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Summer Set '13 Part 2

Purchase this song on iTunes: http://smarturl.it/23single?IQid=soundcloud

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Buy on iTunes

Mike Will Made-It - 23 ft. Miley Cyrus, Wiz Khalifa & Juicy J

Breezeblocks

Jeff Buckley - All That I Ask RRR Rooftop Cafe 8.31.95

Free Download

3015

GOOD INTENT, the alluring 3rd single from KIMBRA’S highly anticipated debut album VOWS, will be available on iTunes from Monday 15 August.  

The album VOWS will be released on Friday 2 September.  

Having signed with Warner Music Worldwide in Los Angeles earlier this year, KIMBRA’S debut record has been three and-a-half years in the making. It charts not only her growth and development musically over this time, but personally as well. KIMBRA co-produced VOWS alongside the refined skills of François Tétaz (Bertie Blackman, Gotye) and Australian Urban export M-Phazes (Amerie, Pharoahe Monch) . She also contributed her vocal talents to Miami Horror’s ‘ I look to you ‘ and a duet with Gotye’s on his current number 1 single ‘Somebody I used to Know’. 

KIMBRA is already proving herself as a songwriter and music stylist beyond her years. Settle Down, the first single lifted from VOWS, won first place in the Pop/Top 40 category at the The International Songwriting Competition (ISC), the world's preeminent global songwriting event.  Most recently KIMBRA was also awarded the prestigious Vanda & Young Songwriting Award for her 2nd single Cameo Lover.  

On Good Intent, KIMBRA explores both sides of a broken vow and the destruction it causes. An intense theme playfully delivered in teasing lines punctuated by drunk horns, “I know you didn’t mean it boy/you meant so well/but the pennies are cascading ‘round your wishing well.” Framed by jazz bass, the nimble shuffle of drums and a bluesy guitar solo, the effect is like waking up in a foggy speakeasy after a jagged night out to find the heart on your sleeve missing. The cinematic film clip, playing out a film noir escapade of moral intentions and immoral actions, is set to plunge fans deeper into the eclectic world of KIMBRA.

To support the single and album releases, KIMBRA is touring nationally with tickets on sale now.   Demand to see KIMBRA’S critically acclaimed live performance is so strong, her Sydney show has recently moved to a venue double the size.

A & R and Management by Mark Richardson, OutPost Management

For more information on Kimbra and for live tour dates and show information visit: www.myspace.com/kimbramusic         
www.facebook.com/kimbramusic
www.twitter.com/kimbramusic       
 
MEDIA ENQUIRIES: KERRY O’BRIEN PUBLICITY Tel: 03 9510 4777
Kerry O’Brien  kerry@kob.com.au  Mob: 0418 256 503
Vicky Iliopoulos publicity@kob.com.au Mob: 0410 551 388
Rain Fuller publicity2@kob.com.au Mob: 0432 070 301

RADIO ENQUIRIES: VARRASSO PR 
Frank Varrasso frank@varrassopr.com Mob: 0407 411 161 
Bonnie Neville bonnie@varrassopr.com Mob: 0410 823 036

ON-LINE ENQUIRIES: VICEROYALTY 
Zac Abroms zac@viceroyalty.com.au  Mob: 0403 719 881 

WARNER MUSIC AUSTRALIA 
Natasha Henry Natasha.henry@warnermusic.com 02 9950 1527     


Kimbra - Good Intent

Change Gonna Come (Lauryn Hill)

Angie Aparo - Rocket Man

A cover of the classic jam from DJ Jazzy Jeff and the Fresh Prince. All rights belong to the original songwriters. 

Engineered and Mixed by Jeff Piper
Mastered by Jared Stachowitz

Summertime

Purchase the full length here

itunes.apple.com/us/album/night-p…ther/id672568056

Stream it here

play.spotify.com/album/3STrkAVHJOLUyZKRH4zyPc

Fever

Taken from the debut album 'No Mythologies To Follow' out 24th February 2014

Pre-Order now smarturl.it/MO_NMTF_digi

Amazon smarturl.it/MO_NMTF_AMZ
Official Store smarturl.it/MOstore

Sign up to my official mailing list smarturl.it/MOmail

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Pilgrim

State Hospital EP

Frightened Rabbit - State Hospital

Like the Wind

From "Songs of Anarchy: Volume 2" - Performer: Jane's Addiction

Download the album now on iTunes: http://smarturl.it/soa2 & Amazon: http://smarturl.it/soa2amazon

Sympathy For The Devil

All Hour Cymbals is the debut studio album by Brooklyn-based experimental rock group Yeasayer. It was released by We Are Free on 23 October 2007, and 24 March 2008 in the UK.

