Classic

Vintage Classical

Strange but creative

Fall 2024

Related tracks: ONE TRIBE YALL  feat. Kamal Imani (Paploviante open collab)

Friends from the Road

Shock It
Composed and Arranged by Romain Dasnoy

Shock It

This I have recorded at the end of January 2021.

J. S. Bach - Goldberg Variations BWV 988

The End Of An Affair

I found two great softsynths at https://cherryaudio.com/ , a MemoryMoog and an Oberheim 8-voice.
This little song was the first test of the sounds and I think they are great to work with.

Text to speech from https://voicegenerator.io/

Piano and samples from Reason.

SadRobot

The second movement of a suite for violoncello and piano. Written in 2022 february. A meditative and dreamlike mood let me write this piece. A short escape away from the bad news, to get new trust in future.

"Aeon of decision" For Violoncello And Piano Mvt 2

01 - Spitfire Audio - Appassionata Strings - Cellos (6) - Legato
02 - Spitfire Audio - Appassionata Strings - Violins 1 (8) - Legato
03 - Spitfire Audio - Appassionata Strings - Violins 2 (6) - Legato
04 - Spitfire Audio - Appassionata Strings - Violas (6) - Legato
05 - Spitfire Audio - BBC Symphony Orchestra Professional - Oboe - Legato
06 - Spitfire Audio - BBC Symphony Orchestra Professional - Clarinet - Legato
07 - Spitfire Audio - Hans Zimmer Strings - 60 Cellos - Long
08 - Spitfire Audio - Fractured Strings
09 - Spitfire Audio - Spitfire Solo Strings - Cello - Legato
10 - Spitfire Audio - Abbey Road One - Low Woods
11 - Spitfire Audio - Originals Cinematic Frozen Strings
12 - UVI - EGP

Appassionata - Franck Douvin - Jacques Lemaire

Piano composition by Anibal Seminara
Image by Many Souffan

Buy by Bandcamp

3 Piezas Para Piano No. 3 En Si Bemol Menor

3 Piezas Para Piano No. 2 En Sol Mayor

3 Piezas Para Piano No. 1 En Re Bemol Menor

When the grief is deep and the pain unbearable, you must let it happen and honor this feeling. I try to convey this atmosphere by setting it to orchestral music.

Continuous eighth-note movements, sometimes driven by the violins, then by violas, cellos or contrabassi, drag the pain through the entire music piece, which ultimately ends in quiet peace .

Lamento For Strings

Thinking about music is like dancing about mathematics: time well spent.

Meditation On Elegance And Disorder

||| Lost in Translation |||
From the album White Noise 
+ Releases 15 October 2025 on all major streaming platforms +
An experimental soundtrack, combining dark ambience and noise with amped up synth bass and downtempo beats...


Available for download here 💿
https://scratchkelly.bandcamp.com/track/lost-in-translation

Watch the video:
https://www.youtube.com/watch?v=HGOb4uzAv90

White Noise

Lost In Translation

Download

Brume

M-Life on Uranus

Dark Terrain.

une nouvelle version de ce trip hop que j'avais composé en 2022
 PAROLES
Tu restes
 Comme une parole interrompue
 
 A des années lumières
 Comme un cœur en hiver

A des années lumières
 Rien n’efface ton ombre
 Dans l’oubli rien n’est sombre
 Du joli nom d’amante
Ni le thé à la menthe
 Ni les lèvres mi-closes
 Ni le vase ni la rose
Ni la beauté du chant
 Ni le désenchantement

C’est comme si c’était hier
 Hier
 A des années-lumière

A des années-lumière
 Comme un oiseau qui chante
 Le cœur dans la tourmente
 Et moi qui m’impatiente
 Comme si c’était hier
 Hier

A des années-lumière
 D’étoiles la poussière
 Dans les grands yeux gris-verts
 Des enfants de la terre

Et nos mains sur la table
 Jouent au marchand de sable

 Tu restes
 Comme une parole interrompue
Comme les voix qui se sont tues

Dans l’oubli rien ne sombre
 Dans les années-lumière
Rien n’efface ton ombre
 Pour un cœur en hiver
 C’est comme si c’était…
 Hier
_______________________________________________________________
You stay
 Like an interrupted word

 Light years away
 Like an heart in winter

Light years away
 Nothing erases your shadow
 In oblivion nothing is dark
 The pretty name of a lover
Nor mint tea
 Nor half-closed lips
 Neither the vase nor the rose
Nor the beauty of singing
 Nor disenchantment

It's like it was yesterday
 Yesterday
 Light years away

Light years away
 Like a singing bird
 The heart in turmoil
 And I who get impatient
 As if it were yesterday
 Yesterday

Light years away
 From stars to dust
 In the big gray-green eyes
 Children of the Earth

