“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - Come Undone (feat. Kazu Makino of Blonde Redhead) [Clip]

Drive (Afro House Mix)

BILLYLAND

All Is Wild, All Is Silent Remixes

Truth (Helios Remix)

Zero 7 - Home (State Azure Remix)

Late Night Tales: Jon Hopkins

Emancipation

Trentemøller – While The Cold Winter Waiting

7fingers

Let My Key Be C

Through Inland - Vanessa Wagner - was able to gift us with imaginary landscapes, through which the listeners could roam freely in a gently throbbing natural world, and where each note was a step and every sound formed a path… Inland Versions is the electronic extension of the project and includes 6 reworks by GAS, Suzanne Ciani, Vladislav Delay, Marc Melia, Hüma Utku and Nadia Struiwigh

Your are listening to GAS rework aka https://soundcloud.com/wolfgang_voigt for Vanessa Wagner´s piano solo interpretation for Wim Mertens "Struggle for Pleasure".

Inland Remixes available in 12" in Kompakt Shop in Cologne from 27.09.2019
& free to share on Spotify / Apple Music / Deezer from today on !

Feel free to share

Vanessa Wagner - Struggle For Pleasure GAS Version [Wim Mertens]

The first two tracks from my 2009 album Insides. Intended to be listened to together.
Get it here http://www.dominorecordco.com/uk/albums/26-03-09/insides/ - or on iTunes etc.


Jon Hopkins - The Wider Sun & Vessel

Producer of electronic, ambient and experimental music from the south coast of England.

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Bio:

Immersed in the synth-pop and electronica of the Eighties growing up in southern England, State Azure (b. 1972) found early inspiration in Jean-Michel Jarre, Tangerine Dream, and Vangelis. Deconstructing their tracks ignited his passion, leading him to develop a foundational understanding of electronic music theory, composition and production entirely by ear and experimentation.

He honed his skills as a keyboardist and producer within live bands before venturing into solo ambient/experimental territory. This self-taught journey fostered a deeply improvisational and emotional approach, free from the confines of formal training.

State Azure's sonic world is further shaped by influences beyond music, drawing heavily from science fiction, cosmology, physics, and technology.

Seizing the opportunity presented by the burgeoning online music scene, he launched the State Azure project to connect directly with listeners, debuting with the album 'Outlines' in December 2011.


Thanks for listening and leaving your comments/feedback, it's very much appreciated and really helps to keep me motivated and pushing forward.
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Releases:

"Disconnect" - Album released: 30/3/2014
https://stateazure.bandcamp.com/album/disconnect

"Snowblind" https://offworldrecordings.bandcamp.com/album/ofw034-transmissions-volume-4

"So Long, Eternity" - album released 21/3/2013
http://stateazure.bandcamp.com/album/so-long-eternity

https://itunes.apple.com/us/album/so-long-eternity/id628160193

"Candle" 2-track Single http://www.loodmarecordings.com/loodma0020.cfm

"Reminisce EP"  on Loodma Recordings http://www.loodmarecordings.com/loodma0016

"Outlines"  Album released 24/12/11 - Free or pay what you want. Download: http://stateazure.bandcamp.com/

"Passing City Lights" track - part of a compilation album "Beautiful Sounds Pt.1". A Loodma Recordings release can be found here. http://www.beatport.com/release/beautiful-sounds-pt-1/395218

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Other projects:
http://soundcloud.com/synapsia ambient/dark ambient.

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Contact: stateazure@gmail.com