April 8, 2022
Speakers: Mahnaz Afkhami, Ali Banuazizi, Mandana Zandian

Scholars reflect on Ehsan Yarshater's remarkable contributions and lasting impact on the study of Iranian history, literature, culture, and the arts. Dr. Yarshater (1920-2018) was Hagop Kevorkian Professor of Iranian Studies at Columbia University, the founder and director of Columbia’s Center for Iranian Studies, and the founding editor of the Encyclopædia Iranica. In 2016, he was awarded the Bita Prize in Persian Arts from the Hamid and Christina Moghadam Program in Iranian Studies at Stanford University. 

Mahnaz Afkhami – Yarshater's Impact on The Foundation for Iranian Studies

The pioneering work of the Foundation for Iranian Studies (FIS) began in 1981. It was a time of loss and confusion⁠—a characteristic of revolution and exile⁠—but even more challenging, a time of division, anger, and animosity among the diaspora. Ehasan Yarshater provided pivotal support in a variety of areas of the Foundation's work, especially by sharing and supporting the idea that the prevailing battle against all that was Persian in Iran's history, literature, and the arts was an existential threat to the self-definition of Iranians. He assembled a substantial research library without which the FIS journal, Iran Nameh (ed. Jalal Matini), could not fulfill its purpose. Ms. Afkhami will provide a brief summary of the interaction and collaboration between the team at FIS and Dr. Yarshater's expanse of interests and initiatives.Mahnaz Afkhami

Ali Banuazizi – Yarshater's Formative and Lasting Contributions to Iranian Studies

A brief overview of Professor Ehsan Yarshater’s lifetime contributions to the study of Iranian history and culture. He was not only the leading scholar of his generation in several areas of Iranian studies, but one who devoted his entire professional life to building institutions and initiating projects with lasting impact. With examples drawn from the recently published collection of Yarshater’s notes and reflections, the talk will also illustrate how widely he cast his eyes—beyond his own intellectual pursuits—on various aspects of Iran’s history, popular culture, and politics, offering constructive criticisms to advance the work of others.Ali Banuazizi

Mandana Zandian – Understanding Yarshater Through His "Diaries"

Diaries contains a series of notes written by Dr. Ehsan Yarshater—the most prominent Iranian studies scholar of our time— over a period of 26 years (1986-2012) for the journals Irannameh and Iranshenasi (ed. Jalal Matini). Yarshater's notes narrate his observations and evaluations in many thematic areas related to the study of Iran including various historical and political perspectives, as well as his comprehensive knowledge of Persian language, literature, and culture in different historical periods. Dr. Zandian discusses Diaries and Professor Yarshater's contribution to Persian literature, culture, and art.

Ehsan Yarshater's Yaddashtha: Reflections on Iranian History, Literature, Culture, and the Arts

May 11, 2023
Speakers: Pamela Karimi

Discussion with Dr. Pamela Karimi about  the work of several prominent contemporary women artists and their courageous acts of political activism in the streets of Iran.

Following the tragic murder of Mahsa Amini, Iranian women took to the streets in large numbers to protest. Their bodies were the focus of these demonstrations, with women dancing and spinning their headscarves or anonymous activists installing protest banners or using sanitary pads to cover surveillance cameras in order to prevent state authorities from imposing conservative dress codes on women. The courageous presence of women in public spaces has been a crucial aspect of this revolution, with many instances of women's political activism on the streets taking on characteristics of art production. By entering the realm of visuality and sense-experience, traditionally assigned to art and aesthetics, activism has taken on performative dimensions. However, the "Woman, Life, Freedom" uprising is not the only manifestation of such involvement. For over three decades, Iranian women artists (and, by extension, activists as artists) have engaged in public art activism, creating moments of rupture in everyday life without necessarily declaring an overt political stance. These artists have used guerilla-style tactics such as painting graffiti, playful drifting, and occupying empty urban spaces to assert their right to the city and challenge strict urban regulations. Such innovative practices in busy urban areas are more challenging for women artists than their male counterparts. This presentation highlights the work of several prominent contemporary women artists who have questioned the limitations of public life for women, demanded freedom of expression, and reclaimed the streets through their creative and courageous interventions.