And our hands on the table
 Play Sandman

 You stay
 Like an interrupted word
Like the voices that fell silent

In oblivion nothing sinks
 In the light years
Nothing erases your shadow
 For a heart in winter
 It's like it's...
 Yesterday

À Des Années - Lumière

Ah, the people we meet, and cross paths with, in this life…. So many experiences. How do we respond, especially if life clashes with these chance meetings? And what becomes of it? Once when looking for a place to rent, (25 years ago) I stopped to talk with an old man sitting on a bench. He had so much to say. My partner slowly became furious with me for taking the time to talk with him. We don’t have to wonder how that relationship went. In other words, this song is not about her…. Hee-hee. Or the old man for that matter. However, there are moments when paths cross, sometimes coming from very different trajectories and all of a sudden something wonderful happens in that moment. Gather, you might have experienced that too. This song is about a brief encounter with a kindred spirit, where our life trajectories did not change: A moment in passing. The song also contains some socially relevant thoughts/ lyrics about the world and my experience of it. Thoughts are thoughts though, and I find the more flexibly malleable I am with them, especially when it comes to the relative truths they may, or may not contain, the freer I am. Seems the more I attach to thoughts and refuse to change, the worse off it seems to get… But that’s just me. Hope you enjoy the song, Mark

Lammbone's Album

Moment In Passing

/больно махать с пирона вслед/
drawn people wave to us
from the compartments - carriages

it's time for them

they draw promises - to come back..
and that they already miss you
that they are so sorry..

and on the glass of the heart
they write..
with paper with tears in their eyes

and then erase..

cold or sadness on their faces?

and it seems that they are yearning and suffering
but the train has started moving
and they forget..

drawn people wave to us
from the compartments - carriages

where?
where -
they will go now
so that our love does not burn out..

it doesn't matter to them -
where to draw feelings..
and then erase everything..
erase..

and forget...



нам машут нарисованные люди 
из купе - вагонов

им ехать надо

они рисуют обещания - вернуться ..
и что уже скучают
что им так жаль..

и на стекле сердцА 
выводят ..
с бумажными слезами на глазах

а потом стирают ..

на лицах их простуда или грусть

и будто бы тоскуют и страдают
но поезд тронулся
и забывают..

нам машут нарисованные люди
из купе - вагонов

куда 
куда
они теперь поедут
чтобы любовью нашей не сгореть

не важно

им - где чувства рисовать ..
и всё стирать
стирать

и забывать ...

trains.

Cast of Characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Mysterious Decibel-- @themysteriousdecibel  --MD—effected vocals
J.J. Terrell-- @j-j-terrell—JJ-- organ, trippy synth
Llanpsych-- @llanpsych -- Tez – electric guitar
TexMex Shaman– @texmex-shaman –Stephen– electric guitar, production, mix, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and seed idea 
Composition – The Eclectic Collective

This song began about half a year ago, as part of a three song set that Ken started with some really cool beats. Josh was first to the trough for here, laying in his fretless bass groove to complete the foundation and give it some tonal direction. Stephen came next and laid in the really trippy textural guitar that you hear throughout. JJ was next with his serious, no joke organ playing, which sets the mood for the whole thing. Last, but not least, Tez joined by adding some really cool accent guitar throughout.
  Of course, every great song needs a great producer, so we tapped Stephen to do the honors on this.
  We had originally made this and the other two song with the intention of having The Mysterious Decibel and his friend Modes About Me sing on them. However, life got in the way, so we sat on them. Finally, MD let us know that he wasn't able to complete the project with us, much to everyone's, including his, disappointment. However, MD did lay down a rough vocal demo for us, which Stephen very ably processed to sound almost like another instrument in there. So, we're releasing this song as a tribute to them both, with gratitude, especially to MD for all the great work he's put in with us. If you're not familiar with either of them, do yourself a favor and check them out. Modes about me is at  @modesaboutme and the link to The Mysterious Decibel can be found in the link in the cast of characters above. 
  This is an example of what it sounds like when the whole band composes a song together. We hope you enjoy listening to this as much as we enjoyed making it.

Mysterious Modes (Eclectic Collective)

Spoken words: Kamal Imani
https://www.looperman.com/acapellas/detail/21299/one-tribe-yall-120bpm-disco-acapella
https://soundcloud.com/kamal-imani
https://soundcloud.com/oldschoolhiphopsoundtrack
Backing Track : Paploviante and Friends
https://soundcloud.com/paploviante-and-friends/disco-again-paploviante
Lillithe adding: Sax, Solo Guitar, Wha-Wha Guitar, Beat, Mix and Production

ONE TRIBE YALL  feat. Kamal Imani (Paploviante open collab)

Share your thoughts below!

