April 2011 gave DJ Bash an opportunity to compete in a Battle of the DJ’s at Grand Valley State University against many other established DJ’s. He came in second place earning radio and club appearances shortly after. DJ Bash is now a resident on Club104Five playing the last sunday of each month from midnight to 1 am!
Accomplishments:
April 10, 2011: 2nd place at the Battle of the DJ's at GVSU.
April 30, 2011: Joined David James Media Group.
May 28, 2011: Participated in WSNX's Memorial Mixin’ 2011 and spun his first performance at Lower Level for Summer Jumpstart Party 2011.
July 3, 2011: Participated in Red White and Grooves at Lower Level.
July 10th, 2011: Participated in his first Club 1045 experience on <a href="http://www.1045snx.com" rel="nofollow" target="_blank">www.1045snx.com</a> or 104.5 in West Michigan
Participated in Thanks 4 tha Beats 
November 27th, 2011: Club 1045
November 28th, 2011: Club 1045
March 11th-12 2012 Spring Break Takeover; Club 1045
Gate Electronic Festival 2.0 in Big Rapids
Memorial Mixin 2012- 104.5
Summer Jumpstart Party 2012   - 104.5
Party in the Park w 104.5 July 13th, 2012 - 5/3 Ballpark. Opening for Dj Grooves, Steve Swift, DJ Flipside, SuperDre, White Panda and more!
City Lights Music Festival - August 2012 - Calder Plaza, Grand Rapids. Opening for Mixin Marc, Milk n Cookies, Kalendr, Darude, SuperDre, and more!
City Lights Music Festival - July 2013 - Calder Plaza, Grand Rapids, Michigan. Opening for GTA, Clinton Vansciver, Krafty Kutz, Starkillers and more!
Irish on Ionia 2014 - Grand Rapids, Michigan

Affiliations: Morlock Musik
Base of Operation: El Paso, Texas
Place of Origin: El Paso, Texas
Music Styles: Hard Dance, Hardstyle, Tekstyle, and Hardcore
Experience: 12 years

Bio--------------

Born and raised down south in El Paso, TX, Statik Jumpen "jumped" onto the Hard Dance scene at a young age. Producing and spinning Hard House at the age of 14, and as time went on, going on to produce and spin Hardstyle, Hardcore, Jumpstyle, and Tekstyle. He starting getting the knowledge of Hard Dance after listening to Hard Dance producers and Dj's, such as Mark V. (RIP) & Poogie Bear, House "O" Holics, Dj Venom, Dj Irene, and more. He then created his own unique productions of Hard House, Hardstyle, Hardcore, Tekstyle, and Jumpstyle. He would continue to make a name for himself by doing amazing bootlegs from KoRn, Eminem, Adele, and more! He has earned respect from some of the big name Hard Dance producers, such as Dj Venom, G-Fresh, Pat B, Dj Pablo, Dany BPM, and more. He will continue his path on this journey along with the monsters at Morlock Musik, and takeover the Hard Dance scene and everything else that gets in there way.

:: BOOKING

Email: crudecarter@gmail.com

You can find old mixes of mine here: 
http://www.mixcloud.com/crudecarter/

:: BIO

Crude Carter is the stage name for one Max Moskol, a producer and DJ that provides bass-centric and vibe-laden performances that are sure to get the floor moving. A veteran of his hometown Columbus, GA music scene, Crude Carter has been smashing dance floors with his signature deep vibes from Atlanta to Orlando and everywhere in between. Having shared the stage with artists such as Ganja White Night, Mantis and Mayhem and having played such festivals as Okeechobee Music & Arts Festival, Zen Awakening, Moonshine Music & Arts Festival and Connection Festival (Jacksonville, FL), he has been gaining serious momentum in the southeast bass music scene. After a short hiatus from producing, Crude Carter is one to watch in 2018 and beyond as his original productions will be making their way to music streaming services and dance floors near you.

Welcome to 307 Asylum Beats.  Every sound on this page are all original rap beats and are created by me. So please listen to them and tell me what you think.

im a senior in high school and im here to make yall cream your pants n shit

Hip hop artist from Gillette Wyoming... yeah that's right! WYOMING!!
Were out here trying to get respect just like everyone else..
no need to write a book about it, just listen to the music, I believe it speaks for itself, CHECK IT OUT and let me know what you think, YOU be the judge

Shaping Interactive & Narrative Storytelling | Creative Director, Composer, Sound Designl | contact@joshandresmusic.com

Lead dawg and main flow in #DROPGANG 
Turning up since infancy.
Courting girlfriends and mothers. 
Follow me on Twitter @TheRealMarBar
Like Me on FaceBook www.facebook.com/thisismarbar
Want to know more? just ask!