2080

'Almanac' will be out January 22nd, on Captured Tracks. 

Widowspeak // Ballad of the Golden Hour

Arcade Fire - "Ocean Of Noise". Smokey Robinson - "Being With You".

Arcade Fire & Smokey Robinson mashup

Parquet Courts - Stoned and Starving

Broken Bones and Pocket Change

Yellowhammer Soul from Birmingham, Alabama's soul sensation, St. Paul and the Broken Bones

Champagne Halloween

Sugar Dyed Honey Pants

That Glow

North America:
Itunes: https://itunes.apple.com/us/album/fall-over-single/id608488421
Amazon: http://www.amazon.com/gp/product/B00BJW6O5I

UK:
iTunes: https://itunes.apple.com/gb/album/fall-over-ep/id601229089
Amazon: http://www.amazon.co.uk/gp/product/B00BE1Q9J0

Spotify: http://open.spotify.com/album/2ank9CdDXrW2pDljadZIKe


Thank you for purchasing, streaming and sharing these songs with your friends.

@hernameisbanks
hernameisbanks.com

Goddess

Fall Over

Mykel - Hold On

Mykel - Don't Give Up

the range - promises (edit)

Wicked Game is taken from Emika's new album Dva. &#13;
&#13;
http://www.ninjatune.net/release/emika/dva

Emika : Wicked Game

"Architect" is a collaboration between Frightened Rabbit & Manchester Orchestra. It will be available exclusively as a 12-inch single for Record Store Day, which will also include “Make It To Me,” a collaboration between Manchester Orchestra & Grouplove. 

Record Store Day is Saturday, April 20th. For a list of participating indie stores, head to http://recordstoreday.com.

Architect

"Architect" - Frightened Rabbit & Manchester Orchestra

Omar S - The Shit Baby (CP1 Played By D.Taylor)

http://TheGreatGatsby.WarnerBros.com
http://Interscope.com

Pre-order on iTunes

Florence + The Machine - Over The Love

http://TheGreatGatsby.WarnerBros.com/
http://Interscope.com

Coco O. - Where The Wind Blows

Emeli Sandé & The Bryan Ferry Orchestra - Crazy In Love

www.empressof.me
x
https://soundcloud.com/pional

+

SYSTEMS is AVAILABLE on
VINYL via TERRIBLE and DOUBLE DENIM
http://terriblerecords.bigcartel.com/product/empress-of-systems-ep
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Tristeza (Pional Remix)

New track off of our debut album 'In A Tidal Wave of Mystery', out on June 4th! 

The song features hip hop legend André 3000, soul vocalist Shemika Secrest, NPR voice personality Frank Tavares and Capital Cities fans. Enjoy!

In A Tidal Wave of Mystery

Farrah Fawcett Hair (feat. André 3000)

Stay Trippy (Deluxe Version) Available on iTunes: http://smarturl.it/StayTrippyDeluxe

Follow Juicy J: 
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twitter.com/therealjuicyj
instagram.com/juicyj

Stay Trippy

Bounce It (Explicit Version) [feat. Wale & Trey Songz]

Buy Here

Paul Janeway: lead vox 		  
Jesse Phillips: bass
Browan Lollar: guitars, vox         
Allen Branstetter: trumpet
Andrew Lee: drums, percussion 
Ben Griner: trombone, tuba
Al Gamble: Organ, Piano
		
Grit, elemental rhythm, tight-as-a-drumhead playing, and a profound depth of feeling: these are the promises of a great soul band. And St. Paul & The Broken Bones deliver on those promises.
Half The City is the compelling full-length Single Lock/Thirty Tigers debut of the Birmingham, Alabama-based sextet, who have already created a maelstrom of interest with their roof-raising live shows and self-released four-song 2012 EP. Produced by Ben Tanner of Alabama Shakes, and recorded and mixed in the storied R&B mecca of Muscle Shoals, Alabama, the album harkens back to the region’s classic soul roots while extending the form with electrifying potency.
	
Front man Paul Janeway’s handle “St. Paul” is a wry allusion to the vocalist’s grounding in the church. Like many a legendary soul singer, Janeway, a native of the small town of Chelsea, Alabama, was raised on the gospel side, in a non-denominational, Pentecostal-leaning local church. Virtually no non-religious music could be heard in his devout household. Janeway says, “The only secular music that I heard at all was a ‘70s group called the Stylistics, and Sam Cooke. That was about it. The rest of it was all gospel music. When I was about 10 years old, I was groomed to be a minister. My goal in life until I was about 18 years old was to be a preacher.”

