Had to instantly like this one. Anything Regelbau = Heat

I bought the Future 3 album back in 1998 where the original track was on. This remix brings back memories and puts it into my kind of house-context!

pre-ordered right now <3 can't wait to drop this one !

Various | Odd Jobs Vol.3 | Common Labour Recordings

COM-009 | Vinyl only | 241 hand-stamped numbered copies 
Release Date : 19.2.2018

Pre sale: www.decks.de/track/various_artists-odd_jobs_vol_3/cbj-fi

Distributed by: Decks/I Play Vinyl

A1 Nachtbraker: Ohoh
A2 Sames: Leopard Underpants
B1 pothOles: Tonite 
B2 Thomas Wood: Distance

---
Common Labour celebrates a milestone anniversary with their biggest release to date - Odd Jobs Vol. 3 pays homage to its hand-stamped, sticker-sealed history calling in house and techno favours from the likes of Nachtbraker, Thomas Wood, Sames and pothOles to celebrate over five years in the game. Vinyl only as per usual, limited to 241 numbered copies worldwide.
---

Pre sale @ Decks

Various - Odd Jobs Vol.3 --snippets

A 1996 breakbeat classic from one of the shapers of Denmark electronic music gets remixed by one of its new leaders. Taken from a remix package on @oencph that includes C.K and Ti.

Read more & buy: http://www.stampthewax.com/2018/06/02/premiere-future-3-the-boy-from-west-bronx-central-remix/
Listen on Youtube: http://bit.ly/future-central

Listen on Youtube

Future 3 - The Boy From West Bronx (Central Remix) (STW Premiere)

A warm groove for your listening pleasure :)
Inspired by Beans n Louis of Chaos in the CBD, and the queen Roza Terenzi.

Ninth Percentile

Part Three of our 10 Years Of Phonica Sampler series. Released in 2014. 

As a long-time supporter of Phonica, Mr. G was a natural choice for the compilation and his contribution is yet another stone-cold Colin classic, named after his preferred day for record shopping no less! Ol of Faces Records is up next with the exceptional house/garage hybrid 'AMC Edit'.

On the other side, Lady Blacktronika starts things off with the deep and wonderful 'Gods And Planets', one of her strongest productions to date. Finally, DJ Kaos teams up with Loudtone for their 'Buffalo Dub', an old-school inspired house gem aimed at the dancefloors of today.

Ten Years Of Phonica

Mr.G - My Thursdayz

Cosmic Garden returns to the mothership after a little hiatus, with 3 new jazz-funk cuts, followed by a superb remix by Chicago's very own Glenn Underground.

Discogs: bit.ly/32Fx9FG

Promise Of The Sun (incl. Glenn Underground Remix)

CRM14 // Cosmic Garden - Promise Of The Sun (incl. Glenn Underground Remix) 12"

Time Zones is the dance music project of Dan Gentile and Jack Murphy. The two began making music together in 2014 while living in Austin, Texas. Their work is rooted in the appreciation of soulful house music and dollar bin disco singles.

The Vibe Shack EP wears its influences on its chipboard sleeve. Crackling litigation-worthy samples loop over an assembly of live (read: non-quantized) tracked instruments, including a Korg PolySix, Roland JX-3P, modular synthesizer, and a broken x0xb0x, giving each track that lively, human touch. Also included is a punchy Unknown FM remix of the title track. The tunes have been mastered hot by Benoit D at Perception Mastering for maximum dance floor impact.

Thoughtful and understated, the Vibe Shack EP combines witty sample-work, live instrumentation, and analog synthesis to create 4 sonic collages. By marrying 70’s soul and disco samples with more subtle classic house themes, live bass and keys, Time Zones’ take on a familiar palette manifests as fresh, inventive, and playful.
credits

releases November 8, 2019

All tracks produced and mixed by Dan Gentile and Jack Murphy
All tracks mastered by Benoit D at Perception Mastering.
Remix production credits to UFM

https://open.spotify.com/artist/0a0ywTWgJfEcAOSNTeYkJb
https://soundcloud.com/mysteryzonerecords
https://www.instagram.com/mysteryzonerecords/
https://www.instagram.com/timezonestx/

PREMIERE: Time Zones - Vibe Shack [Mystery Zone Records]

You’ve probably heard by now that Australia is in the midst of an unprecedented climate disaster. Catastrophic bushfires are raging across much of Australia and have not only taken a huge human and economic toll but have also delivered heavy blows to native flora and fauna. 

BONN are passionate about contributing to a brighter future and are committed to taking action, especially when politicians won’t. In response to the tragic events that are taking place in theirs and possibly your homeland, they asked some talented friends to contribute to a compilation to support those affected by the devastating bushfires across Australia. 

Proceeds will be donated to a campaign set up by a Yorta Yorta man and community rights advocate, Neil Morris (Drmngnow). The money raised will offer culturally sensitive, specific and direct support to communities with critical costs to cover—such as temporary relocation, basic amenities, property repairs and ongoing support where necessary.

A note from BONN also to say "we acknowledge that these tragedies have occurred on Sacred Indigenous lands where Sovereignty has not been ceded. The ongoing connection of First Nations people’s to country and culture is critical to life on this land. We acknowledge our ancestors and elders past present and future."