Pamela Karimi received her PhD from the Massachusetts Institute of Technology in 2009 and is currently a professor at University of Massachusetts Dartmouth. Karimi is the author of Domesticity and Consumer Culture in Iran (Routledge, 2013) and Alternative Iran: Contemporary Art & Critical Spatial Practice (Stanford, 2022). She is the co-editor of The Destruction of Cultural Heritage in the Middle East: From Napoleon to ISIS, a collection of important essays published at the height of ISIS attacks on cultural heritage. Karimi has held fellowships from many organizations, including the College Art Association, the Graham Foundation for Advanced Studies in the Fine Arts and Iran Heritage Foundation at SOAS. More recently Karimi was the co-recipient of a major grant from the Connecting Art Histories Initiative at the Getty Foundation. Co-founder of Aggregate Architectural History Collaborative, Karimi currently serves on the boards of Thresholds Journal (MIT Press) and the Association of Modern and Contemporary Art of the Arab World, Iran, and Turkey.

Women, Art, Freedom: Women Artists & Street Politics in Iran by Pamela Karimi

May 2, 2023

Speakers: Ladan Lari, Leila Pourhashemi, Abbas Milani, Kioumars Ghereghlou

A discussion about "Never Invisible: An Iranian Woman’s Life Across the Twentieth Century" (Mage Publishers, 2023).

Houri Mostofi Moghadam was born in Tehran, Iran, in 1919, descended on her mother’s side from Iranian royalty and on her father’s from a “God-fearing” family of scholars and government administrators. When she was twenty-two, Houri married Mohsen Moghadam, a young man from a merchant family who went on to become a successful businessman, often traveling abroad, while Houri dedicated herself to teaching, charitable public works, and running international women’s associations in Tehran. Together, they also raised three children, in whom Houri was keen to instill the same spirit of industry and self-discipline she had learned from her own parents.

Houri was among the first women to go to university in Iran, working as a teacher for nearly forty years and diligently continuing with her own education in later life, including traveling to the U.S. as a Fulbright Scholar, and, after being forced into exile following the Islamic Revolution of 1979, studying for a PhD at the Sorbonne in Paris. From a privileged social class, with a glamorous, jet-setting lifestyle, Houri was a pioneer, nonetheless, and a feminist for her own time. Through her hard work and frequent acts of bravery—from standing up to sinister intruders to dogged persistence in the face of intransigent officialdom—she made sure that, as a woman, she was never overlooked, never invisible, even when hidden under a dark chador at the Revolutionary Court. It was women like Houri who were the precursors of the young women fighting for equal rights and justice in Iran today.

The resulting memoir tells the fascinating story of her life, with all its ups and downs, triumphs and tragedies, set against the backdrop of an impending revolution that would topple the world she and her family had always known and turn it upside down.

In this video, Houri’s daughter, Ladan Lari, and granddaughter, Leila Pourhashemi, discuss Houri’s life and work, and the extraordinary commitment Houri’s daughter, Mariam Safinia, undertook to make the publication of this memoir possible.

Dr. Kioumars Ghereghlou and Dr. Abbas Milani discuss the importance of the Houri Moghadam archival collection at Stanford, her life in historical perspective, and the process of creating and publishing the memoir.

Conversation is in English and is moderated by Stanford Stein Visiting Writer Laleh Khadivi.

Never Invisible: An Iranian Woman’s Life Across the Twentieth Century

May 19, 2022

Speaker: Saeid Golkar

Ayatollah Khamenei is replacing the Islamic Republic's old cohort of specialists with newly indoctrinated technocrats, preparing the regime for a swift succession. In addition, reconfiguration of political elites is shifting the power equilibrium in the Islamic Republic, facilitating greater coordination between deep and visible states.

Saeid Golkar is an assistant professor in the Department of Political Science at the University of Tennessee at Chattanooga. Concurrently, he is a non-resident Senior Fellow on Middle East Policy at the Chicago Council on Global Affairs (CCGA) and The Tony Blair Institute for Global Change in the UK.

The Reconfiguration of Iran's Political Elite: Rising Indoctrinated Technocrats with Saeid Golkar

August 11, 2021
Speaker: Fereshteh Sadreorafaei

Fereshteh Sadreorafaei was born in Tehran, Iran in 1962. From a young age, she attended the Children and Adolescents' Intellectual Development Center. There, she studied theater and puppetry and staged several puppet shows. From 1974-1976, she was a student at Pars National Ballet under the supervision of Abdullah Nazemi.

Due to the Iranian Revolution and closure of universities, she was unable to acquire a university education. During which time she got married and started a family. She worked as a puppet actress in a children’s TV series, using what she learned from the Intellectual Development Center. 

