I've been using the name Yes/No for music for awhile now, going to change it eventually.
I'm 22, went to school in Chicago for film, live in St Louis.
I've been playing guitar for almost ten years and have been making electronic music for over seven years.
I make music inspired by uk dubstep (moreso the later future garagey stuff), shoegaze, trip-hop, hip-hop, ambient electronica, and post-rock.

"If you didn't know, Hell Yeah is the Italian label hell-bent on releasing the best modern disco(ish) you can find. Sometimes it's blissed out and Balearic, sometimes it's squelchy and down-right weird and sometimes it's the sort of elongated, tribal stuff that works dancefloors into a salacious frenzy" (Kristan J Caryl - DJ MAG January 2014)


Hell Yeah Recordings, a descendent of leading Italian dance label Mantra Vibes is an Italian-based electronic music label active since 2006. Releasing from Ferrara, Bologna, and Amsterdam and led by Marco Gallerani “peeDoo” (A&R), the label bases its philosophy on a diversity of artists and recording experiences tied together by a common vision of what defines quality progressive recording. 

With a sound as diverse as the artists it represents, Hell Yeah does not limit itself to the constraints of genre but packs a complex palette of sounds ranging from techno to minimal-nu-rave to electro-funk and tech house.  Artists as varied as Radio Slave, Santos, Umek, Oliver Koletzki, Congorock, 3iO, Crimea X and the mighty Balearic Gabba Sound System have helped establish Hell Yeah’s eclectic sound, a distinct take on party music loaded with a sonic Balearic feel good vibe that has made press around the world hail Hell Yeah as a label to watch, always

Hell Yeah aims to build upon its current reputation as a leading Italian Electronic Music play, overseeing the release of a series of progressive productions that straddle genres, defy conventions and blur barriers between listening and dance music. Stemming from Hell Yeah’s initial graphic identity formed by Neverending’s Rocco “the Boghe” Pezzella, new mind-bending web and label artworks from Italian artist Andrea Amaducci and the Berlin-based Ice Cream For Free collective promises complete visual as well as aural stimulation.

info/bookings: 
marco@pplayground.com

From the flat fields of Ohio to the concrete jungle of New York, Todd Sines' environments; real and virtual, have served as inspiration for his unique, hybrid sound. His post punk, industrial, and hip-hop upbringings, filtered through an obsession with analogue and early digital technology, resulted in stripped down electronic funk; before minimal was mnml -- it was just effective. Through his techno band, Body Release, with key Ohio players Titonton Duvanté, Charles Noel [Archetyp] and Mike Szewczyk, they dabbled in early rave sounds before embarking on their own paths. Todd's introduction in early 1993 to Detroit's Carl Craig and Daniel Bell resulted in seminal releases with Peacefrog, Planet E and 7th City by year end. Catching the ear of Richie Hawtin, "boiling point" was featured on his debut mix CD in 1995 on Mixmag. Soon after, releases on Andy Vaz's Background Records and Titonton's own Residual brought his sound to house and techno aficionados worldwide. Since his move to New York in 2003, he's worked with a variety of other artists, including !!!, Death in Vegas, Liquid Liquid's Sal Principato; he's remixed Alexander Robotnick, Paul Randolph, Robert Owens, Moonstarr, Adam Marshall, Lanoiraude and more. With his new material with Natacha Labelle on Frankie, he pushes the boundaries of house music, and with the resurrection of his .xtrak alias on YORE, his return to jackin' minimal funk reminds people of where it all started.

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