r e a l e a s e

LP.8

Release

Original track : "Sydney Valette - Station Stop" from "Home Alone LP6"
Link here : bit.ly/3vPjGfj

Sydney Valette - Station Stop (Giirls Remix)

African Dope's Greatest Hit

Donkey Rattle

Bliss

Bliss (feat. Fears)

Wicked

Happy 303 day y’all! 🫠

This is part of my upcoming set with my buddy KonKers! We made this insane melancholic synth on my MC707 so I had to do a jam with it! 😈

Enjoyyy 🫶🫶

WIP

Gear 🎛️🎚️
Roland MC707, Korg Electribe 2, Korg Electribe 2 Sampler and Behringer TD3-MO

2BRĀK - Happy 303 [Livejam]

Muta

Leo Anibaldi - Muta (Part3)

derniere volonte-rien a aimer

Gates of Ishtar

Gates of Ishtar (Equinox Remix by Anton Newcombe)

Señora - El Barrio "La Plata" - LURID09 - Lurid Music

Buy on Bandcamp

Señora - La Alcaicería - LURID09

Forthcoming on Akuphone (AKU1017)
Digital only
Buy: akuphone.com/catalog/NRer109T2eQ#content

SAMPLE: gallica.bnf.fr/ark:/12148/bpt6k1285941.media

At the end of 2018, to celebrate the 20th anniversary of Gallica (the digital archive of the Bibliothèque nationale de France), Akuphone and Ko Shin Moon were invited to create a piece from the library’s audio archives. After working on it for several weeks, a first version was presented during the anniversary ceremony. The project continued to develop over four months before arriving at a definitive version. 

The scope of the project was limited to audio recordings from the library’s collection that were free of legal restrictions, which meant: only 78 rpm records from the first half of the 20th century. The format is unique, left to specialists and forgotten by listeners and producers. 78 records are almost never used for sampling and it’s this application that makes Ko Shin Moon’s album stand out. Many factors needed to be considered, including white noise, breaths, the harshness of certain frequencies, and the production style from the era of the recordings. 

 Using these precious resources as a creative tool, Ko Shin Moon made substantial rearrangements, but he forced himself to respect the original tuning of the recordings by setting his analog synthesizers and instruments to the same microtonality as the records. 

 Most of the chosen samples were recorded between 1910 and 1940 and came from different parts of the world. These include: North Africa for “Gasba” and “The River,” The Middle East and Central Asia for “Segah,” “Bayati Chiraz,” and “Nava,” India for “Devi Sthothra” and “Narayan,” Mozambique for “I-XIII,” South Asia for “The Offering” and “Sabat Sabing,” Japan for “The Consonants,” and France for “The Offering.” 

 “We’re very thankful to have been able to have our work infused with such cultural heritage,” says Ko Shin Moon. “We thank the Bibliothèque nationale de France for their trust and above all, we want to show our respect to the musicians and singers present on these recordings. We hope to bring their voices to life with our music.” 

SAMPLE: https://gallica.bnf.fr/ark:/12148/bpt6k1285941.media

Ko Shin Moon - L'Offrande

Growing Apart

The Ascent

Mama 
Oh mama 
I look at the sky 
Four horsemen 
Look at that, man 
Oh I started to cry 
Oh mama 
Goodbye 
Goodbye 


The glory 
The glory 
Hallelujah 
Look at that, man 
It's radiation 
Oh mama 
I started to cry 
Goodbye 
Goodbye 


Unravel 
It’s radiation 
Oh mama 
Oh mama 
Don't cry 
Goodbye 
Goodbye

Radiation

Suicide - Radiation (Lucare Edit)

Melt!

Gates of Ishtar (Equinox Remix by Anton Newcombe)

SQÜRL

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