Her first professional theater performance was in 1983, followed by her debut in cinema in 1985.

She went on to narrate and puppeteer in 17 series and films, directed four TV series for children and teenagers, acted in 20 films, and acted in one unreleased TV series. She has collaborated with directors such as Jafar Panahi, Kambozia Partovi, Reza Mirkarimi, Abdolreza Kahani, Mohammad Rasoulov, Maziar Miri, Narges Abyar, Massoud Bakhshi and, in her latest film Ghahraman, Asghar Farhadi.

She has been nominated for and received numerous awards, including several for Café Transit.

About the film:

Written and directed by Kambuzia Partovi (2005).
Synopsis: In a village near Iran's border with Turkey, Reyhan (Fereshteh Sadreorafaei), a young woman with two children, faces a difficult choice when her husband dies. Instead of marrying her brother-in-law (Parviz Parastoei), as required by traditional law, she chooses to support her family by reopening her late husband's restaurant.

Part of Stanford Festival of Iranian Arts.

SGS Summer Film Festival: Cafe Transit

February 17, 2023
Speakers: Mohsen Yalfani, Shabnam Tolouei 

A discussion with Mohsen Yalfani about his life, work, and the recent reading of his play “Diaspora,” directed by Shabnam Tolouei at Stanford University. Ms. Tolouei joined the conversation as well. Discussion is in Persian.

Mohsen Yalfani was born in 1943 in Hamadan, Iran. He wrote his first plays in his last year in high school and submitted one to the Center for Dramatic Arts in Tehran and won a prize for it. At the age of 18 he moved to Tehran, and while studying at the Teachers' Training College, another of his plays won the same prize. This play was staged in the major theater in Tehran in 1966. 

Yalfani wrote several one act plays that were published in literary magazines and produced for Iranian television. In 1970 he wrote “The Teachers” which was staged in Tehran. The play was stopped by the Shah’s SAVAK and Yalfani along with the director, Saeid Soltanpoor, were arrested and spent three months in prison. Henceforth, all of Yalfani’s plays were prohibited from being staged or published.

In 1973, while collaborating with the Iran Theatre Association, he was arrested, along with his coworkers and friends, and imprisoned for four years. In prison, he translated and adapted the book Voice and the Actor by Cicely Berry and wrote his one-act play “On the Beach.”

When released in 1978, Yalfani collaborated with the Iranian Writers' Association (of which he was elected as a member of the secretariat). After the Islamic Regime’s crackdown on democratic associations, Yalfani left Iran, in disguise, and sought political asylum in France.

Shabnam Tolouei is an award-winning actress, playwright, and director. Born in Tehran, she was forced into exile in 2004 and became a naturalized French citizen in 2019. She has studied filmmaking in Tehran, Bagh-Ferdos Film School and Theatre Studies at Université Paris X, Nanterre, France.

She has been writing short stories for cultural magazines since 1990, acting and writing plays since 1993, and teaching acting for camera since 2001. She continues her career outside Iran as an actress, filmmaker, and playwright.

Part of the Stanford Festival of Iranian Arts.

A Discussion with Mohsen Yalfani

June 1, 2023
Speaker: Tomoyo Chisaka

The second Zahedi Family Fellow lecture by the Spring 2023 Zahedi Fellow, Dr. Tomoyo Chisaka. 

Influential literature on Iran-US relations has assessed economic and security issues as having profound impacts on the rise and fall of Mohammad Reza Shah. However, relatively little attention has been paid to the ways that Iran's domestic institutions, particularly parliamentary politics, influenced the nature of bilateral relations. Findings from the Ardeshir Zahedi papers housed in Hoover Library and Archives and the US National Security Archives indicate that even though the Shah and the US were close allies, parliamentary elections provided a space for the US to contact “moderate” opposition who tried to challenge the Shah’s dictatorship by participating in electoral politics. This communication was facilitated by US concerns about fighting communism within the context of the Cold War, in part because Iran’s opposition knew that only US advocacy would encourage the Shah to co-opt them in parliament in an otherwise illiberal authoritarian environment. A closer look at parliamentary elections in Iran during the Shah’s regime offers important insights into the ways that domestic politics interacted with Iran-US relations, with implications for Iran’s political development.

