Still another exploration of Neutone_Gen, with the source material being created from the text of the haiku itself ...

taking it easy
the mouse sleeps too...
spring rain

Haiku by Kobayashi Issa

For more information visit http://www.naviarrecords.com/about/naviar-haiku

more halF unusuaL

halF asleeP [naviarhaiku530]

HAIKU MUSIC CHALLENGE

Naviarhaiku 530

taking it easy
the mouse sleeps too...
spring rain

Among the four great masters of Japanese haiku, Kobayashi Issa was the most prolific: during his lifetime he wrote over 20,000 haiku, hundreds of tanka, and several haibun. If you want to find out more about this prolific author I suggest you check out this database of his haiku: http://haikuguy.com/issa/

Haiku by Kobayashi Issa
Picture by Nikhil kumar

Submission deadline: 6th March 2024

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page https://www.naviarrecords.com/haiku-music-challenge/

Spring Rain

Spring Rain (naviarhaiku530)

1Mar24

My naviarhaiku530 track
https://naviarlab.tumblr.com/post/743612557262274560/naviarhaiku530-taking-it-easy
:D

taking it easy [naviahaiku530]

More on the 635th weekly Disquiet Junto project, ’Round the Bend — The Assignment: You’re in a duo, and your bandmate is a train — at https://disquiet.com/0635/

The image associated with this track is a photograph by Todd (Toaster) Elliott, who also provided the field recordings of the train.

Choo - Choo Bass (disquiet0635)

Recorded, mixed & mastered 23 Jun 2019, 02/03 Mar 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Instruments -
Ableton Live 12 beta, Operator and other native devices, iOS/iAbyssal, field recordings of train provided by Todd “toaster” Elliot.

Process notes -
From the original audio recording of a train by Todd Elliot - 
- I derived the melodic elements and drum bits with Live’s audio-to-midi features. 
- I further split, duplicated, stretched & gated the original shorter audio train recording - heard here as rhythmic bursts. 
- Looped a section of the original audio to form a very loose rhythm. 

I also added another rhythmic element using a segment of an iPhone recording I made on 23 Jun 2019 using the app iAbyssal.

Artwork: From the LIRR, NY, USA, 27 Jan 2011, by Jim Lemanowicz

©2019, 2024 Jim Lemanowicz - music distributed under CC BY-NC-SA 3.0 DEED
-----

This original version of “There’s More Under The Sheets” was submitted as part of Disquiet Junto Project 0635: ’Round the Bend. The Assignment: You’re in a duo, and your bandmate is a train.

More on the Disquiet Junto at: disquiet.com/junto/

Subscribe to project announcements: https://juntoletter.disquiet.com/

More on the 635th weekly Disquiet Junto project at https://disquiet.com/0635/

This track was originally released under the artist name "Bubble Memory."

There’s More Under The Sheets (disquiet0635)

I am delighted to give my contribution for 'Ode to Life', a project created by talented artist and friend Wilfried Hanrath. 
(https://soundcloud.com/flyingtonefish)

'Ode to Life' is a cry to be and remain human regardless of religion, land, present and future. A collection of various artists.
https://wilfriedhanrath.bandcamp.com/album/ode-to-life

Phonocene/Fonocene is an excerpt from my latest book 'Beginning and Other Tragedies/Inizi e Altre Tragedie'.
This track is voice only, a crescendo of pathos and anticipation, which I hope does justice to the theme.

Phonocene

We’ve recognised our sound
in this Phonocene.
We’ve shared significance
and a territory, a place to be.
While feeling and hearing
birds crashing into the sky
trees imploding, people
tearing apart and decomposing
we cry out our phonos
of pure joy and echoes of grief.

We walk this Phonocene
with our eyes closed, stuck
in between bewilderment and action.
What can we do but hold on
and be memory for one another?
What can we do
but belong to life?

Fonocene

Abbiamo riconosciuto il nostro suono
in questo Fonocene.
Abbiamo condiviso il significato
e il territorio, un posto in cui essere.
Mentre percepiamo e ascoltiamo
uccelli schiantarsi contro il cielo
alberi implodere, persone
andare in pezzi e decomporsi
gridiamo il nostro phonos
di pura gioia ed echi di pena.

Camminiamo questo Fonocene
ad occhi chiusi bloccati
tra stupore e azione.
Cosa fare se non resistere
ed essere memoria l’uno per l’altra?
Che cosa possiamo fare
se non appartenere alla vita?

pic Phonocene, story of a woman/Fonocene, storia di una donna, Anello dei Colli Euganei, March 2024.

Phonocene/Fonocene

Step 1: Listen to this short recording, under a minute, of a passing train, recorded by Todd (@Toaster) Elliott:
https://soundcloud.com/disquiet/train-source-1/ 25

And, if you’d like, to this longer one, which is a little over 10 minutes:
https://soundcloud.com/disquiet/train-source-1020 13

Both are available to download.

Step 2: Record a piece of music using the field recording as the rhythm track.

Blue coal train - disquiet0635

More on the 635th weekly Disquiet Junto project, ’Round the Bend — The Assignment: You’re in a duo, and your bandmate is a train — at https://disquiet.com/0635/ 2

The image associated with this track is a photograph by Todd (Toaster) Elliott, who also provided the field recordings of the train.

Disquiet0635-trainingday

The 32nd full length album by Petrified Entity

Omnistructure

Dystopia  Untergang

sommar254

Almost all tracks are free to download and covered by a Creative Commons license. Collaborations / Remixes are welcome so feel free to experiment - no need to get my permission first. Just send me a link to your track when you're done :)

I love listening to & creating ambient, dark ambient, avant-garde & experimental electronica (and the occasional beatscape). I have no professional aspirations  - I just really like creating music / manipulating sounds. It's my way of relaxing after a hard day at the office. All my tracks are produced using monitoring headphones (Audix A140) so I recommend that you listen to my music through headphones. My DAW of choice is FL Studio. I also use Reason every now & then. 


To the artists I follow; I do my best to try to listen to as many of your tracks as possible each night (I listen to each track all the way through - you went through the effort to create a track so you deserve to have it heard in full). If I miss a recent upload of yours, please forgive me...

Thank you for taking the time to visit my little corner of the soundcloud.

taking it easy [naviahaiku530]

Stan Magendanz

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