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ʜᴛᴛᴘ://ᴛᴡɪᴛᴄʜ.ᴛᴠ/ʀɪɴɢɢᴏ
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B.Riddim (Third-Ear/Rewind It) 
booking@briddim.com

Press or general enquires: info@briddim.com

This is another soundcloud page from Stainless featuring more of his mixes

check out more from Stainless Steele on Soundcloud @ http://soundcloud.com/stainless_steele

Clement "DJ KLEM" Kponu has been around for a bit. In 1998 as a teenager, the University of Ibadan  graduate of Electrical/Electronic Engineering started the journey into music production, and by 2004,  while still in university, he'd built himself a reputation  as the     go-to producer and remixer in Ibadan. This success saw him moving to Lagos to join the Knighthouse crew as in-house producer and DJ.

   With production credits for some of Nigeria's finest artists including Wizkid, Mo'Cheddah, Sasha P, VECtor, EVA , Ice Prince, Sound Sultan, Sauce Kid (Sinzu), Phenom and many more, and with two critically celebrated albums (Six8Ten and Afrofunkydiscosoul) to his name,     DJ Klem is undoubtedly one of Nigeria's top producers.

  He is an alumnus of the prestigious Red Bull Music Academy (Class of London 2010) and has peformed on redbull music academy stages in London, Lagos and Abuja. As a remixer, his "Gangnam style/Get High" mashup has become one of the most played remixes on Nigerian radio and he is constantly being sought after as a remixer.

His "NoDecks" DJ mix series, as well as his "DJ Klem Presents" series of songs from new artistes have both been critically acclaimed.

DJ Klem is also one of Nigeria's foremost and in-demand film composers and sound designers with his recent credits including critically acclaimed pictures "The Visit", "Couple of Days", for which he was nominated for Best Sound Editor at the Golden Movie Awards, and the soon to be released "Something Wicked: Premonition".

In addition to being a clarinetist and producer I’m also a PhD researcher studying how SoundCloud shapes the ways electronic musicians learn how to produce. Using a range of methods, my work investigates the social and musical practices of musicians online and offline to understand the connections between social media and how electronic producers, and in particular beat makers, learn how to express themselves musically as both individuals and as part of a wide scene.

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