Dr. Tomoyo Chisaka joined the Iranian Studies Program as the second Zahedi Family Fellow in spring of 2023. Dr. Chisaka is a JSPS postdoctoral fellow at the University of Tokyo, Japan. She is a visiting scholar at the Abbasi Program in Islamic Studies at Stanford University during the 2022-2023 academic year. Her dissertation examined parliamentary election management in post-revolutionary Iran. Focusing on the legal functions of the Ministry of Interior and the Guardian Council, the dissertation considered when and how Iran’s Supreme Leader delegates autonomy to the executive headed by the President as related to the management of parliamentary elections.

Parliamentary Politics and Iran-US Relations During the Cold War

In 2014, Maestro Mohammad Reza Shajarian visited Stanford University. In collaboration with Stanford’s Center for Computer Research in Music and Acoustics (CCRMA), he recorded a few test sessions using virtual acoustics of the Hagia Sophia. 

Recording and production of audio and video were made possible by the CCRMA team and the Icons of Sound Project.

To watch the video recording of these test sessions, please visit our YouTube channel.

Mohammad Reza Shajarian Records Singing with Hagia Sophia Acoustics

May 31, 2022

Speaker: Arash Azizi

"Pahlavi Iran, alongside Turkey, was a rare case of a Muslim-majority state to have consistent relations with Israel. Much of existing literature often discusses this as an aspect of Israeli Prime Minister David Ben-Gurion’s Policy of Periphery. But the Shah’s relations with Israel were in line with his foreign policy conception of “National Independent Policy” and part of a careful balancing act that aimed to stake out a unique place for Iran in the global Cold War. Following the 1967 war, the Shah publicly criticized Israel and demanded its withdrawal from the occupied territories while Iran also maintained clandestine ties to the PLO and restored its ties to the leading Arab nation of Egypt. The Shah’s vision of Iran as a Muslim country and his opposition to remnants of European colonialism also motivated Iran’s policy in this era.  

Basing itself on a study of the Ardeshir Zahedi papers at the Hoover Library & Archives—which include accounts of Iran’s diplomatic meetings with countries such as Turkey, Iraq, Pakistan, Saudi Arabia, Israel, Soviet Union and Yugoslavia—this study attempts to flesh out the formation and execution of Iranian policy on the Arab- and Palestinian-Israeli conflict in the 1967-79 period."

Arash Azizi, a PhD candidate in History and Middle Eastern Studies at New York University (NYU), will be the first Zahedi Family Fellow at Stanford University, joining in spring 2022. His dissertation charts the history of Communist internationalism in the Middle East as part of the Global Cold War. Focusing on the ties between the Communist parties of Iran and Iraq, the dissertation looks at their transnational collaboration, their unique stance on Israel/Palestine and their rivalry with the New Left and Islamists. It looks to show how the Cold War was waged in the Middle East, not only by distant superpowers but by local actors such as the communists and their opponents such as the Shah of Iran.

Nobody's Periphery: Pahlavi Iran and the Arab-Israeli Conflict

October 5, 2023
Speaker: Bahram Grami

A book talk about the acclaimed Iranian poet, Ahmad Shamlou, with Dr. Bahram Grami.  Event is in Persian and was organized on Oct. 5, 2023.

“The book 'Ahmad Shamlou, Behind the Mirror' is not a literary criticism, it is a step toward better knowing Ahmad Shamlou based on reliable sources. It is not a documentary for promoting or defaming him. While Shamlou should be appreciated and praised for his great poetical works, his character and social life is studied because he has been a role model for young generations. This book contrasts with his statement, ‘I live in a glass house and have nothing to hide.’”

Bahram Grami was born and raised in Tehran, Iran. He studied at Tehran University, American University of Beirut and University of Manitoba, Canada, where he received his PhD in plant science and genetics. He served as assistant professor in Iran until he left for the United States in 1985 and became a researcher at the University of California, Davis. His recent work includes the 2022 edition of Flowers and Plants in a Thousand Years of Persian Poetry. He has taught in Hong Kong, Bahrain and China, and has been a consulting editor for flora with the Encyclopedia Iranica.

Book Talk: Ahmad Shamlou, Behind the Mirror

The Hamid and Christina Moghadam Program in Iranian Studies fosters the interdisciplinary study of Iran as a civilization. Each academic year, the Program offers undergraduate courses related to Iran in such disciplines as language, literature, economics, and political science. It provides a wealth of events for scholars, students and the general public, which include conferences, symposia, forums, lectures and performances.

Listen to one our podcasts or check out our youtube channel to discover Iran!

Ehsan Yarshater's Yaddashtha: Reflections on Iranian History, Literature, Culture, and the Arts

Stanford Iranian Studies Program

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