Not The Same - DJ Hybrid
P.A.Y.G Crew - Fez The Kid, BRUK
Reaching out - Janaway
Higher (Conscious Mix) - Time Travel
Listen To This - DJ Hybrid
Let Me - JAM T
Underscore Pt. 1 & 2 - Mystic State
Terrorist - Renegade
WE NEED JUNGLE - Zero Dark
Pretty Ugly - Fez The Kid, BRUK, Toby Ross
Old Dayz - Domz
Phonetics - Tim Reaper
Knocking - Kellaway
Let It Move - Evasion
Reversion (original Rollers mix remastered) - New Decade
Eclipse - Minos, InnaSelf
Step Up - Roni Size
All We Got - Neekeetone
Off The Top Rope (FFF Remix) - Tim Reaper
Aug Sunset - Gremino
Champion Sound - Dj D-Tox
RISE - Machinedrum, Rozet
Rough Ride (Piano No. 3) - Alex Jungle
Got This On Lockdown - DJ Hybrid
Everything - MICKEYRAE
Holographic (Dead Man's Chest Remix) - LAW
Sameness (Enjoy Remix) - Marc OFX
Red Moon (Msymiakos Remix) - J Majik
Emit Issues - onacide

Diggin' in the Solid States

I like everything dark, liquid, technoid, slow, fast, deep, chill, soft, broken, heavy, industrial, noisy, abstract, experimental in all kinds, forms and excesses of D&B, Jungle, Chillstep, Dubstep, Atmospheric, UK Future Garage, Ambient, Old School East Coast, Old School Techno/Rave, Autonomic, Ragga, Dub (Soundsystems), Downbeat, Lowbeat, Trip Hop, Downtempo, Noise, Industrial, Rythm n Noise, Breakbeat, Experimental, Accid Jazz, 90s UK GRIME, such kind of breaks, beats, bass ALL AROUND just like I also discovered electronic synth/cold/darkwave/postpunk as an VERY interesting new paths. My understanding of music mainly characterised by: David Bowie, Depeche Mode, Prodigy, Wu Tang, LTJ Bukem, Krush, Kid Koala, DJ Food, Goldie, Roni Size, CAM, Andy C, Kid606, Dieselboy, Q_Bert, BTTB, Tricky, MC Conrad, Ed Rush, Portishead, Antipop Consortium, Vadim, Massive Attack, KanKick, Enduser, Coldcut, Architect, Broken Note, DJ SHADOW, And One, Project Pitchfork, Hype, Shy FX,  Grooverider, Optical, Rebel MC, Marky, Zinc, Krust, Kool Herc, Tim Westwood, Beastie Boys, Kris Kross, KRS One, Busta, Snoop Dogg, DUB FX, Black Moon, Boards of Canada, Björk, Salt n Pepa, TLC, Janet Jackson, Missy Elliot.....
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Second account created for my new discovery of the genres electronical Wave/Synthwave/Darkwave/Coldwave/Pop, Industrial, Rhythm 'n' Noise, Noise, Postpunk, EBM, IDM, IBM & appropriate in all facets and wings around to separate this incredibly interesting and beautiful new door in https://soundcloud.com/noone-2-310434778.
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If you're SO insanely happy about every single new follower here like i am......i think it should give me and my self-worth (a lot) to think about, I absolutely know. For this reason: my biggest THANK YOU to every single follower. You and all this here really mean a lot to me.
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I know that music can neither heal nor prevent the decades-long existing global sick capitalism, consumption, politics, lobbyism, corruption, systems, society/s that are sick of it, nor the imminent climate collapse resulting from all these causes. But what it can heal and fill up wonderfully I know: hearts and souls - even empty, cracked, damaged and discarded ones. And that completely free of charge. Unbelievable nowadays...what is also clear: we will never be enough people to be able to break the capitalist climate-damaging sick system globally in time, now it has been really too late for too many years gone by. I live against this system as far as my framework as a system-dependent taxpayer allows me to do so. Music is an enormously important part of it. We should tune in together to the inevitable real climate collapse. With happy hearts & souls filled to the brim with music, contentment & love. Only then will the demise of our livelihoods be bearable for us all.
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War, natural disasters, politics, violence, protests, riots, injustices, attacks, terror and much more. Back then, compared to today, it was all relatively completely unfiltered, clean and completely free of any media and political fake news manipulation and twisted propaganda. All the  pseudo massiv CAPITALISTIC problems, much more its numerous symptoms of illness such as "burn outs", "social media", "depression", "shortage of skilled labour", "housing shortage", with manipulation, fake news, advertising, capitalistic, political influence soaked "media", or topics such as "urban gardening", "gentrification", immigration, all that "self-love, self-worth, what is happiness, the search for the self" madness, "gender", LGBT, "metoos". ... didn't exist back then or were healthy, normal, simple, clean. And yes, people's worries and fears back then were the same as now, just as real, normal, simple BUT FREE from any capitalist distortion, self-promotion, exaggerated and inflated hyperbubbles. Without the very large, constantly spreading epidemic of capitalism, there would probably be less than 40%? of all these problems on our planet, and a global negative climate collapse would never have been an issue. Religion does not affect our climate alone, but in numerous religious political disputes harms people beside climate, nature and all living creatures the most.

