The skies are never silent.

Invisible to the naked eye, VLF, or Very Low Frequency radio waves, are the sonic equivalent to the stunning visual aurorae that illuminate the planet's poles. Caused by the interaction of solar energy with the charged part of the Earth’s atmosphere, they can only be made audible with special equipment.

This audio feature blends original recordings of VLF sounds with the voices of those who work with them, from science to sound art, King’s Cross to California.

With thanks to:
Dan Tapper, sound artist (www.magneticsignals.tumblr.com) 
Stephen McGreevy, VLF recordist (www.auroralchorus.com)
Dr Simon Foster, Imperial College London
Camley Street Natural Park

Produced by Patrick Sykes (www.patrickjsykes.com)

Sunsong

The complete variations variations: played by Glenn and Glenn all the way until the end of the 1955 version.

The Complete Variations

Leaving Leaves

Modular noise with Doepfer and Makenoise.

Talk of woman and man

The first part of the interview segment of The Radio Poems, featuring Glenn Gould.
Includes:
Beethoven's Piano Concerto #3, Largo Mvmt
Glenn Gould in Conversation with Tim Page
Bach's Goldberg Variations 1-5
Mozart Piano Sonata 12, Adagio Mvmt

Glenn Gould Interview Part 1

Part 2 of the Glenn Gould Interview
Includes:
Gould and the tape recorder
"So You Want to Write a Fugue"
The Idea of North, Glenn Gould's radio documentary
Contrapuntal Radio
"A Glenn Gould Fantasy"



Glenn Gould Interview Part 2

Smokes

Pick up the soap!

The Golden Age – Florian Hecker, Keith Fullerton Whitmann – Konzertmitschitt vom CTM Festival 30.1.13, Berghain Berlin

01.02.2013 – Klangkunst – Deutschlandradio Kultur – Markus Gammel

Deutschlandradio Kulture Klangkunst • CTM.13 • The Golden Age

Eliane Radigue & Keith Fullerton Whitman interviewed by WNYU's Jonathan Gean on September 27th, 2010, during the "Propensity of Sound" festival at Issue Project Room in Brooklyn, NY. Special thanks to Maxime Guitton & Mike Pollard.

Interview with Eliane Radigue & Keith Fullerton Whitman

Squarewhite engages in sinewave mood settings and forced voice incantations, mixed with outburst of noise backgrounds and flows of sounds. Sound is live material, born out of the moment and fades away after that. What is then left? An emotion, a thought, a feeling or just nothing? A constant change of movements living out of time.

- Squarewhite