The way / System Error

System Error

This is me now. I've thrown out every genre of music aside from deep house tracks. 
I sleep, and I dream of deep house.
I wake, and the first thing I see behind these closed eyes is the Anjunadeep logo.
I go for a run to try to clear my head, yet the panting of my breath starts to sound like a progressive baseline. I start a melody in my head, but blurt it out at a fellow jogger instead of saying 'hello'.
I go to work, head down, listening to German yodelling EDM, but the rhythm keeps shifting to the driving purr of a Fehrplay track. The yodelling has failed me. 
I come home, and go to kiss my partner, yet their upturned face and puckered lips reminds me too much of a stank music face, and i flee to the bathroom.
And now, here I am, staring at myself as I upload another saucy deep house mix. I don't know what my future holds, but I know your future holds some PHAT deep house
Enjoy xoxoxox

TRACKLIST:
Chiaroscuro - Braxton
Save Me - ZHU
Wonder (Dub) - Junior Jack
Vanishing Point - Dusky
Never Lost - AMTRAC
The Owls - Yotto
Therapy - Hot Since 82
Waking Up - MJ Cole
All 4 Love ft. Tasty Lopez - Mark Knight & Rene Amesz
Manaya - Trance Wax
Sommersault - Tastexperience 
Spirit - Fehrplay
Universal Hymn - Boxcar

Dig Deep House Mix Vol. 6

Dance In The Rain

Hyperlandia (feat. Foster the People) Yo Kai Remix

deadmau5 - Hyperlandia (feat. Foster the People) Yo Kai Remix

SUPPORT AND DOWNLOAD: https://fanlink.to/calli068

The original track is a deeply personal creation that embodies the unspoken desires, and wishes, that dwell within us. These wishes are often only released under the cover, and sanctity, of darkness; where only the silent Moon can be trusted to keep our secrets safe. But, what does the Moon wish for?

https://soundcloud.com/astracommusic
https://soundcloud.com/dimmat
https://soundcloud.com/windom-r

Astracom And Dimmat - Lunas Opta

Astracom, Dimmat - Lunas Opta (Original Mix) snippet

I was so inspired from the Sound Minds Collective show with Daniel Allen, KILO, and Infernal Racket, that I decided to spend some time exploring some sounds of techno and some breaks. These are genres that originally got me hooked back in the late 90s, and last night took me back to that time. I just had to get behind the decks and see what would happen, and here's the result! I think I'm going to be making more of these.

Techno+Breaks

Create infectious tracks in seconds flat with the T-8 Beat Machine, a miniature rhythm factory loaded with legendary Roland TR drums plus bass from the inimitable TB-303. Craft on-the-fly acid jams or trap bangers with the intuitive 16-step sequencer, shape sounds with onboard controls, and flip and dice beats with hands-on tools that stimulate ideas and put the fun back into your flow. 

- Ultra-portable rhythm and bass machine with genuine Roland sounds 
- Six rhythm tracks with sounds from the influential TR-808, TR-909, and TR-606 drum machines 
- Bass track with sawtooth/square waveforms and hands-on controls derived from the TB-303 Bass Line 
- Analog Circuit Behavior (ACB) technology faithfully recreates the tonality and behavior of vintage Roland instruments 
- Classic TR-REC drum sequencer with 64 user patterns and up to 32 steps each 
- Advanced rhythm programming with probability, sub step, last step, and velocity 
- Real-time recording and powerful performance features like step loop, mute, fill, reload, and pattern shift 
- Color and process sounds with delay, reverb, overdrive, and sidechain compression 
- Comprehensive connectivity with audio, MIDI, and sync I/O plus AIRA Link   
- Class-compliant USB-C audio/MIDI interface—no drivers needed 
- Lithium-ion battery with up to 4.5 hours of operation per charge 
- Sturdy construction and high-quality rubber pads 
- Connect to other AIRA Compacts and standard MIDI devices with optional BOSS TRS MIDI cables

T-8 Beat Machine - "Acid House" Performance Demo 2

Store & Downloads

Filthy Roller

TRIKEX - Badman


Fixer Daily Drops, Vol. 101 — Synthetic Music: Sharp VIBE
BPM: Variable • Genre: Electronic / Synthetic Crossover • Mood: Crisp, precise, and high-energy with sharp tonal edges and forward-driving rhythm. Perfect for peak-time sets or intense focus sessions.

