Free Download

Trick Daddy - NANN ( 27 Angels Flip) FREE DL •.¸¸.•¯

Production/Mix By @cloudblurr
Cover Art By @cloudblurr
Vocals By @montoya411xx @cloudblurr
Instagram @montoya30pack @cloudblurr

All My Wrongs w/@cloudblurr (PROD. Cloudblurr)

NO TIME (feat. Xaekko)

Shiny Zero is an annual report compiling works from collaborators and allied facilities. It is both a reflection of our current state and an indicator for prospective projects. 

To ensure maximum accessibility, Shiny Zero will be available free of charge.

DJ Swagger - Bali Theme

MY BLUNT IS ON FIRE

DJ MELL G - Teach Me How To Dougie

Label: Savour The Moment
Artist: Mathis Ruffing
Format: Digital
Cat. Number: SAVOUR003
EP Title: 030 Bass
Release Date: April 24th, 2020
Support it: mathisruffing.bandcamp.com/album/030-bass

Mathis Ruffing releases homage to Berlin's Schöneberg district on Marlon Hoffstadt's Savour The Moment imprint.

The third catalogue number features 5 club-ready electro breaks from Mathis Ruffing, one of Berlin's most interesting artists today. With releases on Strictly Strictly, Banlieue and his very own Infinite Drift, Mathis Ruffing caught the attention of electro heads.

Savour The Moment:
@savourthemoment

Mathis Ruffing:
@mruffing

Mathis Ruffing - O30 Bass feat. Tamila

We Belong Together (Stacey Edit)

@raiders_records has presented something really special here.  While we absolutely love this track by @jpeglove, we must emphasize that this entire 2-volume release is a top notch pivotal endeavor highlighting a nascent shift toward club culture being ruled more firmly under the female sphere.  

'Queens of Club' pays tribute to 'Queens of Baltimore', an early Bmore Club 12” from 2001 featuring recorded vocals by: Mz. Thang, Kotton the Cutie and Lady Shaunda.  (Side note:  Posse Up tried to contact these artists recently, if anyone knows how to reach them please let us know!).  

While 'Queens of Baltimore' put the women at the forefront, it was still distributed and produced by men.  Raider’s' 'Queens of Club' pays tribute to this early achievement while simultaneously 1UP’ing it as a project that is completely produced and managed by women.  The stereotype that producing is a man’s domain can be put to feckin rest as is a testament of the quality of this endeavor.      

While this follows the tradition of pioneering female producers – least we forget about Kemistry and Storm who co-founded Metalheadz, not to mention DJ Rap – it also serves as a reminder – since the very fact that such a project remains a rarity in 2020 mans that there is still werk 2 do.  

Posse Up salutes and welcomes female producers, label owners, deejays, and emcees.  We feel strongly that music is multi-dimensional, and that added depth is desperately needed, whether that's grounded in gender, sex, ethnicity, culture, social status or entire MF’ing species (yo shouts out to the extraterrestrial transgendered).  The more depth the better, especially in club genres that exhibit raw sexuality, such as: bmore / jersey club, miami bass, ghetto tech, ghetto house, vogue, etc., or music inspired by these genres.

2 On (Staceys Break Edit)

StacEmp