Connecting Us To Zero

Encohex [part 1]

9Nov22

My naviarhaiku462 submission;
https://www.naviarrecords.com/2022/11/09/naviarhaiku462-icarus/
:D

Icarus [naviarhaiku462]

Labyrinth

Economic Play

Esta pieza es un fragmento del lugar o lugares donde me está llevando últimamente la música. Va empezando a tomar forma duracional, a ser piezas de alrededor de una hora. La serie armónica, el espacio armónico y sus infinitas posibilidades, derivaciones y relaciones, explorada a través de guitarra, arco, ebow, delays, loops y warping, está siendo el lugar donde, a veces, la mente queda en blanco, el oído se abre y el devenir temporal se manifiesta

Sin Título

A long dry spell ended recently with the storm recorded for this piece. As you can hear toward the end, no one was happier to see the rain than the frogs. I recorded the storm and frogs with a Zoom H1n, all synth on this track comes from the Korg Volca Modular with additional delay and reverb via the Korg NTS-1.

Phantom Oscillator - Drought's End

Voici ma composition pour piano et clarinette " Balade à Paris".
Bonne ballade et bonne écoute !! 
Au passage, n’hésitez pas à déguster un chocolat chaud ou froid au restaurant de la Lune !! 

Image par edmondlafoto de Pixabay

Lien YouTube : https://youtu.be/Xdp93IvMUZY

Here is my composition for piano and clarinet "Balade à Paris".
Good walk with joy and good humor and good listening!!
By the way, do not hesitate to enjoy a hot or cold chocolate at the restaurant de la Lune!!

Balade à Paris - Original emotional Piano instrumental

TO REBUILD GAZA

You Unlocked The Final Chapter

Now then The End is Near

THE END IS NEAR

A Waste Land Companion is, as its title implies, an addendum to Boris Rogowski‘s
album The Waste Land which was released in February 2023 on Piano and Coffee
Records. A meditation on the infamous eponymous 1922 poem by T.S. Eliot, The
Waste Land traces its psychological journey through a barren world in search of lifegiving
water as well as its physical journey through London on the zenith of
Modernism.

During the recording sessions for the album—whose sound is characterised by the
interplay between a string quartet, flute and a collection of specifically created,
deeply warped and tape-weathered samples—over 20 pieces were recorded.
Rogowski had originally intended to use all of them in chronological order, beginning
with the famous part about April being the „cruellest month“. However, it turned out
that a shorter playlist and a strictly musical order worked better for the album.
Rogowski decided to focus on the string-centred pieces to give the album a dreamlike,
hypnotic pull. However, as he valued the shorter, piano-based pieces just as
much, the idea for a companion (mini) album was born almost immediately.

It was a most sensible decision: Chamber gems like „The Hyacinth Girl“ and „A
Wicked Pack of Cards“, mixing English folklore with nods to Richard Wagner’s Tristan
and Isolde, might have gotten lost between the dark, monolithic soundscapes of the
album. Here, however, framed by works for solo piano and harmonium, they are
allowed to shine. A Waste Land Companion begins and ends with two piano pieces
only loosely connected to T.S. Eliot’s poem: „Dear Jessie (to Jessie Laidlay Weston)“ is
an ethereal miniature in reverence of the brilliant English medievalist whose book
From Ritual to Romance, a historical examination of the King Arthur legend, greatly
influenced Eliot while working on The Waste Land. „Universe on a shoestring“ is even
serener, a kind of exhalation after a long and arduous journey. It was the last piece
Rogowski composed during his concluding writing session in the mountains of the
island of La Palma. Here, close to the GTC, the world’s largest optical telescope, the
universe seemed closer than anywhere else on earth—and the grim world of The
Waste Land already a distant memory.

Bandcamp

Jerusalem Athens Alexandria Vienna London Unreal

Almost all tracks are free to download and covered by a Creative Commons license. Collaborations / Remixes are welcome so feel free to experiment - no need to get my permission first. Just send me a link to your track when you're done :)

I love listening to & creating ambient, dark ambient, avant-garde & experimental electronica (and the occasional beatscape). I have no professional aspirations  - I just really like creating music / manipulating sounds. It's my way of relaxing after a hard day at the office. All my tracks are produced using monitoring headphones (Audix A140) so I recommend that you listen to my music through headphones. My DAW of choice is FL Studio. I also use Reason every now & then. 


To the artists I follow; I do my best to try to listen to as many of your tracks as possible each night (I listen to each track all the way through - you went through the effort to create a track so you deserve to have it heard in full). If I miss a recent upload of yours, please forgive me...

Thank you for taking the time to visit my little corner of the soundcloud.

Icarus [naviarhaiku462]

Stan Magendanz