Hard Fantasy lands on All Centre with a 5 track EP, Mechanicus, exploring the distinctive experimental style of the London-based producer's sound.

Rogue Advisor emerges with atmospheric sound design. Pummeling drums provide an industrial groove whilst a piercing siren sounds above, its intensity rising to a fever pitch as the track progresses.

Mechanicus is available across all platforms on the 3rd of February.

@yungadultxx

Mechanicus

Hard Fantasy - Rogue Advisor

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



COUNT - WORK [MR002]
Markham Road Records, 2024
𝓑𝓾𝔂 👉🏾 https://markhamroad.bandcamp.com/album/count-work-mr002

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
https://soundcloud.com/count2count
https://www.instagram.com/_countt/
https://count2count.bandcamp.com/

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://www.instagram.com/markhamroadrec/
https://soundcloud.com/markhamroad
https://markhamroad.bandcamp.com/music

YOUTUBE

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#167 📢 COUNT - SPLIT [Markham Road Records]

Alohn - 48Billion.ants [traverse]

nokti

Entrañas - Caverna
Label: Infinite Machine
CAT#: IM114
Format: Digital
Release Date: September 27th, 2024

Tracklist:
1. Indignado
2. Ajicito
3. Diclofenaco
4. Cruces
5. Cascada
6. Coscacho
7. Tigrillo (ft. Buena Tarde)
8. Nauseas
9. Toque De Queda (ft. Ene Ese)
10. Chivo
11. Muerto a Puntapiés (ft. Carlos Pabón)
12. Caverna

Ecuadorian producer Daniel Gachet “Entrañas” presents his debut full album Caverna on Infinite Machine. The project explores an amalgam of polyrhythms found in traditional Ecuadorian music such as bomba and albazo, blending them with jagged atmospheres of uk bass and grime. Through deliberate sound design, Entrañas seeks to place the listener within the unpredictable ecosystem of the city of Quito and its surroundings.

In this record Entrañas searches for a sound that conveys both the infrastructural chaos he experiences currently in his home city, while also reflecting the hauntingly beautiful and seemingly perpetual terrain just outside of Quito. Not far from the frequent and unpredictable power outages and city wide lockdowns which are now commonplace due to the ongoing narco wars, there is an Andean stratovolcano visible from many parts of Quito, including Entrañas own bedroom window. Ruco Pichincha stands nearly 5000m in height, attracting awe and curiosity of many who happen upon it, perhaps by way of its beauty as well as its innate potential for mass destruction. A particular location of interest for the artist, the mountain emits a kind of objectivity that is distinct from the urbanscape of human activity; it asserts itself, unobservant of the adjacent violence, trials and tribulations. Its very name–“Ruco” translated in English to "old" from the indigenous Quechua language–seems to reflect both its acquired reverence from native inhabitants of the region, as well as the relative incomprehensibility of such natural monuments.

On Caverna, references to Quito and its encompassing geography are apparent in ways that are direct at times, nuanced at others. “Toque de Queda” (trans. “lockdown”) was produced in real time during a city wide lockdown in which Entrañas and his collaborator Ene Ese were unable to leave an apartment for hours on end. The sheer apprehension of such a situation can perhaps be gleaned from the seething claps and non-melodic droning atmospheres that build, producing a tone of frustration and unease. Tracks like “Coscacho”, “Muerto A Puntapiés” and “Cruces” seem to take on a similarly minimal approach, focused on brooding heavy bass lines and relentless polyrhythms that become increasingly menacing as the tracks build. A listener might imagine these compositions to conjure the rumbling subterranean activity of Ruco Pichincha. As their names might imply, “Caverna” and “Cascada” take a different approach, building up shimmering soundscapes reminiscent of 90s new age. These ephemeral sequences seem to summon meditation on natural landscapes in a way that feels lighter and more optimistic, unveiling a softer vision.

In light of his prolific catalog, Entraña’s twelve-track work reaches into territory that feels both more personal and experimental–though these compositions are undoubtedly dance-floor ready. Caverna brings together anthems of leftfield club music with chambers of ambient reflection–both of which read as significant and distinct to the artist’s background and day-to-day experience in Quito. As the majestic and humbling mountainous surface of Ruco Pichincha might resemble, Caverna’s title track ends the record with a reminder; a gentle nod to the significance of such sacred wonders as places of refuge in our human experience; whether we can grasp them, or see them from our bedroom window.

Artwork by Benfika
Mastered by Fausto Mercier
Words by Sueuga

Entrañas - Chivo

STCK000003 : CROCODILE / RADAR

released October 25, 2024

Mastering by the mighty @qqantt

©2024 Stacktrace Riddims

CROCODILE

0archivist is a Dundee-based DJ hailing from London. They perform a mix of breakbeat, electronic, dub and techno.

Instagram: https://www.instagram.com/0archivist/
SoundCloud: https://soundcloud.com/0archivist

artwork by @matildnz

ANGEL MIX 002 - 0ARCHIVIST

After a short hiatus Ambience Radio is back with a mix from Taipei based Producer and DJ B E N N. Founding the ‘Over My Body’ label and blending broken beats with delicate textures, this hour sonically explores the slow descent into controlled chaos. 

B E N N wields a stunning control over the decks offering something new amongst the noise and welcoming you back to the ambience. Listen to his most recent album ‘Hypocrite’ out now via Infinto Audio Network.

AMBIENCE RADIO 002: B E N N

candlelight

(Free) Sido Type Beat - "Vater" | Rap Type Beat | Free Instrumental 2025
💰Buy this Beat here/Diesen Beat hier kaufen:
► Beatstars: https://bsta.rs/SLnBZ3
Must Credit: Prod. by SMAK

✉️ SMAK:
►https://linktr.ee/SMAK76

Tempo: 137 bpm
Key: C Minor

Vater

Track Fourteen: “Spinnin’ (Levitation Jones Beat VIP)” — A Closing Statement Disguised as a Teaser

“SEX FOR MONEY” closes not with a bang, but with a slow burn. “Spinnin’”, the Levitation Jones Beat VIP, feels like a whispered promise of what’s coming next. It’s elbow-flexing and fist-pumping in its minimalism, yet heavy with a kind of depressive gravity—an echo of $uicideboys at their most restrained. It’s a track you feel more than you move to, though you can almost hear the ghosts of a dozen different rap flows haunting its structure, waiting to be born.

And here’s the twist: this isn’t the final form. This is only the VIP. The “real” version—the one that belongs to the next chapter of this duo’s evolution—lurks somewhere in the future, tucked away for the sophomore album. It’s a bold, almost cheeky move, closing a debut record with a prequel, but it works.

As an ending, LJ’s VIP of “Spinnin’” fades out with no real conclusion, avoiding tying the story up in a neat bow—it leaves the door cracked, the air buzzing with what’s still to come. It’s slightly frustrating, it’s exciting, and it’s exactly how a debut like this should end.

from SEX FOR MONEY, released August 15, 2025
Brian "Levitation Jones" Gardner - Writer, composer, production
Anna "Lemondoza" Pravdina - Writer, composer, production, vocals

FREE MUSIC

Spinnin' (Levitation Jones Beat VIP) - SEX FOR MONEY

Producer and DJ from Toulouse, FR


contact : stacktracedub@gmail.com