Creature Feature

FXpective

A collaboration with Martin Howell who plays guitar.

Funked It Mart

Groovin On Dan

A Dick Douglas, Martin Howell and Steve Peck collaboration. With Martin on Guitar and Dick on Vocals.

What's Happening Here?

Sax riff and piano accompaniment - didn't get a good sax recording as it was live. But I like it anyway.

Love

Rolling

Even dance beat builds up to crazy mayhem

Tension

Its called Thunder and starts with a splatter bongo beat that slides into a heavy rolling bass line that carries an effects laden saxophone through a soup of synths, and thunder.
A discordant rolling chaos marmite saxophone and electronic effects (ish). You tell me what genre you'd put it in.

Thunder

Neo-jazz - blend with electronic. 

Great Sax improv from @St3v3L33 

#eclectic #soundtrack #experimental

CONFLICTED Feat. St3v3L33

Swarm

Powerful electro-rock track with wild screaming sax from St3v3L33 AKA Steve Peck!!

Outrage Feat. St3v3L33

This a story about an emotional journey to the end ......Haunting sax by Steve Peck!

Trust the Doc Ed.72

"I could quite justifiably have reviewed The Fantom Man Feat. St3v3L33 and the track The End in the Jazz and International Journeys section given how much it is based on reverberating sax improv and rich jazz-infused piano chords but he calls it Ambient and, in essence, it is because of the way he has spaced out the sounds, put them through echo and other effects and created an enigmatic sound world. It is very musical and full of inventiveness with great dynamic contrasts and an ending that sees the track quietly deconstruct as unaccompanied sax fades into the ether. Beautifully put together and very listenable." Dr Neil March 300922

THE END Feat. St3v3L33

Atmospheric neo-jazz with hints of electronic. Moving, musical improv sax by Steve Peck.

**Track selected for Fresh on the Net's #EcelcticPicks Batch 466 **

Trust the Doc Blog Ed 74 review!! 👍😎🎷🎹

"The latest offering from The Fantom Man could arguably be described as Ambient Jazz. Gent El Saxo features St3v3L33 and it places TFM’s echoing saxophone switching between a cool melody and bits of improv while the backdrop is more like a downtempo electronic track with programmed beat and sounds coming in and out of the mix behind the sax which dominates throughout. It has a kind of calming atmosphere and the contrast between the organic and the electronic works really well."