Name: The Man Who Stopped Time by STANFORD magazine
Duration: 16 min 13 s
Description: In 1872, Leland Stanford Sr. hired photographic artist and adventurer Eadweard Muybridge to capture an image of a horse in the act of flying, setting the stage for the invention of the motion picture. Featuring the voice of Gail Wight, associate professor of art practice, whose work in sculpture, video and interactive media explores the relationship between art and biology.

Have you ever felt like your cell phone is controlling your life, or that of someone you know? I’m sure you’ve asked yourself, “Why is it so addictive?” and then just scrolled once again. In this episode, dive into the new yet familiar world of TikTok as three Stanford students uncover the dangers of data collection, addiction, and algorithmic manipulation, shedding light on the impact of social media on privacy and mental well-being.

Data Diaries: Unpacking the TikTok Algorithm and Data Practices

Living Memory

In the spring of 2020, Stanford University made the decision to cut 11 of their varsity teams due to financial issues and lack of success. This episode follows the men’s wrestling team and their coaches in the months following the decision to cut their team as they navigate the challenges of fighting for their spot back.

Reclaiming, part 3: Keep Stanford Wrestling

Alina Wilson and Alex Strong sit down with Kaitlyn Auth and Charlie Darracott for a craft conversation about the story behind creating Keep Stanford Wrestling.

BONUS: Kaitlyn Auth and Charlie Darracott on creating Keep Stanford Wrestling

Whether you have a tattoo or not, we are all familiar with the stigmas that are commonly held against tattoos. Where does this aversion come from? What do these taboos say about history? What do they say about us? In this story, Keoni Rodriguez shares how his tattoos helped him reclaim his indigenous Hawaiian heritage, connect with his ancestors, and begin to heal a history of colonialism and erasure.

Tattoos and Taboos was produced by Ana De Almeida Amaral, Natasha Charfauros, Mikayla An-Yee Chen, & Chloe Gabrielle Mendoza, with support from Laura Joyce Davis and the Stanford Storytelling Project. A special thank you to Keoni Rodriguez for sharing his story with us

Reclaiming, part 4: Tattoos and Taboos

Carolyn Stein grew up with music like Avril Lavigne and The Marianas Trench – classic, trashy pop punk. But she never considered herself much of a punk rocker, until she took a little trip to the East Bay to a tiny venue called 924 Gilman Street. But soon after Carolyn discovers this venue, she learns that it may be at risk of closing. What will be lost if this venue closes?

Welcome to Paradise was produced by Carolyn Stein, Ana De Almeida Amaral, and Max Du, with support from Laura Joyce Davis and the Stanford Storytelling Project.

Reclaiming, part 5: Welcome to Paradise

When Anastasia Sotiropoulos joined the Stanford chapter of the Prison Renaissance Project, she got paired up with a man named Adamu Chan, who had been incarcerated at San Quentin prison for two decades. Their relationship began a few weeks before the pandemic, and the first time they talked San Quentin was the site of one of the largest COVID outbreaks in the nation. Over the next three years, Anastasia and Adamu exchanged dozens of letters, had weekly phone calls, and dreamed of creating a film together. Neither of them could have imagined where that friendship would lead them: not just to Adamu’s release from San Quentin, but his admission to Stanford as a CCSRE Mellon Arts Fellow. Today Adamu is an award-winning filmmaker and community organizer. Adamu and Anastasia have continued their friendship, and together created the 2024 podcast episode, Friends in Liminal Spaces, through the Stanford Storytelling Project’s Braden Storytelling Grant.

Reclaiming, part 6: Friends in Liminal Spaces

Max Du was so obsessed with SeaWorld that his childhood friends called him Orca Boy. But when a SeaWorld trainer named Dawn was killed by an orca, his love for whales turned to shame . . . until he met Dawn’s best friend, a whale trainer named Lyndsey, who led him back to SeaWorld on a journey of reclaiming the Orca Boy that he’d thought was gone.

Reclaiming, part 7: Orca Boy (part 1)

In 1872, Leland Stanford Sr. hired photographic artist and adventurer Eadweard Muybridge to capture an image of a horse in the act of flying, setting the stage for the invention of the motion picture. Featuring the voice of Gail Wight, associate professor of art practice, whose work in sculpture, video and interactive media explores the relationship between art and biology.

The Man Who Stopped Time

STANFORD magazine

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