Sydney-based DJ & producer ◻️ 75 tracks on Bandcamp for $24 ◻️ Soul-funk, hip hop, jazz, reggae, disco + house ◻️ Afrobeats, Latin Afro grooves, rare grooves ◻️ Popular party jams, mashup madness, high-energy vibes or low-key moody feels

Back up page for DJ CMAN
https://soundcloud.com/djcmanmusic
★Bookings: craig@musicmerch.com.au
★Web: www.djcman.com
★★★International Artist/Events DJ Support:
D'Angelo
Maxwell
Common
Roy Ayers
Mos Def
Aloe Blacc
Eric Benet
Angie Stone
Leela James
Anthony Hamilton
De La Soul
★★★★★Bio: All things funky, soulful and jazz. 
★★★★★★★★★★★
My homage to the artists and songs that i love and inspire me - please support the artists you love and buy their material!

A live monthly news revue that satirizes the dumb month that was.

Featuring searing op-eds and hilarious debates from Chicago's best writers, The Skewer is a live lit comedy juggernaut that none can resist.

Mixes now on mixcloud...
http://www.mixcloud.com/DJStaticAudio/

Underground music from the source.
A new digital and vinyl label by DJ Frankie Bones.
contact@bangin-music.com

Bronx-born, Freddy Bastone is known for his plethora of styles as a music producer and DJ. Over the course of his career, he has recorded countless Platinum records with the most influential artists in the music business.



He started his professional DJ career in NYC as a teenager in the 80s at the world-famous Danceteria (Rudolf Piper and John Argento), Studio 54, the Palladium (Steve Rubell and Ian Straeger) the Underground (John Contini), and Torries where his versatile style earned him a loyal following and the attention of renowned record labels and producers who hired him as an influencer with dance music ears in the clubs, studios and in the editing room.The mid to late 80s was a very busy time for Bastone, playing live shows for Hot 103 FM from The legendary Palladium & Studio 54 on Friday and Saturday nights. The recognition from his work on hot mixes for radio and relationships developed with his mentors John Luongo, Mark Kamins, Arthur Baker, Larry Levan and others led Bastone to create studio remixes for artists such as Carolyn Harding, The Communards, The Style Council, Frankie Goes to Hollywood, Blaze, The Temptations, Michael Jackson, Quincy Jones, Samantha Fox, George Michael, Taffy, Secession, Dread Flinstone, Queen, Freddie Mercury, Konk, Brilliant, Jackson 5, Billie Idol, Yes, Loleatta Holoway, Sky, Rod Stewart, When in Rome, Nu Shooz, The Voice in Fashion, Raww, Lonnie Gordon, Boy George, Malcolm Mclaren, Judas Priest, Savage Garden, Full House, Safire, Mitsou, Was not Was, and Danny Extravaganza which was the first vogue track to hit the clubsBastone also worked as an A and R rep for both Profile Records (Corey Robins) and Emergency Records (Sergio Cossa and Curtis Urbina), where he developed artists Paul Hardcastle, Blaze, Taffy, Raww and started his own label, Metropolis Records, under the Emergency umbrellaWith mgmt. company Promotion (Brad LeBeau), Bastone went from remixing to producing. Freddy Bastone (alias The Corporation of One), “The Real Life” was a #1 track in the UK which led to a record deal with Fiction Records (Chris Parry) and a publishing deal with MCA. Bastone’s new Dance music is released under the name Bastone & Henry.



Bastone introduced the band Nu Shooz “I Can’t Wait” to Atlantic Records which quickly went to #1. Epic 

Records President Don Greason hired Bastone to bring new acts to his lineup of talent, delivering their first house music group “Full House” and #1 pop sensation Will to PowerKeeping to the streets, Bastone Produced Latin rapper/singer Pablo Toto for Tuff City who became a cult 

artist with his hit “Dame Chocha”. At this point in his career, Bastone was DJing at the newest and hottest clubs in the world such as Marz (Rudolf and Yuki Watanabe), The Underground (John Contini), 4D, and Merlins in NYCBastone toured the world performing in countries in the UK (Heaven, The Whiskey & The Hacienda), Japan (Genesis, Air Craft Carrier), and Taiwan (Taipei) amongst others.



The 2000s also saw Bastone collaborating with numerous producers including Jeffrey Burnstien (Bastone and Burns), Mark Henry, Tony Mangurian, Rockafella, and John Robie. They created remixes and 

productions for such artists as J. Lo, Missy Elliot, Jamirquai, Jewel, Res, Kevin Lyttle, S Club, Gioia, 

Cristina Aguilera, Rod Stewart, Nora Jones, Lil Kim, Yazmeen, Hall and Oates, Shakira, Titiyo, Laura Fabian, Justin Timberlake, Radio Head, Adele, Jessi J, Bastone & Berrios, Kim Cameron, Carlton Ford to name a few.



In recent times Freddy Bastone has been playing at San Bar, Zeppelin Hall and has a residence at Ethyl’s (Gerard Reny).

"Call It Techno" was the blueprint track which was written on June 4, 1989.  It was at the forefront of European Rave Culture and became a well known track in the U.K. & Germany.  The documentary "We Call It Techno" explains it right from the beginning and from that came the second & third Love Parade themes being named "The Future Is Ours" off the XL/Citibeat LP by Musto & Bones.  And "My House Is Your House" from the Break Boys which was Frankie Bones aka on Fourth Floor Records in 1990.

Frankie became the American Pioneer of Rave Culture on both coasts in 1990, playing Techno as a movement.  The Peace, Love, Unity Movement which in 1993 became PLUR after a fight broke out at an event in The Bronx which had Richie Hawtin as it's headliner.

And the rest is history.  If words can paint the picture here, the first 5 Soundcloud links will describe a DJ who has a journey of a lifetime & still is active in 2024.  The music that comes from the heart & soul of the Brooklyn Underground.

Mixes, remixes & edits - Freestyle Records, Tropical Disco Records, Dubplate Disco Recordings, Color Red, Orrua Diskak, OigoVisiones Label

The Original Home of House Music
CEO: @screaminrachael

Staticaudio is following