Some people spend a lifetime figuring out why they are put on this earth.  Many are lost and confused about what they are doing here.  Sadness, fear, and feelings of being alone take over the hearts of many.  For those of us that have faith in our hearts, we need not feel afraid or alone.   There is one who exists who will not forsake you, leave you behind, or reject you if you truly seek to know and love him.  The One who exists is the Lord God.   I have written this album to show how much God is and will be a part of my life and the lives of all who have faith in Him.

Ballroom For Ghosts

Kreisler-Rachmaninoff: Liebesleid played by Rachmaninoff 1923, on Ampico piano roll 62103. which scanned and converted into a digital form by Terry Smythe et al,, and audio-recorded (by permission)in 2015 by VViljanen, and the rec. updated 19 May 2017 from the digitized copy of the original reproducing piano roll.
ANY KIND OF COMMERCIAL USE PROHIBITED.
Photo: Sergei Rachmaninoff 1873-1943
Info* of the original roll:
LIEBESLIED (LOVE'S SORROW) "alternating roll with silent sections Weiner Tanzweisen" (Old Viennese Dance Melodies) No. 2
Roll Number: 62103, 62103H
Composer/Creator: Kreisler, Rachmaninoff
Pianist: Rachmaninoff
Roll System: Ampico
Country: US
Date: June, 1923
Category: classical, popular
Original Price: $2.00
* source: from The Piano Player Group web page (by permission)

Kreisler-Rachmaninoff: Liebesleid. Sergei Rachmaninoff in 1923, on Ampico 62103

Sonata for Cello and Piano in G Minor Op. 19 - III. Andante
Composer: S. Rachmaninoff
Transcription to piano solo: Arcadi Volodos
Sheet music notation: Christian Jensen
Sheet music reference: Donald Manildi
Performed by: Stacius Sakato
Recorded on: April 15, 2007

Notes: No copyright infringement is intended.  It is my understanding that a musical performance exists as a separate entity from the notation.  To the best of my knowledge, I am not in violation of copyright rules given that I hold exclusive rights to this recording.



Rachmaninoff's Sonata for Cello and Piano in G Minor Op. 19 - III. Andante

Verejný koncert, 6.6.2017, NKS Konzervatória Žilina
Simona Lengyelová - klavír 2. roč.
z triedy PaeDr. Márie Pohunkovej

Verejný koncert, 6. 6. 2017, NKS Konzervatória Žilina

Claude Debussy: Valse "La plus que lente"

A contemporary version Erik Satie's timeless Gymnopédie No.1 - Brought to you by Remixdj.

Satie Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Satie iTunes
https://music.apple.com/gb/album/erik-satie-the-essential-collection/918615441

Best of Satie
https://play.google.com/store/music/album?id=Bditbkfgfdqvxx7hansrl6qhy4y

Satie Compilation
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Erik Satie Album
https://www.deezer.com/us/album/7540311

Best of Satie Playlist
https://www.youtube.com/watch?v=mk2SNcpTNbs&t=68s

Erik Satie The Essential Collection

Gymnopédie

🎥 VIDEO

Gymnopédie No.1 - Satie

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

Liszt Un Sospiro

Claude Debussy, composer.
La Plus que Lente (A Slow Waltz), waltz for piano, L. 128 [1910]

Carlos Marquez, pianist.

background painting by Renoir “Le Moulin de la Galette” (1875)

Claude Debussy: La Plus que Lente (A Slow Waltz)

Ludwig Van Beethoven - Piano Sonata No. 8 in C minor, Op. 13 (Sonata Pathétique) III. Rondo: Allegro

I produced this track using midi and EW Gold Pianos in order to perfection the performance as I imagine it.

Franz Liszt - Liebestraum - Love Dream

Emile Pandolfi - So This Is Love

All recordings are single takes and unedited.