, the unreal seeps in.
Sound becomes fracture. Time loses structure.
There is no intent, only resonance.
No creator, only presence.
No truth, only the dream.

Notzing is an ongoing exploration of altered perception through sound. Dense drones, structural minimalism, and time-stretched loops converge to dissolve linearity and summon trance.

Influenced by oneiricism and surrealism, Notzing navigates the unconscious through sonic language — sculpting frequencies, bending time, displacing space. Modular synthesis, feedback chains, and processed textures act not as instruments but as conduits for dreamlike experience.

It is a ritual practice in cycles: sonic, thematic, subconscious. There is no final form — only recurrences, echoes, and the slow drift toward the unreal.

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