A.M.

"VERBUM IV" - ATHENS STATE ORCHESTRA (KOA)/ B. FIDETZIS conductor

Le Mirage - for Orchestra

Mungo g0 vox

Hone - Onna for modular synthesiser

Nessun Dorma

HOOK 16 FOR Woodwind Quintet- Aeolos WWQ/ Live recording (16-1-2017)

Don't Worry, It's a bit like Juggling (2018)
for organ solo
Dominik Susteck: organ
ON-Neue Musik 10 Jahre Jubiläum- Make Some Neues
Kunst Station Sankt Peter 07-09/09/2018

Don't Worry, It's a bit like Juggling (2018) Organ solo

rifts is an 8-channel wavefield synthesis piece created in collaboration with Yuji Morimiya at Sony Creative Centre, Tokyo to showcase his WAVE concept loudspeaker. The collaboration was kindly supported by the GB Sasakawa Foundation. The piece was subsequently remixed for the 192-channel WFS system at the Game of Life Foundation in Den Haag. It was played there in March 2012 and then at the Sónar Festival, Barcelona in June 2012.

The piece uses the particular properties of wavefield surround to try to create a sense of concentric spaces within spaces, exploiting convolution as a technique for creating the impression of sounds placed within enclosures of various kinds. I found that the wavefield surround was capable of creating a strong sense of close proximity to the sound source - as though the sound source is right next to the ears when listening in certain positions - as well as a fabulous, expansive sense of distance. Between these extremes is a host of different configurations of sounds emanating from within differently-coloured resonant 'boxes', effectively.

rifts

Crepuscule tries to capture the mistiness and eeriness of scenery and yet the beauty of earthy, mysterious atmosphere. All source material for this piece was all derived from a flute and I have attempted to explore the timbre and rhythmic transformations; as well as the palette of colours by exploiting various techniques on the flute and through different sound effects. 

Crepuscule

Stathis Kampylis was born in 1987 in Athens, Greece. He received Harmony, Counterpoint and Electric Organ degrees from the Contemporary Conservatory of Athens. Additionally, he has a BA in Theory and Composition (Hellenic American University), a MA in Composition for Film and Television (University of Bristol), and a Ph.D. in Composition (University of Bristol). His research as a composer is particularly concerned with the influence of traditional Japanese aesthetics on contemporary Western compositional practice.