This is the set I played for Ecstatic Dance Cairns first flight out of Cairns, to the Daintree jungle, where the Great Barrier Reef meets the ancient rainforest. Older then the Amazon Rainforest, the Daintree is world-heritage site to the most pristine origins of some of nature's most wild and untouched earth elements. 

As community we gathered, to pray, to dance, to laugh, to release and to celebrate what is is to be humans deeply connected, in these times. With ourselves, our bodies, and all of life and the Earth herself. 

This was the first time an all drug & alcohol free dance event was hosted on this side of the river, and an absolute success for all it's humble heart-centeredness and community it brought together. The first of more to come! And a pleasure to share such intentioned sounds from across the world, with FNQ familia inspired by the rich natural setting. This was an all adult, all adult age demographic, danced barefoot on the earth, ecstatic dance journey!

May this prayer, from the jungle in our backyard, move yours, to a family united, healthfully, happily and whole-heartedly, as I believe we are all destined to be: FREE.

Ecstatic Dance Journey 'In The Daintree' August 2021

EMILY EMBER is a dancer,  DJ, vocalist and budding music producer/ritual artist known as ‘Spring Jaiah’

Growing up in the bushland of tropical far north-eastern Australia, she spent her twenties travelling the world in pursuit of body-mind healing which revealed the power of practice on intentional dance floors and music can have on community. Since her first event in the area as far back as 2015, in 2021 she founded Ecstatic Dance Cairns, bringing diverse flavours and global rhythms to men and women, through full bodied emotional and danceable journeys moving the FNQ region ever since. She is also a somatic-psychology/BA Psych/Couns student, shamanic practitioner and servant of creating and facilitating safe spaces for self and community transformation.

Some of her music flavours explored in 2025 include afro beats, world, global bass, drum and bass/jungle, melodic & ethnic house plus many more… in effort of fusing sounds from all across the world, from the Africas to the Andes, Bristol to Berlin and beyond in cathartic ritual ecstasy.

Everything Emily does is to serve re-connection of earth-wisdom and sacred remembrance.

Contact: springjaiah@gmail.com

NuTonyOm is a cosmic conduit of sound, weaving together ancient rhythms and futuristic frequencies to create immersive journeys through vibration. Rooted in the deep pulse of ecstatic dance and the psychedelic swirl of trance, Newtonium blends shamanic textures, Psychill, Psytrance, and Future Chill into a soundscape that’s both grounding and galactic.
With sets that feel like time-bending rituals, Newtonium channels the ethereal and the elemental—melding brooding atmospheres, cosmic melodies, and tribal undercurrents to move mind, body, and spirit. His sound is deeply influenced by Psytrance, Vedic mantras, and Indian classical music—infused with the adventurous spirit of his journeys through India and Nepal.
Each mix is a transmission from the stars and the earth alike—an invitation to dance beyond the veil and into new dimensions.
Welcome to the gravity-defying realm of NuTonyOm.

Hey all you people, I am Essentric, I have been into music since I was a kid, could not find me dead without a portable radio or a cassette player when I was a kid. It all started when I got my Casio Rapman Keyboard which went everywhere I went, then fast forward... I got my first computer that I really got into business with, an AMD K6 200Mhz, since then I was trying to produce music on pretty much on a shoestring budget, Starting with a MIDI sequencer called Anvil Studio, having 2 sound cards in one computer to try and get a larger sound font library, the beginnings of my music developing where I began to get a little bit more serious, until a catastrophic computer failure reduced me down to a dinosaur SoundBlaster 16, there was no stopping me, I saw the FM sound chip in the SB16 had potential, I kept computers running by scrounging hardware from recycling centres. since a lot of electronic music rely on FM synthesis (either hardware or VST form) to generate a lot of the dance floor shaking baselines, that was when I got onto AdlibTracker2, Which I have produced some of my best tracks, but they are existing as sequencer files in the deep dark dungeons of a "586" machines hard drive, in storage while I have all of a sudden been busy with trying to make a living and well, one day I will build and fire up another vintage computer to get back into the Adlib realm to retrieve my long lost creations. These days I am using a 27" iMac, I am not sure what the specs are but it is a top of the line model at the beginning of 2013, and i have started to remix some of the productions of the AnvilStudio 2 sound card days, such as Alien Worlds is the first one I remixed on the iMac, after straining on some university studies in the upcoming weeks, Ill send another old MIDI file through the "Logic Express" meat grinder for all of you to enjoy. :)