Dedicated to the Vain and the people who held me down along the way

Lillith (feat. Blackhaine, Daemon & Orlandor, Prod. Mun Sing)

Torus - Earth VIP (Styler)

Black Gold

Black Gold (feat. Florence Sinclair)

Dedicated to the shattered </3 I hope you get some rest.

Thanks to everyone who listened & gave feedback in the creation of these edits

33% of money raised will be donated to Oliver.kgh's trans-affirmative surgery fundraiser: www.gofundme.com/f/mengw-olivers-top-surgery-fund

www.instagram.com/oliver.kgh/

Produced by Iceboy Violet
Mastered by 96 Back

Drown 2 Float

In The Bread & Butter (Gunna)

We are pleased to host multidisciplinary artist and Fixed Adobe label head Rainy Miller for the 13th episode of the Kuboraum Digital Sound Residency, unveiling ‘My Wings, Never Clipped / But They Began Semi-Broken’, an uplifting abstract soundscape not just to be listened to but, most of all, to be felt.

Rainy Miller, birth name Jack Bowes, was born in Longridge, a small market town eight miles from Preston. Subservient to the northern city in which he was born and raised, the region’s nearly forgotten underbelly is sewn into the fabric of Rainy Miller’s music and motif.
His passion for music and production can be traced back to the idiosyncratic grime sound that swept through his hometown in the early 2000s, a hyper-localised scene that paired grime beats with rapid-fire bars. After moving to Manchester, Rainy quickly became integral part of the North West experimental electronic scene alongside artists such as Iceboy Violet, Space Afrika, and Blackhaine. 

Integrating aesthetics from his childhood through a DIY approach, Miller’s own output is nothing if not strikingly unique. Rejecting any attempt to define ‘genre’, he shapes emotionally charged soundscapes intertwining cinematic autotune vocals around deconstructed drill and industrial ambient soundscapes.

His debut release ‘Limbs’ in 2019 already showed the signs of his very own approach: a soulful neo-R&B excursion throughout ten tracks of emoting autotune over smooth, moody melodic beats interspersed with dabbles of Preston chitter-chatter. 
In 2020, a long-time collaboration started with Blackhaine, whom Rainy shared the studio with. The same year, Blackhaine released his debut EP ‘Armour’ produced by Rainy on Fixed Abode, followed by the co-produced ‘And Salford Falls Apart’ (2021 via The White Hotel’s HEAD II label) and ‘Armour II’ (2022 via Fixed Abode).
Following his second solo project, ‘A Choreographed Interruption’ (2021 via Fixed Abode), in 2023 Rainy released ‘DESQUAMATION’ via HEAD II, his latest and most ambitious project to date. A full bloodied, emotionally visceral piece of work segueing and stretching across a sound world of contorted pop and laconic drill that will cement Miller’s position at the cutting edge of contemporary electronic music, pushing the culture to always move forward.

Rainy Miller will be teaming up with Emma DJ to perform at WE TRAVEL TO KNOW OUR OWN GEOGRAPHY, the two-day festival on April 18th and 19th presented and co-curated by Kuboraum together with Terraforma, in partnership with Combo, during the Opening of the 60th Venice Art Biennale.

Kuboraum Digital Sound Residency: www.kuboraum.com/digital-sound-residency/

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Rainy Miller - My Wings, Never Clipped / But They Began Semi-Broken

IDDDD {CHYNNA}

TRYCE @3yyccee and Xenia Reaper @xeniareaper collaborate on Dream-Fighter, a limited 7" lathe cut, due for release on Unguarded February 14th.

Drawing from a collection of recordings made throughout 2021, the two producers bring to life a cold, icy two-track single spanning precision-cut breaks, breezy pads and fluttering digital arpeggios, laced together by laser tight impacts.

Written, produced & mixed by TRYCE & Xenia Reaper
Mastered by Tim Roth
Artwork by TRYCE
Cut by Disc Archive

Fighter (Echo Mix)

This radio show seeks to explore and visualize the vast spectrum of human emotions and everyday moments through sonic experimentation. By blending a wide array of sounds—field recordings, poetry, spoken word, and influences from past and contemporary artists—i want to create an immersive, multisensory experience that challenges traditional boundaries of perception.
Drawing from genres such as experimental, ambient, drone, noise, deconstructed, emo, downtempo, and beyond, the show will serve as a canvas for emotional depth and complexity. It will offer a journey where sound becomes a mean for introspection, revealing how emotions, thoughts, and reality itself can become fluid and uncertain.
In this space, words will coexist with sounds, inviting listeners to experience a reality that is both elusive and vivid, where the lines between the spoken, the heard, and the felt blur into a dynamic exploration of what it means to be human in an ever-shifting world.

W.ANNA.W is a Japan based artist known for her boundary pushing approach to music. Blending experimental sounds with deep emotional expression, she crafts immersive sonic experiences that transcend genres. With a global perspective and a dedication to artistic authenticity, she continues to shape her unique musical identity beyond conventional boundaries.

https://soundcloud.com/qanossonap  
https://www.instagram.com/qanossonap/
 https://www.instagram.com/anpp233/

ECHOSPHERICA 002 w/ qanossonap invites W.ANNA.W (15.04.25)

Afraid Of What?

Crimson Cascades

“Defined Clarity” from Sasha Smirnova’s record Gone Stray. Built around layered, processed vocals that shift between texture and melody, the track carries a growing sense of desperation. Evolving steadily, it blends voice-as-synth with guitar lines by Catalan musician nara is neus, cutting through the mix with raw intensity.

Credits
Composed and produced by Sasha Smirnova
Guitar by nara is neus
Mixed by Mika at Movement
Mastered by Lorenzo C. at Coreless Collective Sound Studio
Released on White Forest label on September 26th, 2025

Defined Clarity

sasha smirnova

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