Composed, produced & performed by Srouly Frank

Storm inside

Storm Inside

When I was young
so long ago
How could I
ever know
what roads I would travel
I’ve had great times
I’ve had great pain
and I’d do it all again
If time I could unravel
When I was young
so long ago
How could I
ever know
what roads I would travel
I’ve had great times
I’ve had great pain
and I’d do it all again
If time I could unravel
But the path ahead
is shorter now 
than the trail I’ve left behind
but there’s no turning back
I have to keep going
to the fate of all mankind
I’ve had great times
I’ve had great pain
and I’d do it all again
If time I could unravel
When I was young
so long ago
How could I
ever know
what roads
I would travel

When I Was Young So Long Ago

Voiceless

Our new song.
We appreciate your support
Video for this track - https://youtu.be/JbcBy3U-6Ac


Leafage - Cold Wind

ENDLESS TIME
Written, Performed & Produced
by Andrew Borderick Copyright 2024 AB Music
YouTube Link
https://youtu.be/oR0dpoMQafI?si=DvNXSIOR5O_b81q0

V1
THIS IS YOUR LIFE, IT'S IN YOUR HAND
DON'T JUMP THE START, IT ALL ENDS FAST
V2
TO LOOK YOUR AGE, IS OUT OF STYLE
TO GO BACK IN TIME, THERE MUST BE DENIAL
(Ref)
WE'RE LIVING IN ENDLESS TIME
(Chorus)
YOU'VE NEVER HAD A LONLY DAY
WITH THAT FACE, IT'S ALWAYS THE SAME
YOU CAN CALL IT ALL YOU LIKE
BUT NOBODY LIVES, UNTILL THE END OF TIME
V3
YOU CAN CHANGE YOUR LIFE, BUT NOT YOUR HANDS
THE END OF THE WORLD HAS ALREADY PAST
(Ref)
WE'RE LIVING IN ENDLESS TIME
(Chorus)
YOU'VE NEVER HAD A LONLY DAY
WITH THAT FACE, IT'S ALWAYS THE SAME
YOU CAN CALL IT ALL YOU LIKE
BUT NOBODY LIVES, UNTILL THE END OF TIME
(Break)
(Ref)
WE'RE LIVING IN ENDLESS TIME
(Chorus)
YOU'VE NEVER HAD A LONLY DAY
WITH THAT FACE, IT'S ALWAYS THE SAME
YOU CAN CALL IT ALL YOU LIKE
BUT NOBODY LIVES, UNTILL THE END OF TIME
(End)

2024

ENDLESS TIME

Happy Not Hateful

Bones and Blight

Buy by Apple Music

Senza Parole

This is a very personal composition.
The main themes I use here I found when I was 17. That time I had not the handicraft to compose a really good work. Many studies of Palestrina, J.S.Bach, Beethoven, Dvorak, Debussy and so on was necessary to reach at last this result. Ten years ago I remembered of these old themes and deciede to make a concert of it. The whole concerto consists of Intro and two themes. But there are so many secession of motifs, seven counterpoints of main theme, so it is became very complex. The much too long Intro is a piece for itself.
Inspite of that I hope you can enjoi it.
Written down in 2018, digal realisation 2020.

"Reminiscence" Concerto for piano and orchestra (1)in a-minor Mvt.1

Inspired by M. John Harrison's Course of the Heart and the film A Dark Song.

First comes the rose and then the salt lines
I'll speak an angel's name; Raphael, Gabriel, Michael and Uriel
Asteraceae compositae, lay a bed of tree bark
A rose cross concealed, lay a leaf on a ram's horn

Next the carved rhymes which lead to a pause
From the darkness to the light
What was silent now is sound

Slowly light a ring of eight white candles
Hand clap to each point
Cinnamon on the floor, that sweet money spice
Relight the palo santo
Cast out with smoke
Cast out by command

Silence the conscious mind's derisive monologue of doubt
All the while keep breathing
What was hidden has been found

Hermeticon

You are on the back foot, uncomfortable in the dusk in a vaguely familiar place. Something is wrong.
Rerecorded, remixed and remastered for the vinyl release of  Thru the Clouds of Smoke on Twice As High Records.
Oh yeah.
https://soundcloud.com/tah-records

+++++++++++++++++

Through the fence
Past the trees
In the shadows by the bridge
Through the grille in the wall
Can you see something that's wrong

Not a shape
More a thought kept out of mind
Do you want to step away
And believe you didn't see

By the bridge where the water runs down
Where the cats won't go
And the footpath falls away

It's a shadow of a rhyme
It's a fear
It's a dearth
It's a warning
Keep away
Don't you want to stay inside?

Down Annerton Pit

Composed, produced & performed Srouly Frank
Nothing liberates more than joy!
About: Pianist-composer. SACEM member.