All of my collaborations with the The Fall of Saigon from back in 2022. Check out his page here... www.soundcloud.com/thefallofsaigon 

The Fall of Saigon [Collaborations]

Collaboration with The Fall of Saigon, all Alice and Wonderland-y. song was originally his, then I added some guitars and wrote the lyrics.
Check out his page here www.soundcloud.com/ulv-orn-bjornsson

Constantly Chasing and Charming The Rabbit [with The Fall of Saigon]

another one from me and www.soundcloud.com/ulv-orn-bjornsson,  this time me on the vocals, it's about the day of the dead, and shit.

The Day of the Dead [with The Fall of Saigon]

Once again with www.soundcloud.com/ulv-orn-bjornsson bit different this time. Avant garde or whatever you wanna call it.

Tall or Small? (with The Fall of Saigon)

Oh mon dieu, quel pied [with The Fall of Saigon]

LYRICS

Phone on the sofa, 
oh you're taking in nothing,
vaguely listening to the scene.
I would kinda love it if you'd give me something, 
something to work with, 
something to grow.
I would kinda like it if you showed some feeling,
or if there's nothing you would let us know. 

We're heading out to see the queen.
We're here to see what's going wrong.
We're all relaxed and so serene.
We're heading out to see the queen. 

The beer bottles pile up by your feet, 
your grieving; isn't aimed above but rather just below.
Any excuse to feel collective meaning, 
just laying back to enjoy the show. 

We're heading out to see the queen.
We're oh so worried what's gone wrong.
We're all relaxed and so serene.
We're heading out to see the queen. 

We're heading out to see the queen.
We're here to see what's going wrong.
We're all relaxed and so serene.
We're heading out to see the queen. 

Your eyes barely flicker as you light up your cigarette,
take a drag and survey the scene.
I was kinda hoping that you'd be my princess.
kinda hoping that you'd be my queen.

The Queen [with The Fall of Saigon]

Song about having a partner who is a bit cuckoo with the jealousy. As they will be.

LYRICS

I can see you in the mirror and your face is looking back strange.
And your hand on the pillow makes me shudder as its sliding past my face. 

I've tried to provide a distraction.
You're in need of constant action.
I've tried to tell you there's no-thing.
Quickly becoming a no-win. 

I know all your little accusations, 
you dont even have to say.
That voice in your head, he did this, is never gonna go away. 

Oh, the things I haven't done are repeating.
The sound your making is just bleating.
I can't get me any satisfaction.
You're out there looking for action. 

The jealousy festers and takes over your brain.
But all your friends are out there, acting just the same. 

Not a single one of them happy.
Not anyone of them laughing.
Your half assed plan of distraction.
Was voided by my inaction. 

I can see you in the mirror and your face is looking back strange.
And your hand on the pillow makes me shudder as its sliding past my face. 

I've tried to provide a distraction.
You're in need of constant action.
I've tried to tell you there's no thing.
Quickly becoming a no-win.

Information Retrieval [with The Fall of Saigon]

Latest original psychedelic music. Take one away from challenges of this strange physical world. Seventeen gems.

Hope everyone enjoys the musical magical ride.

All instruments: Daniel Lars
Written, mixed, produced, mastered: Daniel Lars


℗ 2025 Daniel A. Larsen

Psychedelic Cats

7 Feb 2025

Starlight Turns Dark

Midnight Sun Society – Original Guitar-Driven Music with a Live Studio Soul ⚡

Welcome to Midnight Sun Society — a private collection of original music blending raw electric guitar, bass, and live vocals with atmospheric synths, MIDI drums, and cinematic orchestration. Every track is crafted to feel like a live session, recorded with Cubase, UAD Apollo Solo, Focusrite, Arturia Analog Lab, and the BBC Symphony Orchestra.

From dark grooves to radiant instrumentals, this channel is a sonic journey through modern rock, ambient textures, and post-cinematic soundscapes.

Closer To Me

Wave After Wave
I keep telling myself there’s a reason I’m still standing. But tonight, it feels like the ocean is endless.
Every time I find my footing, another wave comes crashing, higher, harder, heavier than the last. I’ve moved, I’ve changed, I’ve left pieces of myself scattered in places I’ll never see again — all just to keep my head above water. People think I’m playing. They don’t see the salt in my eyes or the weight pulling at my chest. They don’t hear the conversations that replay in my head long after they’ve stopped talking.
I’ve given everything just to be here, to hold my ground. And still, I’m hit again. Wave after wave after wave.
You tell me I’m jealous — but of what? The noise? The empty victories? The comfort of staying still while I fight to keep moving? Write the list down for me. Let me read it back to you in the quiet and watch your words start to mean something you didn’t intend.
I don’t get to run away. Not until it’s done. Not until they remember my name.

WAVE AFTER WAVE

Deadaz in Luv

On the day I turned 30, I decided I didn’t just want to celebrate a birthday — I wanted to make a statement. That’s why I dropped the biggest song of my career, Dope Fiend.

This track is everything I’ve been building toward: a chaotic mix of alternative rock and rap, driven by shredding guitars and raw energy, but also wrapped in a surreal, modern edge that feels like the future of alt music. Think heavy riffs colliding with hypnotic grooves — something that feels nostalgic and brand new at the same time.

But what really makes this song stand apart is that it marks my first industry feature — Darkrose, a major artist who I’ve respected for years and now had the honor of collaborating with. Chalk that up also with a verse from Crimson REd and we in there!! — on my 30th birthday, no less — making this release more than just another track. It’s a milestone.

Dope Fiend is reckless, addictive, and unapologetically loud. It’s the kind of song that doesn’t fit neatly into playlists, because it wasn’t made to. It was made to cut through the noise. This is the record that defines where I’ve been, and where I’m going next.

So here’s to 30 years alive, and a brand-new chapter starting with the loudest, most unapologetic song I’ve ever made. Welcome to Dope Fiend.

Oh mon dieu, quel pied [with The Fall of Saigon]

SpukSchreibMaschine

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