The Upload

From the new album Moments of Vertical
Buy: https://scapeone.bandcamp.com/album/moments-of-vertical
Stream: https://share.amuse.io/OQC1u9QAs9v7

Thinking Structures

The composition combines bass clarinet and saxophone with folk instruments — Georgian salamuri, Armenian duduk, and Armenian dlol drum. The culmination unfolds into layers of electronics and orchestral brass, balancing between intimacy and grandeur.

Compose, record, produced, mixing by Ni!
Cover photo by Aspo Manukian

Ni! - Moments of Blossom

EXcursion11

Ambient Pressure Set:
https://youtu.be/4EH8R5d7TLI

Atmospheric Pressure EP available here:
https://ceruleanascent.bandcamp.com/album/atmospheric-pressure

Visuals here:
https://youtu.be/Kh9TTaPuG0g

Atmospheric Pressure

Marco Lucchi : piano and electric tanpura

aeolian meditation

Mothers'DarkSoul.

Modal Reflection

A collaborative work by Babacane (https://soundcloud.com/babacane) and FaceOnFigure
----------------
The Ab'us trial
----------------
In the innermost sanctum of certain temples there's a pool in which the darkness resides, ever pulsing, ever in flux. When one's life cycle is about to reach its end, they are offered the Ab'us trial, a ceremonial confrontation with the void.
Entering the sanctum, leaving the crutches of religious practices behind, they are given the chance to engage in battle with the dark unknown.
The abyss reacts with menacing pulses, periodically pushed back by the unique harmonies of the participant's spirit, a back and forth culminating in the vocal manifestation of the person's innermost wish to end the battle, either by domination or with a truce.
Hence this incantation is unique for each individual, aggressive and threatening for some, calming and harmonious for others, based on the characteristics of their spirit.
If the battle is unsuccessful, the participant's soul is dissolved in white noise, their spirit put to sleep until their cycle can start anew.
If the individual manages to forge a harmonious cooperation with the darkness, together they reach the Plane of Rest, a place void of earthly thoughts and desires.
The harmonies and beats of the spirit merge with the tamed pulses and noises of the abyss, taking the form of unique and improvisative music in which the spirit can rest until they are ready to continue their journey.
Moving on to a destination of their own choice, freely travelling across the vast oceans of white noise, with the darkness as their companion.

- 0.00 - 0.40 -- introduction to the sounds of the abyss
- 0.40 - 0.55 -- the participant enters the sanctum, a bell sound signals the start of the confrontation
- 0.55 - 1.10 -- the abyss is alerted by the presence and reacts to it in the form of distorted sounds
- 1.10 - 1.35 -- the participant moves closer and challenges the abyss
- 1.35 - 2.05 -- the first push
- 2.05 - 2.35 -- the abyss reacts with strong pulses
- 2.35 - 3.05 -- a sharper and harsher second push, aiming to cut and wound the darkness
- 3.05 - 3.15 -- the darkness is weaker and pushed back
- 3.15 - 4.00 -- the incantation as the final blow, words offering the choice of cooperation or defeat
- 4.00 - 4.25 -- the dark pulse is disjointed, a bell sound signals the end of the confrontation
- 4.25 - 4.50 -- the last, mellow push, offering a hand to the defeated opponent
- 4.50 - 5.00 -- the darkness yields
- 5.00 - 9.00 -- the well deserved rest after the confrontation
---------------------------------------------------------------

The Ab'us trial

Another snippet from Caligo Paean -

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025.
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area . The speakers were 'tuned' quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : )

Caligo is the Ancient goddess of Chaos. Born of the fog she controls the darkness, dwells in the void and is as old as the primordial matter that created the universe. This work is a tribute to the goddess as she continues to influence our lives and, in the case of this installation, the site and concept informing the show.

Official press release below for The Fog Clears

Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video.

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.

Caligo Paean (Isolation and Wonder)

Boson Spin - Almsial [part 1]

Still another version of my recent song (as of January 2020) HERE, recorded live at our "Chopped Livers" session, January 24, 2020.

Michael Redding: Acoustic guitar and vocals
Robert Darlington: Electric guitar and vocals
Timothy McCusker: Bass
Dakini Keene: Percussion
John O'Hara: Acoustic guitar and vocals
_____________________________________________

HERE

VERSE
Sittin’ here trying just to do my best
Watching the storm fronts blow up in the West
They’re heading this way, but they ain’t here yet
Another round now, place your bets over

CHORUS
Here
Where the neighborhood is heading South
Over here
Where the words are having trouble in my mouth

VERSE:
Who you figure gets hit this time?
Hope it ain’t yours and
I hope it ain’t mine
The rancor builds and the anchors squeal
Smoke of sacrifices in the distant hills

CHORUS
Here
You can sell out your shell for cash any time
Here
Where I’ll be yours or you will be mine

VERSE:
You know I never thought it would get this far (here)
I should be dead from dope or beat up in a bar, (dear)

But here we are just wearing out from it all
Money’s getting’ tight, and it’s comin’ on Fall

CHORUS
Here
Walkin’ distance to convenience stores
Here
Clinic and dispensary are right next door

INSTRUMENTAL VERSE

BRIDGE:
Lookin’ at the jigsaw of what remains
Scrubbing the memory and changing the names

One thing I’ll say about most everyone I see
I feel closer to them than they feel to me

CHORUS
Here
Homeless houses where you can’t pay the rent
Here
Where the younger ones just got up and went

Here
Watch the dealers in the empty lot
Here
My car was in the shop there till the thing burned out

Here

Here (Chopped Livers Session)

spinning gently

WEITES PARADIES - DNOIX

BITTERNESS & GOLD
(Spotify)http://bit.ly/Bitterness-Gold-Karnevor-feat-Kite
The original Version of this track is "Falling" & is Available on The BBC Introducing Collection to Stream or Download on Spotify (http://bit.ly/BbcIntroCollectionPt1), itunes, Apple Music & Amazon just to name a few. To make this sound like a completely different track i concentrated on the vocals which are provided by Kite making her float over the music. This is a real Old Skool feeling Trance track for all those lovers of 90's & 00's genre   with a fully uplifting vibe i recommend you play loud & have a dance round the kitchen. 
@karnevor
Always Something Different !!

Bitterness & Gold

Bitterness And Gold - Karnevor (feat. KITE)

Almost all tracks are free to download and covered by a Creative Commons license. Collaborations / Remixes are welcome so feel free to experiment - no need to get my permission first. Just send me a link to your track when you're done :)

I love listening to & creating ambient, dark ambient, avant-garde & experimental electronica (and the occasional beatscape). I have no professional aspirations  - I just really like creating music / manipulating sounds. It's my way of relaxing after a hard day at the office. All my tracks are produced using monitoring headphones (Audix A140) so I recommend that you listen to my music through headphones. My DAW of choice is FL Studio. I also use Reason every now & then. 


To the artists I follow; I do my best to try to listen to as many of your tracks as possible each night (I listen to each track all the way through - you went through the effort to create a track so you deserve to have it heard in full). If I miss a recent upload of yours, please forgive me...

Thank you for taking the time to visit my little corner of the soundcloud.

I have been passionately creating music for a considerable amount of time. My vibe is mainly Rap, Rock and Pop. My purpose in writing music goes beyond mere entertainment. I am driven to compose songs that serve as a source of encouragement, inspiration, and upliftment, carrying a message of hope deeply rooted in the truth that Jesus died for the sins of man. Through my music, I strive to share my personal journey and experiences, revealing how Jesus is an integral part of my life and the creative process.

Boson Spin - Almsial [part 1]

Stan Magendanz

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