If you want, I can also prepare the full metadata block (BPM, tags, streaming description, cover text) so it’s ready for upload alongside the track. My opinion from everything I’ve learned about Fixer is as follows: this title already fits your clean, conceptual daily drop style and is strong enough to stand alone, but final polish will come from cohesive metadata and artwork.
FDD1013 – Edge Pulse
FDD1014 – Neon Switch
FDD1015 – Vector Rush
FDD1016 – Crystal Circuit
FDD1017 – Magnetic Frame
FDD1018 – Pixel Surge
FDD1019 – Harmonic Blade
FDD1020 – Prism Lock

Synthetic Music, Sharp Vibe, Electronic, EDM, Future Bass, Melodic Techno, Progressive House, Deep Bass, High Energy, Dance Floor, Club Mix, Festival Anthem, Night Drive, Instrumental, Creative Commons Music, Free to Use


FDD1015 – Vector Rush

Zerothree Presents #REALPROG V.3

Upsides Have Downsides (Original Mix)

DARKMTTR Records | Bookings: ESP Agency
T: +44 20 8740 0533 
http://esp-agency.co.uk/artist/spy

Moving to London from São Paulo eleven years ago, S.P.Y was quick to establish himself within the UK drum+bass scene. After six months of working with only basic equipment, S.P.Y’s natural talent for production saw his first ever release signed to Metalheadz in 2005, with a release on Hospital’s Medschool imprint soon following in 2006.  S.P.Y began collaborating with artists such as Marcus Intalex, Total Science, Kasra and DJ Marky. In 2009 S.P.Y released his first solo EP on Marcus Intalex’s label Soul:R and had releases on many other labels including Digital Soundboy and Innerground. 

The following years were immensely successful for S.P.Y, with Friction including five S.P.Y tracks on his MoS compilation and Andy C featuring four tracks on ‘Nightlife’. Proving his production quality and consistency in 2010 / 2011, S.P.Y delivered standout releases on Ram, Metalheadz, Critical, Shogun and Spearhead – Most notably the anthemic ‘By Your Side’. S.P.Y also took on high-profile remixes for the likes of Deadmau5, Claude von Stroke, LTJ Bukem, Chase & Status, Delilah and Zinc ft. Miss Dynamite, with S.P.Y’s own personal re-lick of Zero 7’s ‘In The Waiting Line’ becoming a signature in his live sets.

Signing to Hospital in 2012, his debut LP, ‘What The Future Holds’ was released to critical acclaim. The LP not only received significant support from fellow artists and topped online sales charts, but was also awarded the coveted ‘Best Album’ at the annual 2012 Drum & Bass Arena awards. S.P.Y backed up this release with a relentless tour schedule of Australia, the United States, Canada, Russia, Asia, New Zealand and Europe. 

S.P.Y’s skills behind the decks rival his studio talents and he delights fans with an educated blend of old school classics and fresh new beats. Always one to stay true to his roots, S.P.Y has a unique ability to bring his trademark underground sound to a worldwide audience. Alternating between beautiful, orchestral, musical sets and dark, rolling mixes, S.P.Y captures the emotions of the crowd. Whether he is playing at a high-profile festival or an intimate club show, S.P.Y always delivers.

In 2013 S.P.Y was again busy touring the world, playing at major festivals such as Tomorrowland, Global Gathering and Electric Daisy Carnival. He delivered successful remixes of James Zabiela’s ‘Perseverance’, Chris Malinchak’s ‘So Good To Me’ and Five Knives’s ‘All Fall Down’ on Red Bull Records. In addition to these achievements, S.P.Y was also selected to write, in collaboration with London Elektricity and Diane Charlemagne, the theme song for the 2014 Street Child World Cup. The track ‘I Am Somebody’ has helped to generate awareness and bring a new interest to Street Child World Cup, advocating for street children’s rights worldwide.

Moving into 2014 and S.P.Y is taking us ‘Back to Basics’ with his second LP. Released in two parts over the coming months, ‘Back to Basics’ draws inspiration from the deeper, darker sounds of drum+bass, and features collaborations with Total Science, Rene La Vice, and vocalists Diane Charlemagne, Grimm and DRS MC.

If any D+B artist can truly claim to be the “producers producer” then Carlos S.P.Y surely has a good case. If the comments on this album by his luminaries are anything to go by: "One of my fave producers" says DJ Hype, "Carlos back to his filthy best!" say Total Science, "There's only one S.P.Y” says Doc Scott.