https://soundsofeuropa.bandcamp.com/album/silicon-sun

Moonshine Mass

sync

REQUIEM POR LO EXTRAIDO

except for the introduction, found in this year this is an idea from last year.. originally thought as an opening for the song entitled Go outside.
Take three, Only a minimal editing was applied

Work in progress

Le printemps (avec l'hiver au cœur) *Take three

Thanks for inviting me, great to participate
Original track: https://soundcloud.com/noxpox20/noxpox-padang?in=noxpox20/sets/noxpox-padang-open-collab
Padang Playlist: soundcloud.com/noxpox20/sets/noxpox-padang-open-collab

Noxpox / Pfaender Padang [La Descente-rmx]

31May25
My naviarhaiku595 track
https://naviarlab.tumblr.com/post/784792175907110912/naviarhaiku595-under-the-twilight-sky

light shimmering on the pond [naviarhaiku595]

CHOKE ON FORM

cellular: soundscapes: lines

Liner Notes by the editors:

Little is known about the band that has created this song. Most of this little information can be gleaned from the website of FMT, whom a previous SHELLF LIFE release can be attributed to. We caution that  we do not know if any or all of this information is outdated: https://furicomusicteam.blogspot.com/p/shellf-life-interview.html Unfortunately, the Furico Team was not available for commentary, since they are launching quite a different kind of historic project on kitchen label.  

Some questionable facts regarding STRANGELOVE’S BRAIN’s release are related in quite a verbose and unreliable way tinged with judgemental interpretation and interspersed with pseudointellectual preconceptions here:   https://soundcloud.com/sonic-textures/shellf-life-paraphernalia-and-parerga-2025 (German original, as far as we can discern). According to that ‚account‘, the recording of STRANGELOVE’S BRAIN was found on a self-burnt disc (ha, that ancient Nero joke!) in a forgotten chest. The poem used in this recording is the only item that can be traced to an author (jo richter) who was kind enough to allow us to reprint here. Obviously, the references to the war-inflicted tragedies of Hiroshima and Nagasaki make it of  special importance at this moment in history, not only because of current tensions, but also because those two catastrophies happened about 80 years ago in August 1945. We therefore decided to release the two versions known thus far as a vinyl single to the general public, accompanied by an image attributed to the same author as the poem.


Strangelove's Brain

another pensive pariah
spotted on the outskirts
of Hyperbolea, Parolia
avant, avant, sempre vorwärts

keeping the obvious captive
locked in a by a reverse smirk
another dementia denier
Hiroshima, where shadows lurk

and the moon keeps rising, rising
every other day, socializing
with singed hands on bare rocks

iron out unseemly locks
to keep face, straight, straight
little boys take progress' bait

B: Strangelove's Brain (brain, blood and bone mix)

released in Jan 2025 - https://nomatesensemble.bandcamp.com/album/i-am-never-freer-than-when-i-am-with-you. 


Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of  21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar -  2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano 
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide part 3

Imagine a medieval monk in a remote monastry contemplating the World in his cell.  Outside of his cloistered life 'the wind begins to howl'...

Gothic

Almost all tracks are free to download and covered by a Creative Commons license. Collaborations / Remixes are welcome so feel free to experiment - no need to get my permission first. Just send me a link to your track when you're done :)

I love listening to & creating ambient, dark ambient, avant-garde & experimental electronica (and the occasional beatscape). I have no professional aspirations  - I just really like creating music / manipulating sounds. It's my way of relaxing after a hard day at the office. All my tracks are produced using monitoring headphones (Audix A140) so I recommend that you listen to my music through headphones. My DAW of choice is FL Studio. I also use Reason every now & then. 


To the artists I follow; I do my best to try to listen to as many of your tracks as possible each night (I listen to each track all the way through - you went through the effort to create a track so you deserve to have it heard in full). If I miss a recent upload of yours, please forgive me...

Thank you for taking the time to visit my little corner of the soundcloud.