-Played shows with Chris Webby, Kid Ink, Suppose, Skizzy Mars, The White Panda, and Juicy J 
-Crossover of hip hop, edm, and trap

"Interview: Shane McConnell (b. 1994)
Conducted by Amanda Sewell
Pourhouse Café, Bloomington, IN
13 September 2012


AJS: How do you use sampling in your music? How does copyright affect how and what you sample?

SM: Sampling is so many different things, in terms of how you can use a sample. There’s a genre of music called mashups. There’s Girl Talk, there’s the White Panda, there’s Mashup-Germany, etc.- where they’ll actually take every bit of that song from samples. I’m more interested in that because when I think of art, I think of going back to the very beginning. Every piece of art is actually created based on something they’ve heard from somebody else. Using sampling in that context, you’re taking somebody else’s work and making it your own. I’m so against copyright infringement cases because whatever kind of musician you are, you’re actually stealing music. You play the piano.. Why? Because you heard somebody play the piano. Why did they do it? It goes all the way back to that first person who played the piano.

AJS: In the late 1980s, early 1990s, you have a drum loop taken from the drum break of a funk record. Some groups, like De La Soul or a Tribe Called Quest, would have a drum loop from one record, bass from another, maybe horns or keyboards from another and layer those all together so they’re part of the loop. Do you do any sampling like that?

SM: Yes. Every song I make is made up of little samples, when you really break it down. I make the drum loops myself, using a kick sampled from whatever kind of song. If I hear a song with a good drummer, and I like the sounds the drums are making, I can actually go into it and just sample it out. I’ll take just that one drum loop that I’ve sampled, and I’ll take the kick drum, the snare drum, hi-hat, etc.and sample out the different instruments individually. Then I can actually sequence them and make a drum loop like I’m actually playing the drums. If you sample correctly, you cannot tell the difference between sampling and a live drum set. That’s a very useful technique because you can completely cancel out the need for a live drum set, spending $600 on that, when you can just have your computer program and your samples to sequence them like you’re actually playing the drums. 

AJS: Do you have a library of kicks and a library of snares and so on?

SM: I have probably fifteen thousand samples. I’m not exaggerating. [laughs]

AJS: No, I believe you. Where do you get them? Are you listening to 1970s funk? Are you taking them from other hip-hop records? Do you have the 9th Wonder drum kit?

SM: It really depends on what genre I’m trying to create in that song and what genre I’m interested in during that time period in my music creation. I’ll take any number of artists and just go through their albums and listen to anything I can use. Anything. If I’m listening to a song and an idea comes into my head of what I can do with that specific style, my brain goes haywire. I instantly start doing that with my songs I want to create. Over time, those samples that I’ve taken out start to build up. If I’m in a funk where I don’t feel like sampling and the laziness is just overtaking me, I’ll go online and look up sample kits. I can actually go into those artists I find inspiration, and I can find sample kits that other people have sampled out from that artist. I can use samples that way, too. Those two different methods of how I get my samples just build up and build up and build up. Now I don’t need to get any more samples, but I do anyway. 

AJS: So when you hear a really sweet kick, do you immediately come up with a plan for it? 

SM: It’s that creation [process] going to work. That’s all creation is: taking someone else’s work but adding your own flavor to it.
AJS: What kind of programs or software do you use when you’re making music?

SM: It changes.

AJS: A full list is fine. [laughs]

SM: A full list, okay. I use Ableton, FL Studio, Reason, and Cubase.

AJS: How did you learn how to use this equipment and these programs?

SM: I never had a teacher or a tutor, like you’d have for piano lessons. I was just trying to learn it all by myself. I ended up just going to YouTube and finding different tutorials based on what I was trying to learn at that particular time. I would usually come across a problem that I was having in making a song sound the way I wanted to, and I would just go to YouTube and type in “how to ____.” I’d look at the video—I’d have to watch it a few times now and again—but nine out of ten times, it solved my problem and I was able to move forward in my music. The awesome part is that I never forget those skills. Once I use the lesson that first time, it just sticks with me.They continually build upon my base of knowledge—all those little YouTube videos.

AJS: How did you learn how to use this equipment and these programs?

SM: I never had a teacher or a tutor, like you’d have for piano lessons. I was just trying to learn it all by myself. I ended up just going to YouTube and finding different tutorials based on what I was trying to learn at that particular time. I would usually come across a problem that I was having in making a song sound the way I wanted to, and I would just go to YouTube and type in “how to do this.” I’d look at the video—I’d have to watch it a few times now and again—but nine out of ten times, it solved my problem and I was able to move forward in my music. The awesome part is that I never forget those skills. Once I use the lesson that first time, it just sticks with me.They continually build upon my base of knowledge—all those little YouTube videos."





I make music. The question is.. why don't you? 

- Shane McConnell

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