https://soundcloud.com/stephenmartinmusic/we-tame-monsters-10-rough-cut

a spot on lyrical talent.. . I still like it 2021 

One of my favourites since age 15 I'm 33 now Great Sound

Awesome tune in my head, great job Thank You

Riptide- Sick Puppies

This Is It: The Best of Faith No More

Epic

mystery Girl

Heavy

The Real Thing

Falling to Pieces

The Family Values Tour 1999

Outside (Live / Family Values Tour 1999)

Appetite For Destruction

Out Ta Get Me

Minutes to Midnight

Shadow of the Day

Chocolate Starfish And The Hot Dog Flavored Water

Take A Look Around

The first EP released by Florida Georgia Line.

04 Never Let Her Go

Get “Meadow” now: https://rh-ino.co/stpnmlmp

Stone Temple Pilots (2018)

Meadow

The cut guitar parts were intentional, so that you guys could hear some of the nuances. Added some vocals at the end, too.

Bush - Machinehead

Bush - Glycerine

Wolfgang amadeus mozart - lacrimosa

Jon Randall, one of the song's co-writers, had just divorced from country singer Lorrie Morgan before writing this song. In addition, he had lost a record deal, and had not been able to find a songwriting contract either. He found himself drinking whiskey regularly, and pursuing sexual desires. After seeing the condition that Randall was in at the time, his manager told him, "Hey man, every now and then you've got to put a bottle to your head and pull the trigger." 
Randall then wrote down that line, and decided to use it in a song. He then met Bill Anderson and began to write the song, which eventually made its way to Paisley. Randall himself also included a version on his 2005 album Walking Among the Living.

Lyrics

(Brad)
She put him out like the burnin' end of a midnight cigarette
She broke his heart, he spent his whole life tryin' to forget
We watched him drink his pain away a little at a time
But he never could get drunk enough to get her off his mind,
Until the night.

Chorus: (Both)
He put that bottle to his head and pulled the trigger
And finally drank away her memory
Life is short but this time it was bigger
Than the strength he had to get up off his knees
We found him with his face down in the pillow
With a note that said I'll love her 'til I die
And when we buried him beneath the willow
The angels sang a whiskey lullaby.


(Alison)
The rumors flew but nobody knew how much she blamed herself
For years and years she tried to hide the whiskey on her breath
She finally drank her pain away a little at a time
But she never could get drunk enough to get him off her mind,
Until the night.

Chorus: (Both)
She put that bottle to her head and pulled the trigger
And finally drank away his memory
Life is short but this time it was bigger
Than the strength she had to get up off her knees
We found her with her face down in the pillow
Clinging to his picture for dear life
We laid her next to him beneath the willow
While the angels sang a whiskey lullaby.


Whiskey Lullaby [Brad Paisley Feat. Alison Krauss]

Staind’s decade-plus career has seen worldwide album sales in excess of 13 million and five #1 singles spanning multiple radio formats. With honest, heartfelt lyrics, resounding guitar chords, and Aaron Lewis’s unmistakable voice, the New England-based band leapt to the forefront of American alternative metal with 2001’s hugely popular Flip/Elektra third album, Break The Cycle. Fueled by the hit singles “Outside” and “It’s Been Awhile,” the album debuted at #1 on the Billboard 200, ultimately going on to five-times RIAA platinum certification and worldwide sales of 7 million.

2003’s 14 Shades of Grey saw Staind continuing to dominate rock radio, spawning the mainstream rock hits, “Price To Play” and “So Far Away” and earning RIAA platinum certification. Released two years later, Chapter V entered the Billboard 200 at #1 – Staind’s third consecutive platinum-certified, chart-topping debut. In 2008, The Illusion of Progress made a top 3 debut on the Billboard 200, driven by the #1 alternative rock song, “Believe.”

In addition to his continuing work with Staind, singer Aaron Lewis is a fervent road warrior, performing solo acoustic versions of classics like “Epiphany” and “Right Here” to sell-out audiences across the country.

Outside (Live / Family Values Tour 1999)

Staind

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