With the rise of artificial intelligence, a new frontier emerges in human cognition and experience. Concepts such as consciousness and creativity are constantly redefined by algorithms and code performances. Extraction, manipulation, and radicalization are some of the intensified side effects of applying computational techniques to traditional media. Can adopting radical transparency, decentralization, and the inclusion of non-human perspectives help us steer this new media toward becoming a productive force of sustainability and regeneration? 
One of the central topics of this episode is the concept of deep fakes, an emergent technology with profound societal implications. The episode further delves into its intricacies through a podcast hosted by Marta Peirano, a journalist specializing in technology and power, who is joined by researcher specializing in deep fakes Henry Ajder and human rights advocate and technologist Sam Gregory. Together, they offer invaluable perspectives on the opportunities and challenges posed by synthetic media. 

Credits:
Contributors: Henry Ajder and Sam Gregory
Conducted by Marta Peirano

Decoding Deep Fakes: AI, Ethics, and the Power of Media

TBA21 on st_age is TBA21’s research and commissioning digital space. Based on long-term relationships of trust, it reaches out to bring a multiplicity of voices and contexts into conversation, supporting artist’s needs throughout both research and practice. 

TBA21 on st_age focuses on environmental and social contemporary artistic practices, and presents video, animation, sound, and text works, as well as projects specifically designed to be experienced online. These are accompanied by a series of contextual materials, which make both the work and the research behind it accessible to a broader audience. These materials include artist-curator conversations, editorial podcasts, research clusters, and calls to actions, as well as the backst_age series, which connects the different projects through conversations, video glossaries, and curated views. All featured works remain the property of the artists and authors.