He graduated in law at the University 'of Bologna in 1997.Suono guitar for 18 anni.Ho studied classical guitar for four years, first with the Prof.Mauro Turroni of Cesena and then with Maestro Vittorio Giovannini.Attualmente continuous deepening self-taught some musical styles such as jazz, new age and music classica.Inoltre I took a course in jazz harmony for one year held at the "Centro Musicale Dragons" of Forli ', with the master Andrea Benzoni, excellent guitarist and jazz musician graduated from Berkeley Boston in the United States. 
I played with various local bands many musical genres (dance music, funk, rock, jazz, soul, blues). 
I participated in 1998 at Ferrara Buskers Festival with a group of Forli ', presenting songs inediti.Ho composed the opening theme of the international exhibition of the film took place in archaeological Forli'nel 1998.Attualmente do various things in my studio: compositions and arrangements of songs of the most 'different musical genres (dance music, acoustic guitar, ambient, funk, jazz), reviews on demos sent from unknown bands, restorations audio.Inoltre I recently signed a contract with a publisher of music ("Ydillium Editions Milan "), Sabino Mogavero, with which collaborate for the realization of instrumental and vocal jazz music of any kind. 
I have promoted and implemented the compilation of 14 unknown artists with 28 pieces, presented at the Meeting of the independent labels held in Faenza on 26 and 27 November 2005.In these CDs I arranged songs, mixing fact and remastering.Corsi-depth midi programming on computers and computer musicale.Inoltre I composed some music for the short film "Requiem" the brilliant young director Milo Busanelli.Sto working on several ongoing projects mentioned in this sito.Bassista 6 years, jazz sound, I studied for a year and a half at the "Buzzolla" of Adria.

Born in Udine - italy in 1968. In the middle of the '80s, he was drummer in a local hardcore punk band, Tomahawk. 
Since the end of the 80s started his experience as MC and Selecter, spinning hiphop, funk, dub, jungle d'n'b vinyls.
In 1991 he grounded one of the most important militant rap-crossover band in Italy: Ariadigolpe. 
As frontman and militant rapper, writing furious rhymes about the growing Berlusconi's Regime, he released 2 albums, a 7" live e.p., various compliations and performing hundreds of concerts all around Italy, in Switzerland and in Slovenia. 
Ariadigolpe played in all the most important Centri Sociali, squats, events and venues, as main band or supporting other great italian and international bands like 99 Posse, Assalti Frontali, Casino Royale, Murphys Law, CPS, just to mention some of them.

In 1997 he left the band to focus on his other passion: photography.  In sommer 1999, Japo left Udine for Berlin, Mecca for artists and avant-garde musicians. Alongside his work as a photographer, he has developed his career as a DJ playing in many venues, mostly alternative spaces and underground clubs in Berlin, Italy and London (Eimer, Escschloraque, Kulturfabrik, Yaam, Rototm Sunsplash, SO36, RoterSalon, 1001, Farbfernseher, Far East Film Festival and many more).

J.A.P.O.'s musical passion is quite eclectic: from '50s/'60s jazz (which was introduced by his father) to '70s/'80s reggae & dub, '70s funk to afrobeat, from '80s hardcore, wave & punk to traditional workers and political chanson, through diffrent forms of contemporary music like hiphop-rap, jungle, electronics (the first cassette he conscious bought was THE MAN MACHINE by Kraftwerk, 1978) and minimal-tech-house.

J.A.P.O.'s djsets reflect this open musical view, sometimes as a patchwork, sometimes straight in one genre, but everytime refined and to the point.


There once was a band, Terafractal;
Arisen from land, Pterofractyl;
Digital friends, Turtlefreckle;
Ampersand

(Wi-Fi Toaster)
;
https://archive.org/details/TerafractalInterviewSpelledWiFiToaster
The @Jimmy-Fro Show 


When I don't write software, I make electronic noise.

Daniel Cabanzo (Colombie, né en 1979) est un artiste pluridisciplinaire qui s’intéresse aux différentes formes d’expression d’art, il étudie la musique à l'Université du Valle à Cali - Colombie, puis la composition en France depuis 2006. Il est titulaire d’un master de Musique appliquée aux arts visuels à l'Université de Lyon 2 et d’un master d’Acousmatique et arts sonores à l'université de Marne-la-Vallé et le GRM (Groupe de recherches musicales- INA). En 2013, Il a étudie à la Haute École Musique de Genève en Suisse avec Michael Jarrell, Luis Naon et Eric Daubresse professeurs qui l’ont influencé vers les nouvelles technologies musicales. Il est lauréat du prix de composition de Cergy-Pontoise et du prix Roux et Tronchet de l’Académie des Beaux- Arts en France, aussi lauréat d’une bourse de la SACEM pour étudier dans le Cursus I à l’IRCAM en 2014. Il participe à l’académie Manifeste organisé par l’IRCAM dans le cadre de l’atelier In Vivo Electro 2015, il a collaboré avec Le Fresnoy - Studio National des arts contemporaines pour l’édition de Panorama 2016 et réalise le visuel en temps réel de l’évènement « Piano Remix » en collaboration avec le Conservatoire de région Lille et le design sonore de l'oeuvre Artefact 01 de Mathilde Lavenne. Lauréat du prix Ibermusicas 2018 avec l’institution DME à Portugal. Actuellement il réalise son PhD en musicologie à l’Université Paris-Sorbonne et l’IRCAM (directeur de recherche Mikhail Malt). Il a été joué par plusieurs ensembles comme le Court-Circuit, Ensemble du Bout du Monde, Gardiens de la paix, Awkas, Barcelona Modern Project entre autres.

Squirrel Beats
Anna Maria Dalla Valle, Flute, Voice, Live Electronics
Paolo Corsini, Piano, Fender Rhodes, Synth
Andrea Ghion, bass
Simone Gerardo, drums
A Casa Mi Veniva’s follow up is out now : "Squirrel Beats" (℗ 2013 Futurejazz.co.uk).
Available in digital format only, from  Itunes and Amazon , listen here SoundCloud, Spotify, GoogleMusic, Deezer .


Squirrel Beats è nujazz, è drum’n’bass.
Improvvisazione acustica ed elettronica, l’immersione di suoni reali e di creazioni artificiali, dove strumenti di famiglie diverse si ritrovano a colloquiare fino a confondersi l’uno nell’altro. 

This is not just an experiment, it’s a proper collaboration between four minds, four sound flavors mixed together to give the listener something different from the usual fast-food sonorities.

SquirrelBeats is following