Artist: https://soundcloud.com/jad-lee
Label: https://soundcloud.com/beatsofnonationradio
Buy link - please support:  https://beatsofnonation.bandcamp.com/album/dance-for-a-future-green

Help Support Now

PREMIERE: Jad & The - 303 to TXL [Beats of no Nation]

buy : https://www.junodownload.com/products/g-markus-thrilogy-n-gynn-thoma-fafep005/4474701-02

Fate And Fiction Recordings is a Bristol based label headed up by Thrilogy aka Lee Pattison and Joseph Cook. He previously recorded as Deepgroove, releasing on Rekids, Cocoon, Klang Elektronik, Junior Boys Own. The label is about organic, dusty sampling Deep House and Techno from Bristol artists and further afield, with the stunning hand-drawn artwork by local artist Anna Higgie. Previous releases from the label include Ishmael, Greymatter and Christophe. After a year of parties around the city of Bristol, playing host to WOLF Music, Medlar, Red Rack ‘em, Alfresco Disco, Maxxi Soundsystem, Laurence Guy, Fate And Fiction are back with a heavy hitting EP. Opening with G. Markus, otherwise known as Ben Gomori (Monologues, Stern Edits, G-Edits) heading up this four-tracker. ‘Bassed God’ combines warm pads, chopped, swirling vocals and heavy sub bass. It’s a belter. Label boss Thrilogy (OM, Futureboogie, Wolf Music, Omena) returns with ‘Remember This’, channelling hands in the air rave breakdowns with nods to UK garage in its bouncing bassline. Add in the soaring house vocals and you have a perfect peak time cut.  N-Gynn(Superlux, Seven Dials Records) & Thoma Bulwer (The Bricks, Parasole Culture, Alternate Facts, Whasdat Music) are newcomers to the label with the rolling ‘Climax’.  Heavy sub bass, synth stabs & breakbeat are the order of the day on this club-focussed gem.  Finally Fate And Fiction welcome back Ment after his stunning debut on the label last year, ‘Vague Insanity’ supported by Gilles Peterson. This time he hits with Rhodes led ‘I’m Fading’ with spikey synth arpeggios, vocal trickery and warm synths, showing another side to an undoubtedly talented producer.

PREMIERE : G. Markus - Bassed God

FORTHCOMING July 15th 2020
R.O.P (Rhythm Of Paradise) Presents Love Island "Illusion" 
A1.Feel Me
A2.Illusion
B1.I Feel Now
B2.Desiderio Latino (Flute Mix)
SKYLAX 151 / LAX151

BUY VINYL

SKYLAX 151 - A1.R.O.P (Rhythm Of Paradise) pts Love Island "Feel Me"

* Read more: https://boltingbits.com/denny-pally-uatw-crash-reserve
* Watch on YouTube: https://youtu.be/epeFT8GuYeU
* Pre-order: https://dennypally.bandcamp.com/

It’s always a pleasure to premiere material from a debut release. Today that pleasure comes courtesy of Glaswegian production duo, Denny Pally. Their record, Us Against The World, drops August 3 on Crash Reserve’s new sister label, Infinite Wisdom.

We could call it a ‘house’ EP, but that would undersell its diversity. Our premiere – the A1, called 'UATW' – fits snuggly in that category. But 'Vegan Chops' includes hints of 90s IDM, with some killer sax to match, while 'At It (Live Jam)' features an electro-style beat.

'UATW' is punchy and up-beat, simple, and effective. The classic house beat synergizes with a groovy bass synth to carry the track for its almost six minutes. Add to that some chopped vocal samples and dissonant-but-harmonious chords and the sonic picture feels well-rounded. It’s a dance floor tune, undeniably.

As into 'UATW' as we are, 'Vegan Chops' is perhaps the record’s highlight, and so deserves a notable mention. It’s unique; perfect for some quarantine-style background music that won’t put you to sleep but also won’t scream for your attention.

As its first release, Infinite Wisdom shows promising signs with Us Against The World. And as such, both the label and Denny Pally are making their mark as up-and-comers worth keeping an eye on.

Us Against The World

PREMIERE: Denny Pally - UATW

* Read more: https://boltingbits.com/unsigned-011-darcy-khalid
* Watch on YouTube: https://youtu.be/VRYsp6kBgP0

After a long hiatus our unsigned series is back. Producers who have appeared on the series so far have been approached by labels and subsequently had material released by them after we helped shed some light on the new talents. We hope we’re able to do the same with the next one in the bunch, coming from Melbourne's @darcykhalid. 

Get to know a little about him below:

Hey, I’m Darcy Khalid.

I’ve been producing music for about five years and DJing and playing piano for a little longer. Since I moved to Melbourne in 2016, I’ve been producing music with at least the vague intention to release it publicly. I wanted to wait until I felt I had a sound that was my own, and I guess that time has come.

My Unsigned track is from my debut EP. The record features three quite different tracks, including elements of ambience, techno, drum & bass – even hints of jazz on the A1. Hakone Schoolyard is the A2, and if someone called it a broken beat ambient techno jam, I wouldn’t call them crazy.

It evolved three times over about 18 months. I made a version, got bored of it, left it alone, then repeated that process several months later. What you hear now is take three. I can be a bit ambitious with my compositions, so they’re often long and multi-sectioned. My favourite songs will change a lot, weaving between atmospheres, energy levels and tempos, often seamlessly, but occasionally with bold abruption. I tried to do both here. I hope it worked.

Thanks for listening :)

UNSIGNED 011: Darcy Khalid - Hakone Schoolyard

The In Sound From Way Out 

Residents: @aaronl_dj ≈ @original-hp ≈ @miazs-1 ≈ @peachystw ≈ @rosie-ama-cain ≈

Future 3 - The Boy From West Bronx (Central Remix) (STW Premiere)

Stamp The Wax

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