Original Melody - S.P.D.P. 
From the EP "Banana Sessions" 
Available for free download @ omsessions.com

S.P.D.P.

Square One - Until Then (L One Remix)

Jlive - Longevityremix(dowakee remix)

Originally, the lyrics to this song were going to be on an upcoming album of mine, but then I decided to rewrite the lyrics and change them. So, these original lyrics I decided to place over one of Niko's beats. Consider this a demo version of one of the album tracks in that regard.

Lyrics:

[Verse 1]

I've had a stressful week, I wanna go somewhere,
Wanna hit the clubs and move without a care.
Share a few drinks with a few of my friends,
And just enjoy my time, until the night ends.
Where I can walk 'round with a drink in my hand,
Tear up the dance floor in the best way I can.
Get tipsy, get busy and move with no warning,
Not come back home 'till 5 o'clock in the morning.

But things have changed, and they've become a bore.
My best friends don't even go out any more.
The clubs in my hometown these days are rather dead,
So when we did go out, we went elsewhere instead.
Usually to Milton Keynes, all the way to Pink Punters
Throwin' shots back 'till we're actin' more dumber
Than usual, goin' all out 'till the night ends.
How I long to experience those nights again.

[Hook]

I long for the nights I can let go.
I long for the nights that don't move slow.
I long for the nights I can dance and play.
I long for the nights the stress fades away.
I long for the nights hurt had no use.
I long for the nights I can let loose.
I long for the nights frustration burns up.
I long for the nights that I can turn up.

[Verse 2]

I understand when you're out, there's always a risk.
People may have bad intentions when they get pissed.
Alcohol can make people malicious or loopy,
Can result in violence, sleazing or roofies.
On a Friday night, I'm stuck inside my home,
The above reasons is why I don't club alone.
But I still need release from inside my mind,
'Cause gaming and YouTube are my night's highlights.

But understand that I enjoy my own company,
Due to my autism, solitude is lovely.
But even if my nights alone are bright and vibrant,
It's true what they say: that no man is an island.
So if I got invited out, I'd jump at the call,
Go all out, throw my best shots at the wall.
'Cause we all only live once, that's the basis.
And I don't want my one life to be wasted!
So-.

[Hook]

Longing (Prod. by Niko, Scandi & Kimpe)

all tracks have downloads enabled

DrumKit → https://payhip.com/b/KRZXf
Bandcamp → https://midpointbeats.bandcamp.com
Spotify → sptfy.in/followmidpoint
Instagram → https://www.instagram.com/midpointbeats

patience

Pray

Discover: @ghostnaut | @dualib | @flofills

A Flofilz remix version of the release from Ghostnau & Dualib's forthcoming collaborative EP, Sideways. The full length project is available now!!  Check out the single and the remix here or on digital stream/store platform.  

Youtube: https://youtu.be/RBLFVYBEZeE

Find out more about Ghostnaut:
Facebook : www.facebook.com/Ghostnaut-366937246809388/
Soundcloud : @ghostnaut
Bandcamp : ghostnaut.bandcamp.com/

Find out more about Dualib:
Facebook : www.facebook.com/dualib/
Soundcloud : @dualib
Bandcamp : dualib.bandcamp.com/

Sideways

Ghostnaut & Dualib - Raindrops Flofilz Remix feat Coin Banks, Mr. J. Medeiros

i cut with precision.

Beat collaboration with the homie https://soundcloud.com/negroove-beats

Check out his work!

This beat laced with Live Long acapella by Akbar circa 200.

SubSkrilla x Negroove - Live Long

Magic Remix (feat. Fat Mack, JTee The Prophet, William Prize, Don Marcell & Thirty)

Instrumental: https://soundcloud.com/tapeheadloops/lifetime-impression-instrumental

Beat, scratches, cuts, mixing and mastering by Tapehead
Visuals: https://youtu.be/zPoxbmlxVGA
Free Instrumental Download: https://tapehead.bandcamp.com/track/lifetime-impression-instrumental

All We Got Iz Us is probably my favourite Onyx album, it doesn’t have a single weak track imo, the album is just mad motivating. I think its mad underrated too, obviously its fairly well known, but cause it came out in ’94 it’s definitely been a bit overshadowed by the insane amount of classic albums that came out that year. To me this album is a classic, one of my favourites from ’94 for sure. The singles are decently known for sure, Last Dayz being the most recognizable, but the whole album doesn’t seem to get as much love as the singles, and the whole project is a must listen to me. Putting the Evil Streets acapella over this beat was one of the best decisions I’ve ever made. I fully can’t believe how well the Onyx acapella fits, its truly nuts to me, and pretty rare that something comes together this well. I’m pretty sure the hook is ‘sung’ in the same key as the sample I flipped, and all the verses fit ridiculously well, but not just the flows, the voices sound right over the beat too. 

I had to go all out when I mixed this beat. The drums are all layered so thick, there’s about 4 hi hats, 6 kicks, and 6 snares which are all mixed together to give the drums a punch which definitely matches Onyx’s style. The way I chopped this sample left some vocals in for split seconds, which sounded like scratches because of them being right at the end of a chop and cut off, like how a fader cuts out a scratch when the DJ spins a record back. I thought this sounded cool but it only happened once in each 2 bar loop of the sample, so I decided to add some of my own scratches from a few break records I have. I used ‘Super Seal’, and recorded some scratches of snares and the famous ‘yo’ sample at the BPM of the beat. Layered with the drums this sounded crazy to me, it gave the beat a different vibe, I’ve definitely said before how much I love how scratching sounds, and it was cool to incorporate it into this beat in a more permanent, less obvious way, not just something for the hook. Normally I don’t like how censored acapellas sound over beats, but I think with this one it works, because of all of the scratches and cuts that play in the beat, it sort of makes the gaps in the verses make more sense as if the record was being cut up, and then sometimes the scratch/break fills up a gap left by a word being censored, it was definitely a part of what made this acapella work so well over the beat. I also layered the sample 3 times, 2 filters, one high one low, and a standard mix, which I layered, soloed etc throughout the track. This was unbelievably long to do without quantization (which is how I flipped the sample originally), so all 3 had to perfectly match each other, which took hours to sequence. I fully kept giving up but knew the beat needed the layers on the sample to really do it justice (especially the groove that’s added by filtering the lows), so I just stuck by it, and sequenced each chop individually, so I was hitting the pad at the exact right time, which ended up with the beat sequence being 30 tracks on the MPC (they’re usually 15 or so). It was definitely necessary to do this, because the contrast of the smooth flows of the low end to the scratches and samples really gives the track variation, and gives it a lot more presence throughout, definitely was worth the time and effort.

This is by far the happiest I’ve been with a remix in time, and it’s all positive, because making this has given me an unbelievable boost in energy music wise, and I’m mad excited to make the next beat, and now for the first time I’m equally as excited about mixing and mastering, because of what I was able to achieve with this one. 
Peace.

Lifetime Impression

· Blunt Shelter Records (@bluntshelterrecords)
· A Hálózat (@ahalozat)

i cut with precision.

stackone