He adds, “My pastor was the reason that I learned to play guitar. They would let me play guitar and sing in church. What was weird was that he would never let me sing lead – I’d sing background vocals. I always thought, ‘Well, maybe I’m just a good background vocalist.’ So I never thought I could really, really sing, at all. I never thought it would be a living, ever.”

Though his time in the church exposed Janeway to key influences in gospel music – the Mighty Clouds of Joy, Alex Bradford, Clay Evans – he began moving away from his youthful path in his late teens. He began attending open mic nights in Birmingham’s clubs and diversified his listening, excited by some decidedly left-of-center talents. “Tom Waits and Nick Cave were the really big attractions,” he says. “They have that passion. They’ve built this aura. They’re showmen to the teeth. And that’s what got me – it’s like going to church, in a weird way. At about the same time, I began listening to the great soul singers like Otis Redding, James Carr, and O.V. Wright. I was trying to find something that made my earbuds tingle.”

Seeking his musical comfort zone, Janeway had an incongruous stint in a band that played Led Zeppelin covers, but, he confesses today, “That’s not what I do.” However, his early work in the rock vein brought him together with bassist Jesse Phillips. The pair became close friends and were soon writing together; “Sugar Dyed,” “Broken Bones and Pocket Change,” and “That Glow,” all heard on Half The City, were among the first fruits of their collaboration.




The other members of the Broken Bones are all drawn from Alabama’s deep talent pool. Guitarist Browan Lollar, from the Muscle Shoals area about 100 miles north of Birmingham, previously played with Jason Isbell’s 400 Unit. “We never thought Browan would ever be interested in this band – he was too big-time for us,” says Janeway. “Jesse had met him while he was on tour with another band out of Birmingham. He asked Browan to come to the studio, and he showed up. I think we caught him at the right time. He wasn’t busy, and he said, ‘Man, I really want to be a part of this.’”

Jasper, Alabama, native Andrew Lee signed on via his acquaintance with Phillips. “We just picked him up on the way to the studio,” Janeway recalls. “Jesse said, ‘I know this guy, why don’t I just call him.’ And 30 minutes later, he’s sitting there playing drums on ‘Sugar Dyed.’ Andrew’s just a hell of a drummer.” Brass players Allen Bransetter and Ben Griner are both graduates of the music program at Birmingham’s Samford University. Janeway says his vision of the band always called for a two-man horn section, a la the celebrated Memphis Horns, and he approached Griner, although the latter’s main instrument was tuba. “I told Ben, ‘Man, I’ve got to have horns. Do you think you can play trombone?’ He said, ‘I’ll give it a shot.’ And he brought Allen with him.”

All six members share writing credit on 10 of the songs on Half The City, with Janeway contributing lyrics. “We firmly believe in a shared, communal writing process,” the singer says. “These guys are extremely talented. The drummer wrote horn parts. Browan threw something in. It’s very collective. We just get in a room. Sometimes we’ll have the scales for a song, or sometimes we’ll have this little riff. That’s how we do it.”

In Tanner -- who logged time at Muscle Shoals’ aptly named FAME Studios, where scores of memorable soul records were cut -- St. Paul and the Broken Bones found a like-minded producer and label boss. Half The City is among the first releases on Single Lock Records, the imprint co-founded by Tanner, John Paul White of the Civil Wars, and Will Trapp

“When we started getting cranked up and nobody really knew who the hell we were, we got Ben to mix our original four-song EP,” says Janeway. “We just hit it off. He said, ‘Hey, guys, I’m in the process of starting this label. Obviously you can say no, but we’d love for you to be a part of it.’ And we said, ‘Hell, yeah.’”

Reaching back nearly 50 years to methods employed the great epoch of deep Southern soul, Tanner and the group eschewed studio trickery for an in-the-moment approach during sessions at the Nutthouse in Muscle Shoals, AL. Fittingly, the album was mixed at FAME. Janeway explains, “We said, ‘We’re doing this as old-school as we can.’ We did it to tape. We did it live. What you hear is taken from about three takes, and we took the best take. I love it. It’s raw. You hear all the scrapes.” Special guests include Al Gamble on piano, organ and wurlitzer, Daniel Stoddard on pedal steel, Jamie Harper on baritone sax and Tanner on piano, organ and background vocals.

Half The City – vital, direct, emotionally affecting – presents the same engaged, high-voltage, in-the-pocket sound that St. Paul & The Broken Bones produce at their live dates, where Janeway’s extroverted performing style enraptures his audiences.

“I’m going to be dancing, getting in the aisles, climbing on tables,” he says. “That’s just the way we do it. It really takes me back to church. There’s not a lot of difference. When I get on stage, it’s, ‘All right, it’s time to pour it on.’”

Broken Bones and Pocket Change

St.PaulandtheBrokenBones