Drum & Bass / Jungle / Music

WOLVERHAMPTON, UK' based producer InnaSelf (aka DUNCAN CORINALDI) discovered electronic music in the late '80s to early '90s as a teenager, listening to pirate radio. He began recording music and radio shows onto cassette tapes, which eventually lead to an obsession with buying vinyl. During the mid '90s, he was fortunate to own a small studio setup at home with gear based around an AKAI S950, ATARI ST and a MIDI keyboard. As the connection deepened within JUNGLE/DRUM+BASS music, DUNCAN progressively began to produce music of his own. In the year 2000, DUNCAN released his first recording on vinyl. The track was entitled "CORROSION" and was written under the THIRD ELEMENTS moniker (a collective consisting of DUNCAN, DJ NED RYDER (QUEST) and collaborator MATT).

2013 saw the emergence of his new identity, InnaSelf, releasing soulful, intuitive, thoughtful music with labels such as SOUL DEEP RECORDINGS, ODYSSEY RECORDINGS, TEXTURES MUSIC, SOUL BROS. RECORDS, INFLUENZA MEDIA, CELSIUS RECORDIGS, ATMOMATIX RECORDS, CITATE FORMS, SILHOUETTE AUDIO, DNBBrazil, and LIQUID TONES. In 2014 and 2016, InnaSelf won remix competitions hosted by record labels SOUL FLEX DIGITAL and REDCLIFFE RECORDS. In 2017, InnaSelf was officially approached to remix music for vocal artist LADY EMZ. The release was named 'FOUR-BIDDEN REMIXED' and was released on CONFUNKTION RECORDS. The second remix was a release alongside HumaNature of D+B artists Mode:Funktion, entitled "SO LONG" (THE REMIXES) on the label C RECORDINGS imprint.

In NOVEMBER 2018, InnaSelf released his debut LP 'JOURNEY HOME' on SMOOTH N GROOVE RECORDS. The album managed to break the top 10, peaking at position 9 in the JUNO DOWNLOAD charts. Limited edition CD versions of 'JOURNEY HOME' are available via InnaSelf's BANDCAMP page. Alongside producing solo tracks, InnaSelf has also collaborated musically with artists such as GREEKBOY, BASIC FORCES, FLUID FORM, SYNCLINE, DUOSCIENCE, TREMAH, CIRCLE:CIRCLE, and STUNNA (who remixed InnaSelf's track "CONCIOUSNESS" and was included on the 'JOURNEY HOME' album).

With global support of his music from the likes of RANDOM MOVEMENT, SCOTT ALLEN, LM1, ROWPIECES, PHASE 2, TIM CANT, NELVER, DIFFERENT DRUMZ, LOGISTICS, and the BASSDRIVE Radio crew, InnaSelf continues to successfully moved forward with impeccable and memorable productions.

MUSIC RELEASED WITH :
https://soundcloud.com/fokuzrecordings
https://soundcloud.com/soul-deep-recordings
https://soundcloud.com/sngrecs
https://soundcloud.com/celsiusrecordings

Diggin' in the Solid States

Dpn One